DEBORAH CROMBIE: We are inclined to think that our own era had the most scandalous scandals, the most outrageous behavior, but Tracy Grant, who writes wonderful Regency mystery/suspense novels, has a story for us today that could compete with any reality TV sensation. (Although of course if you watched any of Bridgerton, you have an idea what those lads and lasses could get up to!) Here's Tracy to tell us more!

TRACY GRANT: When I finish writing a
book, I always find it interesting to look back at the influences that have
shaped it. I write historical mysteries, so historical events always shape my
books, and favorite classics such as Jane Austen and Shakespeare often
influence me, but the influence of both were particularly strong in The
Westminster Intrigue, my latest historical mystery about married ex-spies
Malcolm and Mélanie Rannoch. The Westminster Intrigue released in May,
but the inspiration goes back to the summer after I graduated from college,
when my mom, Joan Grant, and I sought refuge from a heat wave in Ashland,
Oregon, in the Southern Oregon University library. We were already co-writing
our second Regency-set book, and when we stumbled on the divorce trial of
George IV (the former prince regent) and his estranged wife Queen Caroline in a
collection of Regency letters we were browsing, we knew it had to be the focus
of a book. We started plotting our third book, Frivolous Pretence, that
night.
Years later when I began
my historical mystery series about Malcolm and Mélanie Rannoch (who spied for
opposite sides in the Napoleonic wars), I knew at least one of the Rannochs'
investigations would take place against the background of the royal divorce
trial. But first Mélanie and Malcolm had to navigate the intrigues of the
Congress of Vienna, the Battle of Waterloo, and post-Waterloo Paris and London
(with a side trip to Italy). I didn't get to the royal divorce trial until
their latest adventure (by which time my own daughter was nine and writing her
own stories). It was exciting to revisit the historical events I had explored
with my mom decades ago.
George and Caroline's
marriage was a disaster from the first (from the moment they met it seems).
Their one child, Princess Charlotte (who died tragically in childbirth in 1817),
was born almost exactly nine months after the wedding night. The royal couple
soon separated. George returned to Maria Fitzherbert (whom he had married years
before, secretly and without royal consent, which made the marriage legally invalid)
and then took other mistresses. Caroline would later quip that she had once
committed adultery, but it was "with the husband of Mrs.
Fitzherbert." Eventually Caroline went to live in Italy. George sent
commissioners to gather evidence against her. When he became king on the death
of his father, George III, in late January of 1820, he was determined to
divorce his wife and prevent her from being crowned queen. The divorce trial
took the form of a "bill of pains and penalties" in the House of
Lords (if it had passed it would have gone to the House of Commons) charging
Caroline with "a most unbecoming and disgusting intimacy" with her
courier, Bartolomeo Bergami (also called Pergami).
The trial was the talk
of London, with the Whigs backing the queen and the Tories, the governing
party, supporting the king. The evidence was decidedly bawdy—dirty linen
literally being aired in public, with testimony about bedsheets and debates
about if Caroline and Bergami had been seen lying down or sitting up (leading
one of the characters in The Westminster Intrigue to say one can do
quite as much in either position). Public opinion was on the queen's side,
with petitions from groups all over the country, demonstrations in the streets,
and insults hurled at peers as they drove to Parliament. Emily Cowper, sister
of William Lamb (later Lord Melbourne) said in one letter that she regretted
having a crown on the crest on her carriage. Reactionaries like
my fictional Hubert Mallinson feared popular revolt. Malcolm and Mélanie
Rannoch, needless to say, are firmly on the queen's side. Malcolm, as
an MP, is in the midst of the political turmoil, as is my ongoing
character Julien St. Juste (now Mallinson), who is now in the House of Lords.
The Westminster Intrigue also features my first opera singer
character, Danielle Darnault, whose missing memoirs are potential blackmail
fodder that could be used to influence the trial. Danielle's memoirs were inspired
by the real-life memoirs of Harriette Wilson, who attempted (later in the
1820s) to blackmail a number of her lovers by offering to keep them out of her
memoirs if they paid enough. Her lovers included the Duke of Wellington and
Radical politician Henry Brougham who served as Queen Caroline's
attorney-general. Both Brougham and Wellington are entangled with Danielle
Darnault in The Westminster Intrigue.
