LUCY BURDETTE: Sometimes I feel like I must either know every detail of a real setting, or else make it up entirely. With either approach, I would be much less likely to make mistakes. But alas, that’s not the path I chose when I began writing the Key West mysteries. An early writing friend suggested after reading the first book that maybe I’d be better off using a fictional town so I wouldn’t have to worry about geographical or other errors. (In An Appetite for Murder, for one small example, Olivia St. goes in the wrong direction.) It’s not unusual for a restaurant that Hayley visits in one book to go out of business in real life. Sigh.
I was invited recently to a meeting of the Big Pine Key library book group—the members had all read the book and were ready to discuss. After a lot of friendly conversation, one man said, “we did wonder where you got the ravine.” This made me realize that on an island made of coral, the chances of finding the deep ravine that I described were pretty much zero. I explained that I needed that ravine for the story, and we had a good laugh.
I won’t spoil it by telling you the details, but you will recognize them when you get there. Here’s what led up to the ravine scene:
“When the camp was cleared out not long after Veronica disappeared, you can imagine the trash that had been left behind. Everything those kids no longer needed they discarded as if the backcountry was a giant dump. Monroe County sent a front loader to scrape some of it into the ravine behind the camp and take the rest of it to the real dump on Stock Island. But that altar, it was back in the trees. I hadn’t remembered it until now.”
“You think it could actually still be there?”
“Could be,” he said, squinting his eyes at me.
My excitement was mounting. “Could you point me in the right direction so I could see if anything’s left?”
I’ve also made character mistakes, urging characters to make choices that really didn’t fit them or do them any favors. When people are about to start the first book in the series, I say in a breezy voice that they need to remember that Hayley Snow improves over the course of the series. That she is a little immature in the first book and makes some poor choices. But that will get better as it does for many of us as we grow up, and that’s one of my favorite parts of writing a long series!
What kinds of errors in books bother you, or are you happy to read past them?
Giveaway from Goodreads for THE MANGO MURDERS through the end of March.
Also through the end of March, A POISONOUS PALATE ebook is on sale for $2.99.
If you like to read and review on Netgalley, here’s the link.