LUCY BURDETTE: I have just finished reading an advance copy of Rhys’s April book, THE VENICE SKETCHBOOK—you have such a treat ahead of you! But I mention that not to gloat, but because she’s so good at telling a story over several time periods using several points of view. I’m musing over how to do exactly that with this lump of an idea that I have. I’m at the awkward point where many directions are possible—how to choose the ones that will best tell the story? Here's what I know...
I’m pretty sure two characters, Betty and her daughter Winifred, will narrate the story. And it will take place in Paris and New Haven. I know these characters exist because they appeared in the book that is presently in my agent’s hands. But there is so much to find out about them, not to mention how to structure the book. And what kinds of bigger secrets might be involved with the Frenchman to whom both are tethered?
It’s kind of overwhelming. Thoughts, suggestions, brainstorms all most welcome! Here are the tiniest and roughest little snippets…
Betty, April
Betty was certain she had French blood in her veins. What else would explain how she’d begged her parents to let her spend half of her junior year in Paris although they had already paid full tuition to her private women’s college? Even though French was not useful in her current life other than in names of recipes, she subscribed to several 'news in French' podcasts and had a weekly standing appointment with a senior citizen in a Parisian elderhome who was happy to let her practice.
And how else could she explain the intense but disastrous affair with a young Frenchman that had ensued in Paris, followed by the unexpected pregnancy that she’d been totally unprepared to handle? He'd been handsome and slender and so romantic, and he could cook like a dream. That part at least she knew was still true, because she'd followed his career through three restaurants, two cookbooks, a Michelin star, and three wives.
Winifred, April
The birthday cake that birth mother, Betty, (BMB, that’s what she’d dubbed her privately) had presented on their second meeting was perfect, a light-yellow sponge, not the least bit dry, frosted with thick mocha butter cream. Happy Birthday Darling Winifred! had been piped in French chocolate across the top of the cake. And pink fondant hearts floated around the edges and drifted down the sides. It was the most beautiful and perfect homemade rendition of her favorite cake ever.
Baked and decorated by the mother who had given her away when she was less than 24 hours old.
At first, she’d been overwhelmed with gratitude and excitement at the idea of meeting her biological mother. But by the time their second coffee date arrived, taking place in the adorable new cafe where BMB cooked and jabbered with her girlfriends, complete with the perfect cake, her anger began to prickle and then surge. How does a woman take care of her baby through nine months of pregnancy, suffer through labor and delivery, and then hand the little bundle—the size and lumpy shape of a beginner’s loaf of sourdough bread—off to a stranger? It didn't compute.
Lucy again: That's about all I know! How do you feel about more than one point of view in a novel? Any favorite books that handled this especially well? Ideas about the mysterious Frenchman?
Breaking news: Lucy's latest, THE KEY LIME CRIME, is featured today on First Chapter Fun, the brainchild of our own Hank, plus Hannah Mary McKinnon. Join the fun today on Facebook live and Instagram live, 12:30 pm!