While Danielle's memoirs
were inspired by Harriette Wilson, Danielle's career and wonderful vocal
range were inspired by the real-life Angelica Catalani, who sang Susanna in
the English premiere of Le nozze di Figaro in 1812.
I love opera (my nonwriting job is at the Merola Opera Program) and have had
several scenes set at the opera in my books, but this is the first time I've
written an opera singer.
Captain James Blayney,
whose murder is the focus of the investigation in The Westminster Intrigue,
is attempting to sell Danielle Daranult's memoirs, making a number of key
figures at Queen Caroline's trial (both real and fictional) suspects. Jamie
Blayney's character fell into place for me when I thought of him as similar to
George Wickham in Pride and Prejudice, with his relationship with Lord Pendarves, one of
the suspects, having echoes of Wickham's relationship with Darcy. Jamie
Blayney's entanglements with Pendarves's sisters owe something to Wickham and
Georgiana Darcy but also more than a bit to Edmund's sex and power games with
Goneril and Regan in King Lear (at which point I decided Jamie needed a
brother, so we have an Edgar parallel too).
By the end of The
Westminster Intrigue, we are just at the point where Henry Brougham (who
has spent the book dealing with the threat of Danielle Darnault's memoirs) is
about to begin his defense of Queen Caroline. So there is plenty of fodder for
Malcolm and Mélanie's next adventure…
Authors, what historical
events or literary influences have shaped your writing? In the case of literary
influences, are you aware of them as you plot or only in retrospect? Readers,
what historical events have you particularly loved to see dramatized? What
events (from historical to present day) would you like to see the focus of a
mystery? What parallels to literary classics do you see in your favorite
mysteries?
DEBS: Funny story: my first ever attempt at a novel, co-written with a neighbor when I was in college, was a Regency romance. We didn't get very far--we had a plot but our writing styles did not mesh! And I'm sure it wouldn't have been nearly as good as Tracy's books!
More about The Westminster Intrigue: Autumn 1820.
From Mayfair to Covent Garden to Seven Dials, London is in an uproar
over George IV’s (the former prince regent) attempts to divorce his wife
Queen Caroline. And nowhere is the crisis more intense than in
Westminster where the royal divorce is playing out in the House of
Lords.
In this tense atmosphere, former spies
Malcolm and Mélanie Rannoch go on an undercover mission in a brothel
that leads to a brawl–and the murder of the man they were tracking. The
victim, Captain James Blayney, was selling the memoirs of a notorious
courtesan, whose lovers may include Napoleon Bonaparte, the Duke of
Wellington, and key noblemen involved in the royal divorce trial. The
missing memoirs may also hold crucial information about the Elsinore
League, the powerful organization the Rannochs have been battling for
years.
As revelations mount, Malcolm and Mélanie uncover the secrets
of some of the most powerful people in Europe. The future of the
British monarchy hangs in the balance. But as the Rannochs unravel the
clues in the memoirs, they realize that the consequences for the royal
family may be nothing compared to the consequences for their own…
Teresa (Tracy) Grant studied British history at Stanford University
and received the Firestone Award for Excellence in Research for her
honors thesis on shifting conceptions of honor in late fifteenth century
England. She lives in the San Francisco Bay Area with her young
daughter and three cats. In addition to writing, Tracy works for the Merola Opera Program, a
professional training program for opera singers, pianists, and stage
directors. Her real life heroine is her daughter Mélanie, who is very
cooperative about Mummy’s writing. Tracy is currently at work on her
next book chronicling the adventures of Malcolm and Suzanne Rannoch.
DEBS: What is it that is so fascinating about Regency England? In my case, I know my interest was fueled by reading Georgette Heyer novels when I was in my late teens and early twenties. What about you, REDS and readers? Jane Austen? Georgette Heyer? (Or Bridgerton!)