Showing posts with label Princess Leia. Show all posts
Showing posts with label Princess Leia. Show all posts

Sunday, December 20, 2015

The Force is back: Viva Star Wars!

HALLIE EPHRON: I love Love LOVED the first Star Wars movie. Liked the second one. And the rest were a complete waste of time designed, as far as I can tell, primarily to sell lunchboxes and action figures. There were special effects galore but it felt s if they'd hired a wookie to write the dialogue. 


I'm thrilled to hear that STAR WARS: The Force Awakens is getting enthusiastic thumbs-up from reviewers. Can't wait to see it!

So for those of you who, like me, are ready for your Star Wars fix, here's a little quiz to take you back to that first Star Wars experience.



For each of these quotes from the movie.
Who is speaking, and about whom (or what)?

Your choices:A. Princess Leia
B. Luke Skywalker
C. Han Solo
D. Obi-Wan Kenobi
E. Darth Vader
F. C-3PO
G. R2D2
H. Chewbacca
I. The Millenium Falcon

1. Aren't you a little short for a stormtrooper?
A, B

2. This is all your fault.
F, G

3. Will someone get this big walking carpet out of my way?
A, H

4. Look, Your Worshipfulness, let's get one thing straight. I take orders from just one person: me.
C, A

5. I would much rather have gone with Master Luke than stay here with you. I don't know what all this trouble is about, but I'm sure it must be your fault.
F, G

6. Escape is not his plan. I must face him alone.
E, D

7. I don't know who you are or where you came from, but from now on you'll do as I tell you, okay?
A, C

8. Get in there, you big furry oaf! I don't care what you smell!
C, H

9. This is some rescue! You came in here, but didn't you have a plan for getting out?
A, C

10. Someone has to save our skins. Into the garbage chute, fly boy.
A, C

11. I sense something; a presence I've not felt since...
E, D

12. Don't call me a mindless philosopher, you overweight glob of grease.
F, G

13. Will you shut up and listen to me! Shut down all the garbage smashers on the detention level, will ya? Do you copy? Shut down all the garbage smashers on the detention level! Shut down all the garbage mashers on the detention level!
B, F

14. She may not look like much, but she's got it where it counts.
C, I

15. Help! I think I'm melting! This is all your fault!
F, G

16. Where did you dig up that old fossil?
C, D

17. I knew there was more to you than money.
A, C

18. Your eyes can deceive you; don't trust them.
D, B


My favorite scene in the movie is the one in the garbage compactor. 
"It could be worse." (Princess Leia)
"It is worse." (Han Solo)

Or maybe the one in the bar when Han Solo blows away one of the aliens.
"Pardon the mess."

Did you love it? Or miss it completely and wonder what the fuss is all about?

Wednesday, October 21, 2015

Reaching beyond Reacher: Jon Land's role models for Caitlin Strong

 HANK PHILLIPPI RYAN: Will we all agree? Or won’t we? Not counting our moms and grandmothers, who do you think illustrates a “strong” woman? Interesting, isn’t it, to think what that even means? Especially these days when strength often means juggling.

But let’s talk fiction. The fab Jon Land—creator of Caitlin Strong—has some pretty perfect ideas. And then—wants ours!


I’m thinkin’—Melanie Griffith in Working Girl. Lots of Katharine Hepburn. and Rosalind Russell in His Girl Friday.   I love Tea Leoni in Madame Secretary and wonder if could play Jane Ryland. Yes, right?

JON LAND: I conceived Caitlin Strong, hero now of seven books with the publication of STRONG LIGHT OF DAY, to be a female action hero adept at handling a role almost invariably given to men. Kind of like a female Jack Reacher, Lee Child’s wondrously iconic series stalwart.

But strong women (pun intended!) are actually nothing new and Caitlin comes from a pop culture tradition of similarly able females, either with their fists, their guns, their wits, and often all three.

Let’s look at a few before I turn things over to you for your own thoughts and, hopefully, choices I look forward to commenting on.

1) Ripley in Aliens (Director’s Cut): I specified the film’s Director’s Cut because it establishes that the root of the great Ellen Ripley’s maternal bond with Nute lies in the fact that her own daughter was already dead by the time she returned from her original deep space mission. That sets the tone for a relentlessly intense performance by Sigourney Weaver that’s every bit the equal of anything the likes of Arnold Schwarzenegger and Bruce Willis have ever done, climaxing with one of the greatest cinematic battles of all time that begins with the classic line, “Get away from her, you bitch!” The standard by which all female action heroes will forever be judged.

