Showing posts with label horses. Show all posts
Showing posts with label horses. Show all posts

Thursday, April 27, 2017

Meeting Your Fences

HANK PHILLIPPI RYAN:   Did you see the 60 Minutes story on the Maryland Cup? And the crazy devoted talented brilliant riders who gallop four miles over fencers and water hazards and who knows what else at breakneck (oops) speeds on gorgeous horses? 

Yeah, the fabulous Sasscer Hill does stuff like that, and I cannot wait to talk to her about it at Malice.

She’s got a brand new mystery set in horse racing world, FLAMINGO ROAD, just brand new from St. Martin’s. And, dear Reds, Sasscer is about to see that the course of a book tour is almost as hazardous as a cross country steeplechase. In fact, it may be exactly the same thing.


 THE UPTOWN BOOK SIGNING
                              By Sasscer Hill

It’s a cold March afternoon and pouring as my plane skids to a halt on LaGuardia’s runway. I have arrived for the first book signing for Flamingo Road, three weeks prior to its April 18 pub date.

I rush to the baggage area, relieved to see my bag circling toward me. It has the outfit for my event at the posh ladies’ club in Manhattan where I have miraculously landed this gig. I manhandle the bag off the carousel, grab the handle, extend it, and begin marching. Except, the bag is immobile on the floor, and I am holding an unattached handle in my hand.
  
Have I just said the F word? Was it loud enough to be heard? If you’ve ever suffered an experience like this, did a four-letter word escape your lips?

This won’t do, I admonish myself, remembering the perfect, hand-written letter I received from the club announcing cell phones may not be used inside, and absolutely no photos may be taken, ever. It advised that I must not reveal the name of the club when mentioning the event on social media. A whole new meaning for “private” club.
 

I arrive at my sister’s apartment a little wet and looking like I’ve just gone ten rounds with my suitcase. The next day, as we arrive at the club, it’s still raining. I remove my rubber boots and slip on my suede Sacha London three-inch pumps. Fortified with fashion and makeup, I meet the ladies. I have never seen so many Gucci shoes and Chanel Suits outside the September issue of Vogue.

The ladies are charming, educated, and talk of their latest travels and the jewelry they bought in South America the previous month. We are having English tea and beautifully arranged pastries. I tell the head lady that I would kill for a Diet Coke and she rustles one up. Soon I’m at the podium to speak.

I go inside myself, focusing like I used to do when I’d ride in a steeplechase race. I meet my fences––which today are bullet points on a sheet of paper––and I don’t falter. Women are leaning forward, listening to every word, no one is whispering, there is perfect silence, and I know I’m winning. At the book signing, I sell out.

Have any of you experienced a recalcitrant suitcase, or wealth intimidation? How do you find your inner strength?

HANK: Heck with inner strength. I want to hear about a club that is so private you can't even talk about it.  

But WHY does something always go wrong in  situations like that? At the worst possible time? How does it know?

At least we can't get last-second runs in our stockings anymore! 

Sasscer, you are fabulous!



Author Sasscer Hill was involved in horse racing as an amateur jockey and racehorse breeder for most of her life. She sets her novels against a background of big money, gambling, and horse racing, and her mystery and suspense thrillers have received multiple award nominations.



Sasscer provided the Kirkus Review, which, she says, provides the most accurate synopsis of Flamingo Road that’s been written.

“The dark and dirty underbelly of horse racing is exposed when a Baltimore cop goes to visit relatives in Florida. Internal Affairs has been very interested in Fia McKee ever since she shot and killed the man who was choking Shyra Darnell, a hot walker at Pimlico who's so afraid of someone that she refuses to answer any questions. 

When Fia's beloved father, a racehorse trainer, was murdered five years earlier, Fia joined the police and has never given up on his case, which has now turned very cold. Put on leave, she answers a call for help from her brother, Patrick, whose wife has walked out and left him with a horse-crazy teen. Someone's been slaughtering people's horses for meat, and when Cody, her niece Jilly's gelding, becomes a victim, Fia gets mad and plots to get even. 

The night of the gelding's death, she meets a man named Zanin who runs the Protect the Animals League and is trying to stop the carnage. Zanin is sure the guilty party is a Cuban-American who lives in the dangerous and lawless area known as the C-Nine Basin, but no one's been able to prove that he's involved. Meantime, 

Fia learns that her problems back home may go away if she agrees to go undercover for the Thoroughbred Racing Protective Bureau at Florida's Gulfstream Park, where horses that shouldn't be winning are suddenly showing amazing talent. Fia eases into a job as an exercise rider for an honest trainer while trying to discover what new, so far undetectable, drug is turning ordinary horses into superstars. Hill boasts knowledge of horses and the very real problems in horse racing that fill this sound mystery with thrills and hair-raising action from first to last.”—Kirkus

Wednesday, September 7, 2016

Lisa Alber, WHISPERS IN THE MIST—and Meeting her Matchmaker



SUSAN ELIA MACNEAL: Today I'm delighted to introduce Lisa Alber, author of Kilmoon and her just-published Whispers in the Mist.

