Showing posts with label writing retreat. Show all posts
Showing posts with label writing retreat. Show all posts

Saturday, February 15, 2020

When the story becomes your own by Amanda Le Rougetel


LUCY BURDETTE: Do you ever wonder how we find and curate the posts that appear miraculously every day on this blog? Sometimes people ask us to appear, other times we just make stuff up, and sometimes we invite guests who we think will be interesting. A while back when one of our friends, Amanda, posted about a writing group she led with a pal, I asked her to write a post. I hope you find it as interesting as I did, and I know you'll welcome Amanda!

AMANDA LE ROUGETEL: Once a month, I pack an overnight bag and head across town to my friend Deborah’s for a writing retreat. We do more than ‘just’ write — we talk, we eat, and we critique each other’s work. We usually stay up too late, but the morning is rich with good coffee, and more time for writing and talking.

We are both in times of transition in our lives: Deborah is heading towards the third anniversary of her husband’s death and reinventing herself as a lone woman after a loving marriage of 40+ years. I am moving towards retirement sometime in the next five years and wanting to be a capital W writer by the time I get there. For me, this means actually writing (rather than just talking about writing!) and having people read that writing. Whether it’s on a published page or online doesn’t matter to me, but I want my writing to find readers.

Deborah and I trust each other, so our critiques pull no punches: We question word choice, push for greater clarity of thought, and suggest that beginnings, mid-points or endings might be stronger by considering X or Y. Deborah has been focusing on creative memoir, while I’ve been writing creative non-fiction on my blog Five Years a Writer.

After several months of coffee and conversation, we realized that our process was producing not only better writing but also increased clarity about our evolving identities. It seemed that, in paying attention to our writing, we were becoming sharper critics of our lives and more confident agents of personal change.

One day, we decided that we wanted to share our practice with a public audience. So we developed a 4-part workshop titled Writing as a Tool for Transformation, which we offered last fall through the community classroom at our local independent bookstore.

By happenstance, the sixteen participants were all women. By design, they were each facing a self-identified transition of some kind: widowhood, retirement, ending of a relationship, the struggle for identity within motherhood, to name a few. Each was ready to use writing as a way to gain clarity for themselves. In each session, the participants wrote to our prompts, then re-wrote, shifting the form, perspective, audience and, in the final class, even the medium — using images from magazines to encapsulate their new understanding of themselves relative to the transition they were working with.

And clarity came. One woman said she was able, for the first time, to articulate her feelings about the transition she was working with.

Don’t you think that that is exactly the power of words? Whether we write them or we read them, if we engage actively with the meaning they create for us, they open doorways through which our imagination can flow to shape new thoughts and understandings.

For me, active reading of fiction or non-fiction can spark insights into myself, because I live vicariously through the characters and story unfolding on the page, and I contemplate how I might acquit myself in similar circumstances. Would I be as fearless as V. I. Warshawski? As open-hearted as Clare Fergusson? As committed to family as Gemma James? I have never owned a horse, but as a young girl I learned not only about riding from the Jill stories, but also about how to be a self-reliant young person in a world run by adults. From the Sue Barton: Nurse stories I learned that meaningful work could transition beyond formal career to other contexts.

I’ve sorted out many a thorny issue in my life by writing it out. And I’ve come to untold better understandings of myself by engaging with the lives of characters invented by an author. Reading is a pleasure, and when that pleasure produces insight, then it’s not only rewarding but potentially life-changing.

What about you, dear Reds and JRW readers? Do you ever write your way to clarity and insight about a challenge in your life? Do characters in a book lead you to better understanding of yourself?



Amanda Le Rougetel is a lifelong reader and a non-fiction-writer-in-progress. She was introduced to the mystery genre through Mrs. Pollifax, Kinsey Millhone and V. I. Warshawski and is happy that the Reds writers have expanded her reach much more broadly into the field. That she finds herself posting to the Jungle Red Writers blog today as a guest is an enormous thrill and unexpected honor. She posts to her own blog Five Years a Writer less regularly than she would like, but is working to improve her writing routine. She earns her living as a college communication instructor in the heart of the Canadian prairies in Winnipeg, Manitoba.

Sunday, June 8, 2014

Pressing PAUSE, taking time out for a writing retreat

HALLIE EPHRON: Every once in a while I have to pinch myself. It still surprises myself the great places I've ended up going and the great people I've gotten to know because (now) I'm a writer!

So here I am this weekend teaching at an intimate (20 attendees) Writers Digest weekend retreat in gorgeous Scituate Massachusetts.  Working with me is the talented literary agent and author Paula Munier and Writers Digest Books publisher Phil Sexton.

Tough life: we're here in a lovely inn on Scituate Harbour.

There's some of us getting ready to talk about opening pages and synopses. This retreat started on Thursday and it will end midday Sunday, and I'm so impressed by the writers, their writing, and how deeply they are engaged in thinking about each other's work. And that the writers here have been revising (with no one holding a gun to their heads!)

Every time I teach, especially when it's intensive and involves people reworking their manuscripts, I learn something or hear something special. Here are some of the takeaways for me so far for this weekend:

- One writer, talking about how much she realizes she has yet to do on her manuscript and yet feeling energized: It's not perfect but I'm getting over it.

- Epiphany about memoir writing and why it's so hard to make an ordinary life story compelling: In a memoir you do NOT have to relate exactly what happened (it's okay to lie and make things up), but you do must write the emotional truth about what happened.

- Our common frames of reference are not books but TV shows and movies. Total Recall. Rocky. True Detective. The Wizard of Oz. CSI. Scandal. The Good Wife.  These are just a few of the ones that came up when talking about the plots.