2) Beatrix Kiddo in Kill Bill, Parts One and Two:
The old saying “Revenge is a dish best served cold” has never been better applied than in Quentin Tarantanio’s three-hour-plus magnum opus. From the very first shot, and continuing through some brilliantly staged action set pieces, Uma Thurman chews up the scenery, and pretty much every bad guy/girl who crosses her path, including the Crazy 88s and the other members of the Deadly Viper Assassination Squad she was once a part of. She is essentially playing the kind of role mastered by Clint Eastwood, a female Dirty Harry or a Woman (literally for a while) With No Name. A wronged hero who morphs into a force of nature in the course of her deadly quest.


3) Katniss Everdeen in The Hunger Games:
Speaking of quests, none is more noble than Katniss Everdeen’s when she steps in for her sister to, unwittingly, claim her place in destiny. Brilliantly played by Jessica Lawrence, like Ripley and Beatrix, Katniss is only doing what she feels she has to and what necessity has forced upon her. And through all the battles and PG-13 bloodshed, you never once get the feeling she’s enjoying it or wouldn’t prefer being back home in her district shooting rabbits instead of fellow competitors and, ultimately, forces of President Snow’s tyrannical government.


4) Dorothy Gale in The Wizard of Oz:
Is there any more simple, noble or defining a quest than Dorothy’s? No, we’re not in Kansas anymore, we’re in Oz, a world whose beauty belies the darkness that lurks both above and below the surface. Judy Garland’s stellar performance as the farm girl turned waif is wondrously magical since all she wants to do is get home. If revenge is one classic theme, then returning home is another, dating all the way back to Homer’s The Iliad and Odyssey. The book especially was a deceptively dark version of that classic, as it explored the nature and limits of childhood dreams and the fleeting nature of youth. That at the end of the Yellow Brick Road, in a world of endless enchantment, only a simple man lurks behind the curtain.


5) Princess Leia in the Star Wars movies:
Viewed in retrospect, Carrie Fisher’s over-the-top performance might seem clichéd and campy. But that shouldn’t detract from Princess Leia’s single-minded devotion to a mission that ultimately results in the sacrifice of her own home planet of Alderaan. Viewed through that lens, Leia overcomes the loss of everything by eventually defeating and destroying her tormenters. A wonderful metaphor for the abuse suffered by women, both sexual and psychological, in thrillers dating all the way back to Dracula. She turns the tables, doing whatever it takes and mastering whatever skills she needs to overcome the forces of the Empire that seeks to do to countless others what it has done to her.


6) Carrie Mathison in Homeland:
In essence, Claire Danes’s brilliant portrayal of a CIA operative who triumphs in spite of her hardships and handicaps is a kind of post-modern combination of Dorothy and Leia. Like Dorothy, all she really wants is something she can call home but, like Leia, circumstances both tragic and otherwise will forever keep her from it. She never shies from the mission because, like all great heroes, the mission is what defines her and what keeps her going no matter the terrible emotional price she pays along the way. Her bipolar disorder brilliantly defines her own solitary quest as merely trying to live a normal life, never mind one fraught with risks and challenges normally assigned male former special operators searching for redemption or absolution. Carrie’s quest, on the other hand, is both a means and an end in itself, forming a treadmill off which she can never fully step.  


HANK: Ooh,  how about Alicia Florrick?  Reds, chime in!


Jon Land is the USA Today bestselling author of the 38 novels, including seven titles in the critically acclaimed Caitlin Strong series: Strong Enough to Die, Strong Justice, Strong at the Break, Strong Vengeance, Strong Rain Falling (winner of the 2014 International Book Award and 2013 USA Best Book Award for Mystery-Suspense) and Strong Darkness (winner of the 2014 USA Books Best Book Award and the 2015 International Book Award for Thriller). His latest, Strong Light of Day, will be followed by Darkness Rising, his sci-fi collaboration with Heather Graham coming from Forge in June of 2016. Jon is a 1979 graduate of Brown University, lives in Providence, Rhode Island and can be found on the Web at jonlandbooks.com or on Twitter @jondland.

About Strong Light of Day
Fifth-generation Texas ranger Caitlin Strong is involved in an international plot rooted in secrets from the Cold War. She's summoned when thirty high school kids from a Houston prep school vanish during a field trip, including the son of her lover, Cort Wesley Masters. As if that wasn’t enough, Caitlin also has to deal with a crazed rancher whose entire herd of cattle has been picked clean to the bone.