Val McDermid needs no introduction. Creator of the Lindsay Gordan, Kate Brannigan and Tony Hill series. Winner of the CWA Cartier Diamond Dagger, Theakston’s Old Peculier Crime Novel of the
Year Award, Crime Writers’ Association Gold Dagger for Best Crime Novel
of the Year, Pioneer Award (Lambda Literary Awards,) Los Angeles Times
Book Prize, New York Times Notable Book of the Year, the Anthony Award,
Macavity Award, and Dilys Award.
The Robert Burns Night Supper may need a bit more introduction. Luckily, we have an expert. Let's begin the customary way:
And now, our speaker:
- Some hae meat and canna eat,
- And some wad eat that want it;
- But we hae meat, and we can eat,
- And sae let the Lord be thankit.
This is not a punishment.
It’s a celebration. A celebration
with a reach far beyond a small nation that occupies the top half of
a larger country sandwiched between the Atlantic Ocean and the North
Sea. It’s a celebration with global reach. From Vladivostok to
Valparaiso, from Anchorage to Adelaide, we’ll be toasting the same
great man. Not a politician or a revolutionary leader or a messiah,
but a writer.
That’s right, a writer. A man of
humble origins, like so many writers. A man who was driven by his
dream
to overcome poverty, illness and woman trouble in his journey
to become one of the world’s great writers, a man spoken of in the
same breath as Shakespeare and Cervantes, Homer and Goethe.
Tonight, there will be thousands of
Burns Suppers held in honour of Robert Burns, commemorating a writer
whose life and work have inspired people for two hundred and fifty
years. Usually I would be on my feet at one of those dinners, giving
the speech known as the Immortal Memory, a toast to our national
bard. This year I will be at the Santa Cruz Bookstore, where I
suspect the best I can hope for is a decent drop of whisky. (Please
don’t bring haggis – I once ate American haggis and it was
without doubt one of the five worst things I have ever put in my
mouth!)
This obligation means that I’ve spent
quite a lot of time over the years pondering where Robert Burns would
choose to place himself in the literary canon if he was around today.
In the 18th century when he was writing, there weren’t
so many options for a part-time jobbing writer who lived out in the
sticks. It was basically poetry or poetry. But now, he’d have
choices.
Yes, I think if Robert Burns had been
born in 1959 instead of 1759, he’d have been a crime writer. Just think about it for a minute. His poetry reveals a man who was
passionate about injustice, who believed in the ideals of liberty,
fraternity and equality. He loved his country but was alive to its
faults. He pointed the finger at hypocrisy, he took on the
establishment and he questioned the world he lived in. He was
observant, compassionate, fascinated by women and sex, and had the
typically mordant black humour of the Lowland Scot. All the
qualities, in short, that embody the genre of Tartan Noir.
That on its own should be enough to
convince the sceptics. But there is a clincher. What sets crime
writers apart from other cadres of wordsmiths? Ladies and gentlemen,
I give you conviviality. Crime writers are the party animals of the
literary circuit. Three crime writers in a bar is a party. Three
crime writers in the green room can turn the stuffiest literary
festival into a shindig. We enjoy each other’s company because we
enjoy and respect each other’s work without feeling threatened by
the success of our peers. In my experience, this is unique to our
genre.
Robert Burns was a man who loved a good
night out. If you doubt me, just read the opening section of Tam
O’Shanter. There’s our hero, in the pub with his pals after
market day, getting loaded when he should be loading up his horse and
heading home.
Yes, Burns would have found his natural
home with us, not the whingeing poets. After all, we’re the only
genre who boast an organisation -- the Detection Club in the UK --
whose primary qualification for nomination for membership is that one
should be clubbable.
But here’s where I stumble. That
word, ‘clubbable’. I can never see it without smiling at the
thought of the inimitable Reginald Hill’s debut Dalziel and Pascoe
novel, A Clubbable Woman. Reg was one of the first crime
writers I met socially and he became a good friend. We walked in the
Dales together, we ate and drank together, we had book event
adventures together. He was erudite, generous, witty, the best of
company and one of the finest crime writers the UK has ever produced.
Robert Burns would have loved him.
I know I did. He was part of the rich
tapestry of my writing life. And shortly before I left on this US
trip, Reg died. The weight of that sadness has taken the lightness
out of my days. But sitting alongside that sadness is the knowledge
that our crime writing community will come together to celebrate
Reg’s achievement. He’ll be spoken of with affection for years to
come, he’ll be missed and like Robert Burns, that crime writer
manqué, his work will be enjoyed. Even by people who don’t know
how to enjoy a wee dram.
If you’re anywhere near Santa Cruz
tonight, come along and celebrate writing and writers. I’ll be the
one in the Robert Burns football shirt.
Ladies and Gentlemen, please be upstanding, raise your glasses, and join the Reds in toasting the immortal memory of Robert Burns and his fellow scribe, Reginald Hill.
You can find more about Val McDermid at her website, friend her on Facebook, and chat with her on Twitter (@valmcdermid). Her 25th novel, The Retribution, brings back Dr. Tony Hill, DCI Carol Jordan and "her most thrillingly murderous creation, Jacko Vance." (Daily Mirror)