   - Surprising to find that the weakest aspect of many manuscripts is setting! Not enough of a sense of the specifics of the places where scenes are set.

- It always impresses me: how deeply felt and personal works of fiction are for the author, and what a huge leap of faith it is to show it to others and open oneself up for criticism.

- Greatest pleasure: hearing that a foursome of writers who'd never before met were going to start a writing group, connecting halfway across the country. That's why you come to workshops, to find writers with whom you trust to share the pains and pleasures of making the writing better.

Ending with a quick pitch for a terrific upcoming writers' conference, great big and beautiful and in Portland Oregon... really strong on fiction writing and also a terrific screenwriting/pitching component. Willamette Writers in August! I'll be teaching 3 workshops ...
 

Have you been to a writing retreat or writing conference? Did or didn't it help you make that big leap forward in your writing?

Sunday, September 16, 2012

Retreating to Write!

HALLIE EPHRON: Lucy and I are in the middle, once again, of running our sixth (!) Seascape Retreat to Write for mystery writers. This year Hank made a guest appearance, charming everyone and sharing her insights on using  techniques of writing television news stories in writing crime novels.  She positively energized us all after an exhausting day.

I'm writing this Saturday night and we are practically brain dead but exhilarated by another fabulous group of writers.

As the day wound down, we asked: What are your epiphanies so far this weekend. We are happy to share them with you:

  • There is a sweet spot in the timeline where the story begins ...Rhonda Lane
  • Don't empty your notebook into your story. ...Hank Phillippi Ryan
  • When you change your story it's like putting a drop of iodine into a glass of water. It changes the color of everything. ... Hank (again)
  • Unpack the tipping points. ... Hallie
  • Start the story where something changes. .... Lucy Burdette
  • Don't be discouraged if something's not working. It can be revised. Everyone says that and I'm hoping it's true. ... Suellen Wedmore
  • Watch your POVs... Gloria Alden
  • Start in a place that gives your story somewhere to build to. ... Mary Brookma
  • Give characters rememberful names. ... Joan Sawyer
  • Anchor a character in an object that makes him easy to remember. ... Reta Hampton
  • Write down the the fist 10 things your character thinks, does, feels, or says.. And that gives you a picture of how your reader will think about your character. ... Marie Costanza
Next year, we'll be offering another retreat the last weekend of September. We'll be posting information about registration at http://www.robertaisleib.com/seascape.html.http://www.robertaisleib.com/seascape.html

What are your writing epiphanies?

Wednesday, March 28, 2012

Seascape Writing Retreat: What We've Learned from Teaching

HALLIE EPHRON: Lucy and I are in the throes of planning this year's Seascape "Escape to Write," our fifth annual weekend retreat. It's for writers who want to get together with like-minded writers, kick back, and really focus on improving their writing. Over the Seascape weekend, we meet with a small group of writers to take a good hard look at the opening pages of their works in progress from several perspectives.

We've opened registration for our fifth season (September 14-16 in Chester, CT), and this year we're adding special guest instructor, Hank Phillippi Ryan. She'll be there, talking about (among other things) how to use techniques TV journalism to pump up your novel.

This year, we had great news that three of our alums have landed book contracts. Barbara Ross, Edith Maxwell, and Liz Mugavero all have multiple book deals. We are doing the happy dance with them.

And here's the thing: there are a bunch more enormously talented alums who will most certainly be signing their own book deals soon, too.

The day after each retreat, I am exhausted and exhilarated. Here's one of my favorite morning-after emails came from KB Inglee, who was with us in 2010. She wrote: "I think I will finish killing Charles this morning. I have found it really gratifying to do it with violence."

We always feel we learn as much as the participants. So we thought we'd share a few insights. Here are a few of mine:

1. Don't judge a writer by their writing: I've been astonished, year after year, by the amazing growth that takes place for some writers, just over the course of a weekend.

2. It's easy to see the flaws in your own work in the work of others: why this is I cannot tell you, but it's very satisfying when you see that light bulb go off and the writer says, "Oh, NOW I get what you're talking about."

3. One of the most important take-aways: Put the characters in the driver's seat.

4. Viewpoint is still one of the biggest stumbling blocks for new writers.

LUCY BURDETTE (AKA ROBERTA ISLEIB): I have to second Hallie's excitement about the Seascape weekend. It's different from most of the workshops and conferences out there, because everyone does a lot of work ahead of time, and then we talk and talk and talk.

Here are a few of the things I've taken away.

1. Anything can be fixed. But you have to write it first. This probably comes directly from you Hallie, but I couldn't agree more: Just hold your nose and write!

2. Stay as close to the real experience of the characters as you can and let them lead--rather than trying to jam them into your plot and your story.

3. The mystery writing community is so generous. We've seen over and over on this weekend how the participants get excited about each others' stories and really work hard to make them better.

HANK PHILLIPPI RYAN: What I hope to bring to the party?

1. Writing a good book is difficult. When you start thinking--whoa. This is hard! Then hurray. You're a writer.

2. Anything can be fixed, I so agree. Worrying does not help. Sometimes the best secret is to let go. Give yourself a break, and let your mind bloom. The characters will tell you what will happen if you listen to them.

3. There is no writers block. Working in journalism teaches you how to banish it. I will share!

Hurray for KB! And can't wait to be part of the stories we'll all be telling next year.

HALLIE: Registration is open. More information...

Have you been to any kind of retreat, writing or otherwise, and did you come away with a nice big fat Aha! Please, share!