Showing posts with label The Long Call. Show all posts
Showing posts with label The Long Call. Show all posts

Saturday, October 30, 2021

Ann Cleeves' THE LONG CALL on Britbox!

DEBORAH CROMBIE: British mystery fans will be thrilled to know that Britbox is bringing U.S. viewers the brand new adaptation of Ann Cleeves' THE LONG CALL, the first of her Two Rivers novels featuring Devon detective Matthew Venn! And I do mean brand new, as it just began airing on ITV in the UK this week. Silverprint Pictures has done such a brilliant job with both Shetland and Vera, their adaptations of Ann's other series novels, that I was looking forward to this with great anticipation. I read The Long Call as soon as it was released in 2019 and I think it's amazing that they've brought it to the screen so quickly. (If you haven't read The Long Call, it's available on Kindle Unlimited at the moment!)

Here's a peek at the show:



 

Inspired by the bestselling novel of the same name, this atmospheric crime drama brings to life a new deeply engrossing mystery from Ann Cleeves, creator of Vera and Shetland. Featuring Ann's signature chilling twists and starkly beautiful settings, The Long Call centers on its intriguing and flawed protagonist, Detective Inspector Mathew Venn. We first meet the reserved but intense Matthew at his father's funeral in North Devon with his husband, the small community he grew up in but walked away 20 years ago after being rejected by his family. Now he's back, not just to mourn his father, but also to take charge of his first murder case. Finding the killer is Matthew's only focus, and his team's investigation will take him straight back into the community he left behind - and the deadly secrets that lurk there. 

So gripping! And what a cast! That's Ben Aldridge as Matthew and Pearl Mackie as his colleague Jenn Rafferty. 

Declan Bennett plays Matthew's husband Jonathan. It must be so nerve-wracking for the author, waiting to see how her characters will be portrayed, but I think they've done a fine job here. It's a stellar cast all round, with luminaries like Martin Shaw and especially Juliet Stevenson, who is so good as Matthew's complicated mother, Dorothy.  

And the scenery is gorgeous! I don't know that part of Devon, but now I want to visit. Not to mention that I would move into Matthew and Jonathan's house in a heartbeat!

What could be more fun on a chilly Halloween weekend than to curl up with a good mystery on the screen and a cup of hot chocolate?

REDS and readers, how are you spending yours?

Wednesday, August 28, 2019

ANN CLEEVES Visits the Reds!


LUCY BURDETTE: Reds, I cannot tell you how excited I am to introduce today's guest. Ann Cleeves is the author of 8 Jimmy Perez Shetland books, plus eight Vera Stanhope novels, among others. She has a new series debuting next month with A LONG CALL. She won the CWA dagger award for Raven Black, and has had two series developed for television. Ann, we are rabid fans of your work and so very happy to have you here!

LUCY: I am a huge fan of the Shetland series and just finished Raven Black, which I read after all the others. Jimmy Perez’s life changed so much over the course of his series. How much of that arc had you imagined when you were writing Raven Black?

ANN: I didn’t have any of the story arc planned when I was writing Raven Black.  I thought it would be a single, stand-alone novel.  The theme of the book is about belonging and the outsider, kindness and inclusion.  That’s why Jimmy Perez is such a contradiction; he belongs, but not quite.  He’s a Shetlander, but he comes from Fair Isle, the most remote inhabited island in the group and a place most Shetlanders have never visited.  His family has lived in the islands for generations, but he has a Spanish name and a Mediterranean appearance.  When she first read the book, my editor was clear that it would be a stand-alone novel – it would stretch credibility to have more than one murder in a place with a population of just 23,000 – then it sold more copies than anything else I’d written and we agreed it would run to a short series.  Wild Fire, recently published in the US in paperback, is the eighth and last.

LUCY: I’m sad about the series ending with Wild Fire though I won’t argue with your decision! I would love to hear what went into the decision to let Jimmy and Willow go off without a bunch of readers watching their every move?

ANN: I knew that Wild Fire would be the last book, though I’m hoping that there might be more TV series.  I never plot in advance, so when I started writing, there was even a possibility that I would kill Jimmy Perez!  I understood a little about Willow’s situation, because that was fore-shadowed in the previous book, Cold Earth.  I wanted an ending that would be a little ambiguous, and would mark a new beginning in the lives of both central characters.

LUCY: Now Vera...she seems to experience less internal growth than Jimmy--maybe this is because she doesn't experience the dramatic life events that Jimmy Perez did. Was this an intentional choice? 

ANN: I think Vera’s character was formed early in the events of childhood, and though we learn more about that during the books, back story is harder to do in the TV drama.  I think the scriptwriter did a great job of explaining her past in the adaptation of The Seagull.  Vera grew up without a mother, raised by a father grieving for the woman he adored and resenting the burden of a child, especially a daughter.  By the time we meet her, you’re right, she knows who she is and what she needs: her work, her team and her house in the hills.  Definitely not a man!  When we meet Jimmy Perez, he’s on the brink of a new life back in Shetland, and we travel with him through the good times and the bad.

 LUCY: You use multiple points of view and seem to know many characters very well. How do you choose which character tells which part of the story?

ANN: I love writing from multiple view points.  The joy of writing is to see the world through another person’s eyes – and that’s the joy of reading too of course.  Again, the choice of POV is instinctive.  The returning characters always get a voice, and then I choose one or two others to help tell the story.  They grow in the writing and aren’t very much planned in advance.

