Thursday, August 28, 2008

ON BACK TO SCHOOL








When the student is ready, the master appears.

~Buddhist Proverb


HANK: Sigh. With September approaching, and Labor Day, for heaven's sake., I keep thinking I should be out buying new notebooks (after finding out via Linda Katzenberger whether this year the cool ones are spiral bound with three rings, or five rings, or separate folders)


and new penny loafers (after finding out from Sue Marling whether they're supposed to be shiny and with a penny in the slot, or scuffy and with no penny.).


Linda Barnes described this week how she sent her son off to college--another turning point at summer's end.

I remember my first day as a freshman in High School. I was so excited. Here's a picture of me--but this might have the next year. Hard to tell. Post-Vidal Sassoon, obviously, anyway.
I really wanted to wear my new black and white hound's-tooth wool skirt, and my new red crewneck sweater with a white oxford underneath. It was a great outfit.My Momn said I couldn't wear it--with the absurd reason that it was 90 degrees outside. (Indiana in September.)


I insisted. It was my new school outfit, and this was my new school. I was going to wear it, come hell or high water.

What came, was something else. The alarm went off Tuesday morning. But then, I heard another weird sound. My cat, Mrs. Purdy, chose that moment to give birth to kittens. In my closet!


No, that wasn't foreshadowing. It was weird and goopy in there, but my skirt was fine. (The kittens were fine, too. F Scott and Zelda. Another story.)

But I didn't remember to brush my teeth until after I got dressed. And my red sweater soon had
a big slash of white Crest dribbled down the front.

I changed clothes. Mom wins again.

Your first day of high school? College? Can you remember?

Wednesday, August 27, 2008

ON LINDA BARNES (And Carlotta Carlyle)






"Carlotta and I grew up in the feminist movement of the 60s. She is my mirror held up to nature, my reflection of a changing society. As a teen, I read mystery novels about stalwart men who lived by a code a justice. As a young adult, I looked at my female friends and saw, not only housewives and moms, but lawyers, doctors, and cops, women who not only desired justice, but demanded it. And that's Carlotta's mission, really, to demand, determine, and occasionally, mete out justice on her own. "
*** Linda Barnes

from "Carlotta and Me"


Look gang. Linda Barnes is here. Back in my mystery writing youth (four years ago) I was at some event, and this woman walked into the room. Somehow shy, but commanding the floor at the same time. Every head turned, and the party buzz buzzed right over to her. “Who’s that?” I whispered to a straggler who hadn’t yet joined the admiring throng.


She did a double take. I was an idiot. That’s Linda Barnes, she hissed. Linda. Barnes.

Linda Barnes. Who doesn’t love Carlotta Carlyle? And who doesn’t think the fabulous she and the fabulous Linda are, somehow, channeling each other? Although Linda is quick to say she’s never been—and never wanted to be—a cab driver. Linda’s twelfth Carlotta, Lie Down with the Devil, is just out, and to much acclaim.

(In all so far, Linda;s written sixteen mystery novels, twelve featuring her 6'1" redheaded Boston private eye Carlotta Carlyle, and four featuring actor/detective Michael Spraggue, an amateur sleuth.

She was born and raised in Detroit, but graduated cum laude from Boston University's School of Fine and Applied Arts, then went on to become a drama teacher and director at Chelmsford and Lexington, Massachusetts schools.

Her bookshelves are not only full of books, but full of her honors. Barnes won the Anthony Award and nominations for both the Shamus Award and the American Mystery Award for Best Short Story for "Lucky Penny" in 1985. In 1987 she received the American Mystery Award for Best Private Eye Novel and nominations for the Edgar, Anthony, and Shamus awards for A Trouble of Fools. The Snake Tattoo was named one of the outstanding books of 1990 by The London Times.



HANK: Thanks for being here! I read in your bio that you were a drama teacher (if that can ever be completely past tense) and then I read your starred review in Publishers Weekly (nice). It says, in part "The story moves unhesitatingly from point to point, and each character encountered holds his or her space on the page with confidence and distinctiveness." That reminded me of what a director (or actor) would think about on stage.... How does your drama brain connect with your author brain?

