Monday, November 3, 2025

What she wrote: An insane survival move


HALLIE EPHRON: Jenn's post on Saturday about her insane bout of BOULDERING (what WAS she thinking??) and her question: what have you don't lately that had you questioning your sanity, or words to that effect... got me remembering the  research I did in order for Ivy, my massively pregnant main character in NEVER TELL A LIE, to escape from a locked attic in a Victorian house. 

(Fortunately I consulted experts in rope climbing and did NOT attempt it myself.)
To make it work, I had to give the Victorian house a dumbwaiter and research what kind of cables would still remain today. Then I had to give Ivy a back story: competitive rope climbing in high school. Then figure out how she'd use her rope climbing expertise to escape. (Oh, and I also needed a straitjacket to show up earlier in the novel. In fact, there already was one.)

Just researching rope climbing was terrifying.

Here's a part of the scene where Ivy repurposes that ancient straitjacket, harnesses her rope climbing skills, and makes it out alive. 
At last Ivy felt a vibration as the front door to the house closed. A little later the car door slammed. The engine turned over.

Now was her chance—her only chance. She had to get moving.

She scooped the straitjacket off the floor, held it out in front of her and rolled up the body, leaving the arms and dangling straps sticking out at either end. Then she raised the panel to the dumbwaiter. Draped the rolled-up straitjacket over the edge of the opening.

She sat on the dumbwaiter sill and swung her legs over, inside the shaft. Staring straight ahead, she braced her sneakers against the side walls.

Was she insane? She was thirty-three years old and massively pregnant. Still, her arms and legs were strong. And her other options were nil.

The baby shifted inside her, and Ivy felt a rippling arc across her belly like a shooting star. It could work. It had to. She would do whatever it took to keep this baby safe.

Don’t think. Just do!

Ivy grabbed the rolled-up straitjacket and leaned forward, fighting off a wave of dizziness and anchoring her senses on the steady patter of rain.

Don’t look down.

She wrapped the center of the thick canvas roll like a candy cane’s stripe around the cable—once, twice, three times—then pulled the spiral taut. Last, she buckled the straps at the ends of the sleeves together.

There would be no coach or teammates at the ready to climb up and rescue her, no mattresses piled up at the bottom if she fell—just a thirty-foot drop through pitch black to the packed-earth floor of the basement.

Visualize.

She took hold of the canvas-wrapped cable with both hands and slowly transferred her weight to her feet, resting them on the edges of two-by-fours on either side of the shaft.

It’s nothing more than a high curb, she told herself as she hooked one leg and then the other inside the strap sling and set her feet back on the ledges. She lowered her behind slowly into the buckled straps, bending at the knees, pushing down and feeling the spiral of canvas gradually tighten.

So far, so good. She ignored the fear that licked like flames at her insides.

She shifted more of her weight into the sling, feeling for two-by-fours farther down, just in case the spiral of canvas failed to generate enough friction to grip the cable. The cable rasped and groaned, but it held fast as the spiral of canvas kinked.

It was working. Now to descend.

Ivy transferred weight to her feet, easing up on the strap sling. The canvas spiral loosened. She tugged it down.

Would Melinda be arriving at the police lab already? Parking the car? How many more feet before Ivy reached the second-floor opening. Nine? Eight? In three-inch increments, that was going take… The math was discouraging. Hopefully, she had that long.

Ivy felt for a lower foothold, then inched the canvas spiral down. She could barely see her hands in front of her face. Above her, growing dimmer, was the rectangle light where the panel to the attic remained open.

She repeated the sequence again, and again, and again—bracing her feet against the shaft to loosen the canvas spiral and shift downward, then lowering herself into the sling, tightening the canvas roll, lowering her feet to the next foothold. She tried not to think about the darkness closing around her. Her every move echoed in the shaft.

Peristalsis. Eleven letters. She said the word, then spelled it as she continued inching her way down the cable, proceeding entirely by feel, imagining that the dumbwaiter was a snake and she was prey, slowly working her way through its digestive tract.

Arms and legs trembling with fatigue, Ivy kept going. Just as she was lowering her behind into the sling again for what felt like the hundredth time, the phone started ringing. The sound was reverberated in the shaft.

