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| At the Hopkinton MA library |
HANK PHILLIPPI RYAN: Scroll down to win WHAT YOU SEE!
But first: I am SO confused! It’s the best kind of confusion, of course, and I completely embrace it. But I am in the midst of writing my new book (YAY! 50,000 words done. BOO! 50,000 words to go.) and I am even loving it. Sometimes. So on this “What We’re Writing” week, it would seem logical to reveal a little of that book, titled SAY NO MORE.
But first: I am SO confused! It’s the best kind of confusion, of course, and I completely embrace it. But I am in the midst of writing my new book (YAY! 50,000 words done. BOO! 50,000 words to go.) and I am even loving it. Sometimes. So on this “What We’re Writing” week, it would seem logical to reveal a little of that book, titled SAY NO MORE.
But too
soon. Toooo soooon! I am still tweaking and changing and getting the story
gelled (jelled? gel is for hair, right? But it does hold things in place…) in
my head. Every day before I go forward, I go back and move words around. See if
I can think of stronger ones. I ask
myself: what did I mean by this? Why do I care about this? What is this story, SAY NO MORE, really about?
Already
Daniel Tarrant’s name has changed to Edward Tarrant, Madeleine Ruggerio’s name
has changed to Caroline. (And that’s still not quite right.) One name that
won’t change: Willow Galt.
And
motivation, motivation. I am consumed with motivation. I am adoring the
ever-surprising way the story unfolds, and I’m always thrilled if I can get one
good idea a day. I mean, wow. One good idea a day! That would be 365 good ideas
a year. Which seems like a lot, right?
| I cannot write without this. |
And as
Hallie brought up yesterday, the complicated braiding of timelines. My
time-charts are less fancy than Hallie’s. Here’s one. Scene by scene, what day,
what day in the book, what time, who is in it, how many pages it takes.
To keep
track of what happened when and how old characters were, I scrawled this. I can
make sense of it, so hey.
| Yes, I can read it. PERFECTLY. |
And
then, this very high-tech timeline at the top, so I can see where I am in the
story arc, from page 0 to 400. Works for me!
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| See? I am on page 180, so near the middle. |
But the
other part of my life, and why it’s confusing, is that the new and finished
book, WHAT YOU SEE, is coming soon. (SO EXCITING! And amazing reviews to come,
shhhhh.)
So what I am also writing is all the other stuff
that goes with the publication of a new book. For example, I have to figure out
my book-talk talk (Launching October 20 in Vero Beach, Oct 21 in Atlanta, Oct
22 in Boston, for starters—please please come to the parties!) When someone asks “What is it ABOUT?” I have
to come up with a fascinating and succinct answer.
WHAT YOU SEE. You know those surveillance cameras that are everywhere? On TV, we see
the results—the videos of football players punching their “girlfriends,” of
actors trashing their hotel rooms, of bad guys and bank robbers and convenience
store fights. And often, the police
catch their suspects as a result of all that conflict caught on camera.
But
what about all that other video? The kind that never makes the news—the video
of me, and you and you and you? It’s all there, somewhere. It all exists. And
someone has access to it. What if….
In WHAT YOU SEE:
JANE
RYLAND suddenly has a new job! And she’s covering a murder that’s taken place
in broad daylight. Thing is, her
bride-to-be sister Melissa is in town, and in the midst of Jane’s reporting,
Melissa, frantic, calls her cell. “We can’t find Gracie,” she says. Where’s the nine-year old flower girl?
Detective
JAKE BROGAN has a doozy of a case. A guy’s been stabbed to death in Curley
Park, next to the tourist-magnet Quincy Market—in front of dozens of
camera-toting witnesses and surveillance cameras. Easy solve, right?
BOBBY
RIAZ knows his future as a paparazzo is so bright, he oughta—change his name. He does—and after what he sees, his future
changes as well.
TENLEY
SISKEL is only
trying to envision a future at all. After her sister's death--murder?--she’s
consumed with guilt. Could she have prevented it? Now her hot-shot mom’s
finagled her a stupid summer job. At least it’s easy; all she has to do is
monitor video feeds. But soon, what she sees will change her life forever.
CATHERINE
SISKEL, the Mayor’s Chief of Staff and Tenley’s mom. Her life is all about
damage control. Until today--when the damage she sees is too terrible to face.
Will
readers love it? Will they write glowing reviews, and buzz about WHAT YOU SEE
to their friends? No pressure, I reassure myself. It’s just my career. (You can pre-order here!)
But if
you’d like to win an advance copy? Just
say “I want WHAT YOU SEE!” in the comments. And tell me…do you notice the
surveillance cameras?