LINDA: Good question! I was also an actress, a director, and a playwright, and still feel that I’m working as all three because there are so many connections between theater and mystery. Both are immediate; both have certain conventions that must be honored. When I begin to write, I start with voice. Once I hear the character, I visualize the character. Then I physicalize the character: how does he walk; what does she eat for breakfast; when does she smile and why. These are the same things I needed to know as an actress. My director self guides pacing. I still think in terms of exits, entrances, and beats. As a playwright, I got to assign the task of dressing the actors and describing the set to others. I miss them, and often long for a costumer and a set designer.

HANK: PW--can't resist quoting a bit--calls Lie Down with the Devil "utterly compelling." It's your twelfth Carlotta. Is it more difficult to be "compelling" on the 12th go-round? Or was it the toughest on number 1 when you created her in the first place? Or does a person who's "real" in your head--not ever get old?

LINDA: It’s always tough, Hank. It was tough at the beginning, and it’s tough now, but I try not to write about any of the less-than-compelling cases Carlotta accepts. And I guess the fact that I think that Carlotta has a life I don’t write about is a measure of how “real” she is in my head.

HANK: Yes-and on your website http://www.lindabarnes.com/ you even have an essay written by Carlotta. You had her talk about what she's most proud of? Can we ask you the same thing?

LINDA: I’m proud of Carlotta, my son, and my two nieces, who are like daughters to me. I’m proud that, through hectic days and frantic years, I’ve kept on writing. Too stubborn to quit.

HANK: I just met your son—he was wearing a college t-shirt because he knew everyone at the party would be asking him: Where are you going to college? So—he’s in Missouri now. And you’re in Massachusetts. What’s that like?

LINDA:
Wonderful and devastating. How terrific is it to know he’s ready to fly? I will miss everything about him, from his muddy footprints to the smell of his hair.

HANK: Do you remember your first day at college? Have your dreams changed?

LINDA: I wanted to be a great Shakespearean actress. I wanted to win an Oscar. Oh my God, I still do; I just haven’t finished the screenplay. . .


HANK: Oh, I wanted to be a Shakespearean actress, too. Viola. And Portia. But last question: what do you wish you had known when you started this mystery writing career? Lots of new and emerging authors are reading this...what can you tell us that you wish someone had told you?

LINDA: Someone did tell me. The late great Bill DeAndrea said, “You think your career will be like a staircase, every step going up. Listen: it’s really like a mountain range, highs and lows, highs and lows.” I pass his wisdom on to you.

Thanks, Linda. And we hope you sell piles of Lie Down with the Devil! And if you all missed it somehow, Heart of the World is now out in paperback!



And as always: please take the Jungle Red preference test!

Miss Marple or Hercule Poirot?
Miss Marple.

Sex or violence?
Sex. A little violence.

Pizza or chocolate?
Chocolate.

Daniel Craig or Pierce Brosnan? (We won't even include Sean Connery because we know the answer. Don't we?)
Daniel Craig.

Katherine Hepburn or Audrey Hepburn?
Katherine.

First person or Third Person?
Both. Either.

Prologue or no prologue?
No prologue.

Making dinner or making reservations?
Reservations.

And Finally: The Jungle Red Quiz:
Tell us four things about you that no one knows. Only three can be true. We'll guess which one is fiction!


LINDA: I’m terrified of heights.
I tell my husband everything.
I’m more convincing when I lie than when I tell the truth.
I’m allergic to lobster.

HANK: "I’m more convincing when I lie than when I tell the truth?" Is this one of those riddles about foxes and people on an island? So that means, if this is the one that’s not true, then it is the one that is true?

PS! Come chat with Linda in person—she’s in the Hall of Famers panel (of course) at the always fantastic New England Crime Bake
http://www.crimebake.org/schedule.htm

Monday, August 25, 2008

On Bananas











“…so it's easier for me to cut the stupid banana."


Woody Allen





HANK: Did you read the article in Newsweek? It’s haunting me. Woody Allen (and we can pick cinema favorites later) says he cuts his banana into exactly seven slices each morning. According to Newsweek:


‘Six slices, or eight, and something bad might happen. "I know it would be total coincidence if I didn't slice it into seven pieces, and my family were killed in a fire," he says. "I understand that there could be no correlation, but, you know, the guilt would be too much for me to bear, so it's easier for me to cut the stupid banana." ‘



Here’s Woody Allen, okay, notoriously neurotic and sometimes a little creepy but certainly talented and inarguably successful, who relies on banana-cutting to make himself feel in control.
Silly stuff first. This means there has to be a banana every morning, which in our house would be problematic. Did you get the bananas yesterday, honey? Either of us might say it. And it’s just as likely that the answer would be “no.’