Ivy tried to ignore it. She felt for a lower foothold. Found it. The phone rang again.

She transferred her weight to her feet.

The answering machine clicked on. The canvas spiral loosened and she tugged it down a few more inches. Found a fresh foothold. The new voice message played, assuring the word that yes, she was just fine and still waiting.

“Ivy, where the hell are you?” It was Jody, screaming at the answering machine. “You know this makes me completely crazy. Are you screening this call?” A long pause. “Damn you!”

In the background, Ivy could hear Riker’s shrill cry: “Da-oo”

“If my son grows into a juvenile delinquent, it’ll be your fault. Would you pick up the frickin’ phone?”

I’m here! Ivy wanted to scream back.

“Honest to God, you can be such a pain,” Jody said, and hung up.

Focus. Concentrate.

Ivy’s clenched hands felt sweaty, slippery like they used to get during rope drills for Coach Reiner, especially when she reached the top of the rope and looked down.

She could imagine Melinda, chatting up the receptionist and flashing Ivy’s driver’s license. Banking on her disguise to fool the technician.

Soon Ivy had to reach the second-floor dumbwaiter opening. How much farther? She found herself staring down into inky blackness. She gasped and shuddered, panic rising inside her. One foot slipped off its perch. Then her other foot slipped. She fell with a lurch, and a moment later she was dangling from the straps by her armpits. Her legs bashed against the rough plaster wall, and her own screams echoed around her. The tough leather cut into her underarms.

But the canvas spiral had tightened and held fast. She flailed for another foothold, and at last she felt an exposed two-by-four on one side and a wider ledge on the opposite side to anchor her feet against. She rested for a moment, panting and catching her breath.

The wider ledge—Ivy looked down and saw a sliver of lighter gray, seeping through at just that spot. She steadied herself, sweat trickling into her eyes, legs shaking. All she had to do now was raise the panel and climb out. She envisioned her fingers uncurling, her hand reaching out and pushing the panel up.

Three, two one…let go! With a clean swipe, she reached out in the dark, felt for where she knew the lower panel had to be, and pushed. Then she grabbed back onto the canvas-wrapped cable.

The cable shimmied and creaked, but the panel hadn’t budged. Or… Was it her imagination, or did the band of gray light seem just a bit wider?

A shadow moved across it, and for a moment Ivy froze. Then she recognized the sound of Phoebe's claws on the wood floor just beyond.

She reached out again and gave the panel a harder push. The band of light widened to a quarter inch.

She wedged her toe in the opening, and it rose an inch more.

There was Phoebe, just on the other side. The dog put her paws up on the sill, sniffed at Ivy’s sneaker, and woofed.

“Shoo,” Ivy said, as she pressed with her foot, raising the panel halfway. The dog rested her white-whiskered muzzle on the sill. “Go away!” Phoebe’s back end wiggled in ecstasy. “Phoebe, sit!”

The dog obeyed.

“Stay!”

She lowered its head onto her paws. Amazing.

Little by little, Ivy managed to raise the panel the rest of the way. When it was open as wide as it would go, she planted her feet on exposed two-by-fours on either side of the shaft, grabbed onto both sides of the dumbwaiter opening, and shifted her weight.

The straitjacket loosened. Ivy held her breath as it slithered away into the darkness below.


I do not remember how the movie makers who turned my book into a Lifetime Movie Network movie ("And Baby Will Fall") filmed this scene, but it's THE one that readers often say kept them up.

I hope Jenn will use her experience bouldering in one of her novels. Combined with fantasy? Why not!

Is there a scene in a book or movie (Dorothy drenches the wicked witch? Tunneling to freedom in THE GREAT ESCAPE??) that's stuck with you where a character risks life and limb to get untrapped?

46 comments:

  1. Oh, my goodness, Hallie, reading that was just as scary now as it was when I first read your book . . . .

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  2. What a terrifying escape, Hallie!
    Yes, there are plenty of escapes in movies that continue to haunt. In Air Force One, the survivors of the terrorist attack on the plane have to escape onto another plane. (Who films these crazy scenes?) There are lots of escapes in Star Wars. Here's one: Luke, diving into darkness, sliding down the tunnel to dangle by one hand (the horror) from a wire, telepathically reaching out to Leia. Oy, for the rest of the day I'll be searching my memory for more scenes of escapes.