LUCY: Some of the Reds have managed to snag an advance copy of the new book but I and many others are waiting until September. Can you give us a little preview of what’s coming?

ANN: In The Long Call, I return to my home county of North Devon.  I had a wonderfully happy childhood there and still have friends living in the largest town, Barnstaple. It’s an interesting region, beautiful, but quite isolated.  It pulls in holiday makers, but also transient seasonal workers, drifters, and there’s a lot of rural poverty.  My new series character Matthew Venn grew up in a fictional enclosed, rather blinkered religious community called the Barum Brethren.  When he lost his faith, his world crumbled and he found order again by becoming a police officer.  The book starts with him standing outside the chapel where his father’s funeral service is taking place, feeling unable to join in.  Then of course, he gets the call that a body has been found…

Photo: © Ph Matsas / Opale
LUCY: Who has inspired your work, and along that same line, what do you like to read?

ANN: My reading passion is crime fiction in translation.  I love the sense of vicarious travel.  I believe we have a sense of a culture’s preoccupations when we read its popular fiction and that at a time when we seem pulled to extremes, we need that insight and understanding.

Ann, thanks so very much for taking the time to answer our questions. Reds, Ann will be stopping by to answer questions and comments, if Blogger cooperates! And you can read more about Ann and her books on her website and twitter and facebook, and buy her books wherever books are sold.

Monday, July 1, 2019

Summer Reading

LUCY BURDETTE: we are a little late on this​,​ but s​ince two​ full​ months of summer remain​,​ I think it’s a good time to talk about our summer reading​--i​n case ​anyone is desperately in need of a book for vacation. I’ll start… Having recently returned from Scotland, I decided to take Diana Gabaldon's ​OUTLANDER, the first​ whopping book​ in her blockbuster series.

I also took Deb’s older book, ​NOW MAY YOU WEEP​ because it to​o​ was set in Scotland. As it turned out, the tour was so busy that I didn't do as much reading as I'd expected. So I'm enjoying Gemma's journey to Scotland now.

And as always,​ ​​I love finding great foodie books.​ I recommend t​w​o memoirs, one by food writer and novelist ​Ann H​ood, ​KITCHEN YARNS,​ and SAVE ME THE PLUMS, Ruth R​eich​l’s newest memoir about her time at the helm of ​G​ourmet magazine. 


HANK PHILLIPPI RYAN: What did you think of Outlander? That book is amazing, and Diana Gabaldon is a treasure For me.  Lots of advance copies this summer and recently--Denise Mina's fabulous CONVICTION, (which is out now) and the terrific new Ann Cleeves THE LONG CALL!  I also read THE STRANGER DIARIES, which  I adored, and my new love Carol Goodman, who I am so far behind on and the only good part is getting the fun of catching up. Her new THE NIGHT VISITORS is great.   You HAVE read Angie Kim's Miracle Creek, haven't you? Brilliant.  I know I have left some out...ahh.  Cannot wait to hear what you're all reading!

DEBORAH CROMBIE: I've got Ruth Reichl's SAVE ME THE PLUMS, too, Lucy, and so far I'm really enjoying it. Also, I treated myself to the new Kate Atkinson, Jackson Brodie novel, BIG SKY, so I'm sort of switching back and forth between these two. I've just finished the first two books by British writer Roz Watkins, which I highly recommend. The first, THE DEVIL'S DICE, was short-listed for the Gold Dagger in the UK. The second is DEAD MAN'S DAUGHTER. They are set in the Peak District and the protagonist is a female DI named Meg Dalton. Fans of Vera and Elly Griffith's Ruth Galloway will love these.

And, one of my big summer projects is rereading quite a few of my own books. In the Kincaid/James WIP, I'll be dealing with some characters and situations from earlier books, and I need to get in the zone!


HALLIE EPHRON: I just finished reading an advance copy of Deb's A BITTER FEAST. I was glued to it for three days. It is the PERFECT combination foodie book/brilliant mystery novel with great characters. I am hoping two of her characters, chef Viv and her moody teenage daughter, will be back in future books. Much of the story takes place in a restaurant kitchen (specializing in gourmet Irish cooking... I know, sounds like an oxymoron) with such fascinating detail. Short of running a restaurant herself, I have no idea how Debs managed the feel of authenticity. Then there were the thick juicy ins and outs of the plot. Sorry, It's not out until October but you can order it now.

JENN McKINLAY: I've been on a women's fiction bender since I'll be rolling into that genre next summer with the book that has yet to be named (you can picture my agonized face here). There is some fantastic writing happening in female centric fiction these days. Notably, I enjoyed Sonali Dev's Pride, Prejudice, and Other Flavors, multicultural and a gender twist on Austen, and debut author Evie Dunmore's Bringing Down the Duke, a historical about suffragettes that is so smart and fun. On audio, I've been listening to Everything Is F*cked by Mark Manson. I'm not sure how I feel about it yet, other than it is fascinating and he has a nice reading voice. We need to do a few hundred more miles on the treadmill together.

RHYS BOWEN: I’m writing this from a river boat in Europe so I haven’t had too much time for reading lately. However I also read Debs’ A Bitter Feast and thought it was one of her best with such a feel for the Cotswolds and lots of lovely food. I’ve been in Venice so on a Donna Leon binge and currently re-reading Rebecca as it will come into my next Georgie book.

​What about you? What have you read and loved, and what are you looking forward to?​