HALLIE EPHRON: It's a labor of love, and the final product is always astonishingly excellent. I'm talking about the short story anthology that is put together every year and makes its debut at the annual New England Crime Bake. This year's anthology, BLOODROOT: BEST NEW ENGLAND CRIME STORIES, is being published by Crime Spell Books.
The message came with a hefty stack of mystery short story submissions, delivered to me by Mark Ammons, a member of my writers’ critique group, and a newly minted editor/publisher, along with Barbara Ross and Kat Fast, at Level Best Books, which had been handed off to them by the previous editors. They’d already signed on, but hesitated to ask me because as chair of the Crime Bake-sponsored Al Blanchard Short Crime Fiction Contest, I was already awash in short stories.
Yet, it was an offer I couldn’t refuse. My first published short story had appeared in a Level Best anthology, and during time I’d managed the Al Award, I’d grown to appreciate the power of short stories. My favorites were—and still are—the ones that either make me smile at their wickedly clever humor, or send chills down my spine. The contest also has a longstanding connection with Level Best, in that the award-winning story is published in the anthology for that year. I rejiggered the contest, and happily joined the Level Best team.
For the next six years we had a good run. It was hard work, but also a lot of fun. I enjoyed our often spirited in-person meetings to discuss, select, and edit the stories we’d publish, decide on the cover design, and arrange for publicity and sales at the Crime Bake, where the Best New England Crime Stories anthologies are always introduced. A few nights before Crime Bake, we’d have a book packing party at Mark’s. He’d serve his famous Cincinnati chili, and we’d devour it with side dishes and dessert, before getting down to work.
But most of all, I loved reading the stories and writing my own. For me, short stories offer an opportunity to approach perfection. Every word must matter for the story to become a little gem, in contrast to a novel, which resembles a necklace with strings of scenes, some stronger than others. I also like the way a writer can take something very small—an intriguing remark overheard in a crowd, or the sight of a woman in line who doesn’t look like she belongs there—and build a story around it.
Writing shorts gives me a holiday from the long haul of novel writing. Finally, as a reader of short stories, I’ve delighted in discovering new authors and watching their careers take off.
Still, despite all these positives, I hesitated to take the plunge a second time when the third team of Level Best editors decided to focus on publishing novels instead of anthologies. Was I too old to be doing this again? Could I work successfully with a new team, even though both Susan Oleksiw, a founder of Level Best, and Ang Pompano, an author whose stories we’d published, were well-known to me? And there was that sign on my door, tempting me with the possibility of withdrawal.
In the end, my determination to continue the Best New England Crime Stories tradition overcame my doubts. Things are different now. With the pandemic and the fact that the three of us don’t live nearby, our discussions have mostly taken place via Zoom or e-mail. Even so, the process has had its exciting moments, as when Susan gave us the name of Crime Spell Books for our new imprint. Ang created website before our eyes on Zoom. I came up with the title, Bloodroot, and an image of the plant with its delicate white flower and thick roots packed with orange poison flashed on the screen.
And the finished product is a joy to behold with its striking cover, and mix of stories from light to dark, written by both well-established authors and emerging writers. So, yes, I’m very glad I didn’t back out.
Readers: have you had times when you’ve been torn between moving forward with a project or abandoning it? If so, please share. One of the commenters will receive a paperback of BLOODROOT.
Award-winning writer, Leslie Wheeler, is the author of two mystery series, the Berkshire Hilltown Mysteries, (Rattlesnake Hill and Shuntoll Road, with a third book, Wolf Bog, due out in July of 2022); and the Miranda Lewis Living History Mysteries (Murder at Plimoth Plantation, Murder at Gettysburg, and Murder at Spouters Point). Her mystery short stories have appeared in numerous anthologies including The Best New England Crime Stories anthologies, published by Level Best Books, where she was a co-editor for six years. She is delighted to return as a co-editor at Crime Spell Books, which now publishes these anthologies (www.crimespellbooks.com).
About BLOODROOT
Whether it’s an elderly woman facing a scam, a shipwrecked researcher trying to survive, a retired robber invited to join in one last fling, a farmer facing an escaped convict, or a group of kids in over their heads, with Bloodroot, Crime Spell Books continues the tradition of the annual anthology of Best New England Crime Stories by New England Writers.
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