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    1. Star Wars - great choice. And I've been watching the Minions movies which are jampacked with ridiculously over the top escapes. Love Gru.

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    2. Gru. What a great character! I love the Minions!

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  3. My heart is racing! That's such a suspenseful scene, Hallie, with so much at stake.

    I can look around at the mysteries in my office and almost all have at least one scene where the character had to risk all to escape. My gaze just fell on Sarah Stewart Taylor's Hunter's Heart Ridge, which has snowed-in nights with the power out that present great danger.

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    1. YOu're right about every one of the books we write has one (that's why it's considered "genre" fiction) - and always in the third act there's a great escape of some sort, even if it's emotional.

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  4. The Great Escape by Brickhill was a book and movie - the fact that it was true makes it even more unbelievable: "the Nazis thought the Stalag Luft III camp was escape-proof, but 76 Allied airmen proved them wrong. The mass escape of 76 Allied airmen from a Nazi POW camp in March 1944 remains one of history's most famous prison breaks.
    In Rebecca by Daphne du Maurier, Rebecca terrorizes her former husband (that was her intent before she died) and made the clues point to him as her murder. It is a thriller that haunts the ex-hub and his new wife til the end when they have the evidence to show his innocence.

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  5. Wow.. what a way to start the day! Got my adrenaline flowing, for sure! There are several scary scenes in the Lord of the Rings trilogy that involve being underground.

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    1. Good choice. Great swamp scenes in lotr, too. Which reminds me of Hound of the Baskervilles

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  6. I will never forget reading that scene the first time. My arms hurt by the time Ivy climbed out of the dumbwaiter. I feel the same exhaustion this morning. Well done!

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  7. Not sure I need to be so anxious so early in the day. Usually my anxiety comes much later! So thank you, Hallie!

    The only movie scene that pops into my head is from The Poseidon Adventure when Shelley Winters had to hold her breath and swim under water. I don't want to spoil anyone but it was almost laughable when the scene was over and we could hear the entire theater take a breath.

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    1. -- a sure sign that it worked! These days I confess I can no longer watch scenes like that. Nope nope nope.

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  8. So well written, Hallie; masterful! I can never decide if not being able to see what she's doing is an asset, or much more terrifying for someone with a fear of heights/the dark.

    The scariest scene I have ever seen, and which gave me nightmares for years before my daughter took up climbing, was from an iMax documentary on rock climbing. I'm sure it was edited for maximum "ooh!" factor, but a climber on a cliff face 100s of feet in the air lost the pitons holding his rope onto the crag, one by one. Pop, Pop, Pop, Pop. Leaving him dangling over a precipice with no discernible way to reattach himself. Now I know that sane climbers climb in pairs, and someone is helping, top or bottom, including whoever was filming the action, but at the time I knew nothing about it, and I can still, 30+ years later, see that guy swinging helplessly. Stops my heart, every time.

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    1. Thank, Karen. That documentary sounds terrifying. And on a big screen?!?

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    2. Yes! With the screen surrounding you.

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  9. I was out of breath by the time I finished reading that scene, Hallie, and all I'd done was sit in my computer chair! A VERY effective escape. Another one I will never forget is in Dick Francis's NERVE, where the jockey hero is tied up in a deserted tack room in the countryside with his eyes and mouth covered, no shirt, a badly scraped back, his ankles bound, and his hands tied up high over his head. Then the villain throws two buckets of cold water over him in almost-freezing weather and leaves him. It takes him hours to escape, his hands are a mess (and much of the rest of him, too), but he still rides a race and wins the next day! I love Dick Francis!

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    1. From Celia: so great to find you're a Dick Francis fan too. I remember Nerve clearly too. I was thinking of Francis books as my answer to your question Hallie. I was thinking of the one where Francis protagonist finds himself kidnapped and left in a looked car on the African Velt with no water and no way out. This was all about survival.
      Hallie what a terrifying scene, the suspense is pitch perfect. Having her pregnant increased the terror. I was reminded of Julia's Through the Evil Days with Claire pregnant, Russ damaged and their race to save another child all in the middle of a bad snow storm.
      What a way to wake us all up Hallie, well done.

