She did a double take. I was an idiot. That’s Linda Barnes, she hissed. Linda. Barnes.
Linda Barnes. Who doesn’t love Carlotta Carlyle? And who doesn’t think the fabulous she and the fabulous Linda are, somehow, channeling each other? Although Linda is quick to say she’s never been—and never wanted to be—a cab driver. Linda’s twelfth Carlotta, Lie Down with the Devil, is just out, and to much acclaim.
(In all so far, Linda;s written sixteen mystery novels, twelve featuring her 6'1" redheaded Boston private eye Carlotta Carlyle, and four featuring actor/detective Michael Spraggue, an amateur sleuth.
She was born and raised in Detroit, but graduated cum laude from Boston University's School of Fine and Applied Arts, then went on to become a drama teacher and director at Chelmsford and Lexington, Massachusetts schools.
Her bookshelves are not only full of books, but full of her honors. Barnes won the Anthony Award and nominations for both the Shamus Award and the American Mystery Award for Best Short Story for "Lucky Penny" in 1985. In 1987 she received the American Mystery Award for Best Private Eye Novel and nominations for the Edgar, Anthony, and Shamus awards for A Trouble of Fools. The Snake Tattoo was named one of the outstanding books of 1990 by The London Times.
HANK: Thanks for being here! I read in your bio that you were a drama teacher (if that can ever be completely past tense) and then I read your
starred review in Publishers Weekly (nice). It says, in part
"The story moves unhesitatingly from point to point, and each character encountered holds his or her space on the page with confidence and distinctiveness." That reminded me of what a director (or actor) would think about on stage.... How does your drama brain connect with your author brain?
LINDA: Good question! I was also an actress, a director, and a playwright, and still feel that I’m working as all three because there are so many connections between theater and mystery. Both are immediate; both have certain conventions that must be honored. When I begin to write, I start with voice. Once I hear the character, I visualize the character. Then I physicalize the character: how does he walk; what does she eat for breakfast; when does she smile and why. These are the same things I needed to know as an actress. My director self guides pacing. I still think in terms of exits, entrances, and beats. As a playwright, I got to assign the task of dressing the actors and describing the set to others. I miss them, and often long for a costumer and a set designer.
HANK: PW--can't resist quoting a bit--calls Lie Down with the Devil "
utterly compelling." It's your twelfth Carlotta. Is it more difficult to be "compelling" on the 12th go-round? Or was it the toughest on number 1 when you created her in the first place? Or does a person who's "real" in your head--not ever get old?
LINDA: It’s always tough, Hank. It was tough at the beginning, and it’s tough now, but I try not to write about any of the less-than-compelling cases Carlotta accepts. And I guess the fact that I think that Carlotta has a life I don’t write about is a measure of how “real” she is in my head.
HANK: Yes-and on your website
http://www.lindabarnes.com/ you even have an essay written by Carlotta. You had her talk about what she's most proud of? Can we ask you the same thing?
LINDA: I’m proud of Carlotta, my son, and my two nieces, who are like daughters to me. I’m proud that, through hectic days and frantic years, I’ve kept on writing. Too stubborn to quit.
HANK: I just met your son—he was wearing a college t-shirt because he knew everyone at the party would be asking him: Where are you going to college? So—he’s in Missouri now. And you’re in Massachusetts. What’s that like?
LINDA: Wonderful and devastating. How terrific is it to know he’s ready to fly? I will miss everything about him, from his muddy footprints to the smell of his hair.
HANK: Do you remember your first day at college? Have your dreams changed?
LINDA: I wanted to be a great Shakespearean actress. I wanted to win an Oscar. Oh my God, I still do; I just haven’t finished the screenplay. . .
HANK: Oh, I wanted to be a Shakespearean actress, too. Viola. And Portia. But last question: what do you wish you had known when you started this mystery writing career? Lots of new and emerging authors are reading this...what can you tell us that you wish someone had told you?
LINDA: Someone did tell me. The late great Bill DeAndrea said, “You think your career will be like a staircase, every step going up. Listen: it’s really like a mountain range, highs and lows, highs and lows.” I pass his wisdom on to you.
Thanks, Linda. And we hope you sell piles of Lie Down with the Devil! And if you all missed it somehow, Heart of the World is now out in paperback!
are Peter Abrahams, Katherine Hall Page, and Linda Barnes, 3 of the 4 members of the Hall of Famers, which Roberta Isleib had the pleasure of moderating. And seen at the cocktail party, Sheila Connolly, Susan Conant, and her daughter, Jessica Conant-Park. 
Hank did a marvelous job of organizing the entertainment at the banquet, a hilarious panel of authors and publishing dignitaries telling big lies. Agent Janet Reid and Bleak House editor Ben LeRoy were among the rowdiest...
Jan Brogan
Rhys Bowen 