But banana requirement aside. Let’s talk about superstitions.


Oh, yes, I have them. But (and I’ll somewhat afraid to bring this up because it might jinx everything) it trying to catalogue them today, I’m discovering that I have fewer than I used to. What does that mean? Would I walk under a ladder? Huh. Probably. It would cross my mind, I admit. Put shoes on a table? Yeah, if there was a reason to. Step on a crack? Do it all the time. And I have a beautiful glazed black papier-mâché raven in my living room.



My darling step-father, gruff and hard-nosed, corporate lawyer and all that entailed, would have told you he was absolutely not superstitious, that such things were idiotic. But try putting a hat on a bed. He’d whisk it off, appalled. “I thought you weren’t superstitious,” I remember, so clearly, how perplexed I was. “I’m not,” he insisted. You just don’t put hats on beds.”


Okay. I do throw salt over my shoulder if I spill it. And I have two little carved rocks on my desk, one says ‘patience’ and one says ‘imagine’. And I recognize them every morning before I start writing. But is that superstition? I don’t think something bad will happen if I don’t look at them. But why find out? I could write if they weren’t there. And I sure don’t have to cut my banana, if I had one, in exactly seven slices.


Do you have superstitions? And why?



(And oh, my faves are Hannah and Her Sisters and Crimes and Misdemeanors. Bananas? Hmm, now that one has hidden meaning.)




JAN: The worst superstition I had -- and I'm told this is an Irish thing -- is that I used to believe that worrying about something prevented it from happening. Conversely, if I didn't worry about something, and it happened, it was my fault for not worrying. This superstition is not good for cortisol levels -- especially when you have children. Not to mention when your husband has a small plane (gone now, thank god) Luckily, I went to see a cognitive behavioral therapist about five years ago in my ongoing battle with my plane phobia. He was Jewish, not Irish, and had an effective way of poking fun at my thinking. He didn't completely cure the plane phobia (that came later, another therapy, another story) but he did an amazing job of getting under the hood of my car/brain and fixing the faulty wiring. The biggest wiring problem was this particular superstition.


I also have a pair of tiny gold guardian angel earrings that the kids bought me for Mother's Day when they were still little. I believe these are good luck and still wear these whenever I fly or play a tennis match.


HALLIE: Can you even imagine living with a man who has to cut his banana into exactly seven slices each morning? Two-year-olds have fixations like that (Mommy...cut the bread in TRIangles). No wonder he and Mia never shared an apartment.


The one thing I do is knock wood whenever I take pride in my beautiful (knock) smart (knock) daughters' accomplishments...or my own (knock, knock). It's like the Jewish expression that my grandmother used, Kineahora, and then she'd spit to distract the evil eye.


I also imagine the worst most terrible scenario (baby born dead...with two heads...) that could possible happen. That way I can't be disappointed. Is that being superstitious? I think psychologists would say it's being "well defended." Fer sher.


HANK: But it's universal, isn't it maybe, the search for control?


Hallie, you knock wood (and I do, too, okay, I admit) almost as a motion of gratitude, you know? A recognition that something, whatever, has more power than we do and tht anything could change at any momoent. (Rosemary is off at Glacier National park, one of my favorite spots, a place where the sense of something like that is incredible and immense.)


Jan, did the therapist call worry a superstition? Interesting.


We wouldn't think Woody was weird if he couldn't go to work in in the morning without meditating. If he said: every Monday, I simply have to meditate for fifteen minutes. That would be--a coping strategy for an unpredictable world.


And yet, if he said the reason he did that was to prevent his house from burning down, then we'd think: whacked.




Why do we feel that if the universe is keeping score on us somehow? Oops, Hank didn't throw salt. That's a minus. But she said rabbit-rabbit on the first of the month? A plus.
How about you all? Step on a crack, anyone? Cross fingers, it won't matter.