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    2. Dick Francis is amazing. I remember Hallie using an opening scene of his as a master lesson in suspense!

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    3. Such a great example, Kim! Nerve is one of my favorite Dick Francis novels, but so many others had great escapes, too.

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    4. Thanks, Kiim - I was hoping readers would be exactly that. And DICK FRANCIS! Wasn't he brilliant at writing tension-filled action scenes!

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    5. All these fellow Dick Francis fans--what fun!

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  10. Whoa, Hallie...I felt as if I was witnessing that entire dumbwaiter scene with Ivy and holding my breath the whole time! It was so descriptive and detailed. What a frightening scene!. I'm not so sure I would have had the brain power, stamina or courage to do what Ivy was able to do.

    A frightening visual that has stayed with me forever would have to be from the film "Wait Until Dark" when after being stabbed and supposedly killed Alan Arkin's villain suddenly leaps out of the darkness and grabs Audrey Hepburn's horrified character by her ankle. I never saw that coming!!!! As a matter of fact that entire movie's theme was terrifying. Just imagine being blind and held captive by sadistic murderers in your apartment while trying to keep your wits about you as well as survive the horror of it all. That film still gives me the "yay yays"!

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    1. Evelyn, great choice of Wait Until Dark! I remember jumping a foot in the air when I first saw that scene. And then watching it with a friend a year later, I jumped again even knowing it was coming! — Pat S

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    2. So brilliant, Wait Until Dark. I saw the play (the whole theatre went dark when he enters the house and she has a slight advantage in the dark because she's blind. Then I saw the movie and even though I knew the story I still was terrified. Audrey Hepburn?

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  11. For a person who fears most being “caught”, this scene would have me putting the book down and never going back. I don’t remember when or why this fear started. I do have my mother’s stories about my screaming “caught” in my carriage and stroller. And how I hated Halloween full face masks. I even took the eye ones off as quickly as possible. Elisabeth

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  12. This is SO suspenseful! We should all go watch the movie again,rigth? And interesting that often the best "escape" scenes combine the physical with intellect and intelligence.

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    1. Yes, internal dialogue is so key to making it work... or torpedoing it.

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  13. "Using the straightjacket, she climbed down the dumbwaiter shaft to the second floor, where she escaped." That's the gist of the scene and why you're such a great success, Hallie--taking us inch by inch down that shaft with your protagonist, hearts pounding! Nevada Barr's mysteries set in National Parks always had a nail-biting escape scene. Can't remember the title now, but the caving one just about did me in. You can bet I'm never going to re-read that one!

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  14. Oh, gosh! I would say Mary Russell (Laurie R King's marvelous heroine) always gets herself into those sorts of scrapes, in many different countries, always risking life and limb. But I especially remember what she had to go through to (with Mahmoud and Ali both? I don't remember) get Holmes released from the evil guy - this particular one is in Oh, Jerusalem.

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    1. And there's always a dash of humor in Laurie's writing.

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  15. Hallie, what a terrific scene!!!! Now I have to go back and reread the book!!!

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    1. Thanks, Debs! Rereading it myself I was pretty pleased with it.

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  16. As the younger kids say, OMG, Hallie, that is one spectacular scene! Suspenseful with a capital S. And, what I realized reading it is that this is the book of yours I missed reading. I will be rectifying that omission. And a movie about it, too. You can see the movie through Amazon's Lifetime Movie Club by purchasing a 7-day trial for 4.99.

    After reading your scene, I'm having trouble thinking of a book or movie with --- oh, wait, perhaps the best, most on-the-edge-of-my-seat escape was in the movie The Long Kiss Goodnight with Geena Davis and Samuel L. Jackson. Think Die Hard in terms of what kind of movie it is.

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  17. Hallie that is such a great scene.
    Another great scary movie came out around the 1970's or late '60's called play Misty for Me with Clint Eastwood.

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    1. Play Misty for me was a great psychological thriller. Fatal Attraction, too.

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  18. That is a brilliant scene, Hallie! You’ve inspired me to work bouldering into a book!

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  19. Hallie, that scene is just as nerve-wracking now as when I read it the first time.

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