INGRID THOFT
Last year I had the immense pleasure of sharing a couple of tour dates with the wonderful Nick Petrie. The author of the Peter Ash series, heir apparent to Lee Child's Jack Reacher series, Nick is a terrific writer and friend. One of the highlights of the Toronto Bouchercon was wandering the streets on an epic 3-hour walk with Nick, during which we discussed life, literature, and the mystifying number of vegan bakeries we passed.Nick's newest book in the Peter Ash Series, "Light It Up" will be out on January 16, and it's fantastic. Nick was kind enough to chat with me recently, and he'll be here today to answer your questions.
INGRID THOFT: “Light It Up” focuses on the legal cannabis industry in Colorado and the birth of a related security industry. I was particularly interested in learning about the intersection of those security firms and veterans, a fact that dovetails perfectly with Peter Ash’s background. Can you tell readers a little bit about that?
NICK PETRIE: I first learned about this in a series of article on the subject in the New York Times. Because of federal banking rules, the recreational cannabis industry, now legal in six states, has little to no access to the banks. They can’t write checks or accept credit cards. They pay their suppliers, their employees – even their taxes – in cash. And their product is lightweight, portable, and very valuable.
At the same time, small security companies are springing up, many owned and staffed by veterans, to help protect cannabis entrepreneurs from those challenges. I’ve talked to many veterans who really miss the sense of mission and camaradarie they had in the military, and this work checks a lot of those boxes – plus it provides badly needed jobs for veterans.
From a crime writer’s point of view, this setup was irresistible. Guns, drugs, and money – what could possibly go wrong?
IPT: Is there a type of scene you particularly enjoy writing? Action? Dialogue? Description of settings?
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| Nick braving the Milwaukee cold |
Funny, I never seem to write these scenes on purpose – they just develop naturally. At first I think I’m just killing time, but eventually I realize that something else is happening. These scenes tend to use all the tools you mentioned above – setting and description, along with dialogue, to create that mood, which usually leads to action.
IPT: I loved seeing the names Jon Jordan and Ruth Jordan appear as character names. Am I right in assuming this is in honor of our Crimespree friends? How did that come about?
NP: This is absolutely in honor of Jon and Ruth, the founders, editors, and publishers of "Crimespree Magazine," founders and head potentates of the Murder and Mayhem in Milwaukee crime fiction conference, and multiple past co-chairs of Bouchercon. One of the pleasures of being a writer is that you can toss in these little Easter eggs for people you love and admire.
I have the great luck of living in Milwaukee, just a few miles from Jon and Ruth. Before my first book came out, they took me under their wing and gave me the best introduction to the crime fiction community anyone could ask for. Unfortunately, as so often happens in crime fiction, Jon (the character, not the human) had to die. But that was part of the fun. I’m so glad and proud to be part of their community.
IPT: What’s next for you and Peter Ash?
NP: I’ve finished a good working draft of Peter #4, which is set in Memphis, and I’ll be diving into edits while on tour in mid-January. Tour events are on my website, www.nickpetrie.com, and also on my Facebook page.
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| Ingrid and Nick |
IPT: Those pesky books! Always needing to be written!
