LISA ALBER: Thanks for having me, Susan! I always enjoy joining the Jungle Reds gang for a day.

In my relatively short time as a novelist (my second novel, WHISPERS IN THE MIST, came out a few weeks ago—woohoo!), I’ve come to the conclusion that reading is a conversation we have with ourselves; how we react to what we read isn’t so much about the story as about ourselves.

I hadn’t thought about this until I went to Ireland this past spring for novel research. One day to my delight I happened on a big horse fair and got to talking to the owner of a Connemara pony. He was charming fellow, one of the loquacious Irish. I wasn’t expecting anything out of the conversation, but then he asked my name, and I asked his name, and then my mind got blown.

“Wait,” I said, “you’re W—D—, the matchmaker?” I couldn’t believe it. Of all the horse owners in all of Ireland, I happened to be talking to the man who was one of the inspirations for my first novel (and thus the series). Oh. My. God. I immediately fell into a flurry of words, telling him about the County Clare mysteries and assuring him that my rendition of matchmaking had nothing to do with reality.

I pulled out a copy of KILMOON that I carried with me everywhere. He seemed a little—bemused? Wary? Skeptical? But, also curious. Maybe a smidgen impressed. So, feeling a tad foolish, I signed over the copy to him. He asked for my phone number. 

Sure, why not? I thought.  

I walked away thoroughly tickled by the encounter, so tickled that I had to tell Lou the owner of my favorite café, Ginger Lou’s, and later Kevin the barman at my favorite pub, Cooley’s. I got an earful about the matchmaker along the lines of:

“He’d buy and sell you as soon as look at you.” “He’s a pretty tricky character.” “An old gigolo.” “You couldn’t be matchmaker without doing a bit of quality control.”

Fascinating, I thought. W—D—, matchmaker, was or is a total player. Huh.

Fast forward a week. I received a text message: You said i may not like the book i said i might so when good to meet up w--

Whoa! I hadn’t expected to hear from W—, and here he’d read the bbook surprisingly fast. The next day we met up at Ginger Lou’s. Only now I was unaccountably nervous. My matchmaker is the only character I’ve written who is remotely based on reality, and however remotely, the fact remained that I’d gotten the idea for him from W—D—. If W— was a tricky character, did he want money? If he was an old gigolo, did he want—something?

WHAT DID HE WANT?

The suspense about killed me, and Lou was nothing but laughing at me. “Oh ay, he probably just wants to get the leg over.” (“The leg over” – I love the Irish!)

The next day, W— was charming as could be as we sipped tea and ate dessert (with Lou smirking in the background). He didn’t say much about the novel, only that I certainly “can write.” We chatted about all kinds of things, including his large extended family, many kids, and grandchildren. I couldn’t figure him out.

Toward the end of the conversation, he finally said, “There’s one thing I want to ask you though.” Uh-oh, here we go. “Your character, Merrit—is she based on anyone?”

Merrit is one of my series protagonists. She’s from California and is the illegitimate daughter of the local matchmaker. It took me a second to realize what W— was asking: Was Merrit based on ME? Was I his daughter? Whoa! Without letting on that I understood what he was really asking, I assured him that she’s not based on anyone real.

You can see why I got to reflecting about the meanings our stories can have for people, meanings that we could never in a million years predict, meanings that don’t reflect the stories themselves, meanings that have nothing to do with us, the authors. It’s an amazing thing, not to mention a little mind-boggling.

Ultimately, I suppose that’s why storytelling is so powerful. Stories have their own lives. I just hadn’t considered this for the stories I write. I mean, I’m just doing my thing—having my own conversation with myself as I write.


SUSAN ELIA MACNEAL: Lisa, wow, what an amazing story. He must have been completely freaked out that you might be his real-life daughter, based on Merrit!


Reds and lovely readers, when you read, how much of yourselves to you bring to the book? Do you think novels are a collaboration between writer and reader? Tell us in the comments!



ABOUT WHISPERS IN THE MIST:

There’s a whisper in the mists

In Lisfenora, Ireland, a strange fog has rolled in off the Atlantic. Along with the fog comes tales of the Grey Man, a predatory faery of local lore who snatches innocent souls into his deadly gloom.

And with the mists come murder

When a teenage boy dies in Detective Sergeant Danny Ahern’s arms, Danny finds himself pursuing his own grey man, a killer who becomes more elusive the closer Danny gets to the truth. A mute woman may be the key to solving the murder and helping Danny heal his own broken life, but first she must unlock the memories from her past.


ABOUT LISA:

Lisa Alber writes the County Clare mysteries. Her debut novel, Kilmoon, was nominated for the Rosebud Award of Best First Novel. Kirkus calls her second novel, Whispers in the Mist, a “worthy successor to Kilmoon in tone, mood, complexity, and keen insight into human failures and triumphs.” She balances writing her third novel (Midnight Ink, August 2017) with gardening, dog-walking, and goofing off. She lives in Portland, OR. You can find Lisa online at lisaalber.com, Facebook and Twitter.


KILMOON link: https://www.amazon.com/Kilmoon-County-Clare-Mystery-Alber/dp/0989544605