Showing posts with label immigrants. Show all posts
Showing posts with label immigrants. Show all posts

Saturday, April 13, 2024

Roadblocks: a guest post by Kim Hays

JULIA SPENCER-FLEMING: One of the reasons we tend to love mysteries set in foreign (to us) lands, is the pleasure of armchair traveling. As the song goes, "See the pyramids along the Nile, watch the sunrise on a tropic isle..."

But the other gift of fiction from far-flung places is the chance to get a deeper understanding of what life is truly like, with all its ambiguities and imperfections. My mental image of Switzerland, for instance, was heavily influenced by Richard Scarry books and the the cuckoo clocks my mother collected (both from my childhood in Germany, which is no coincidence.) 

Kim Hays has given me an infinitely better understanding of her adopted home. In her Linder and Donatelli series, she's examined the clash between development and rural values, the rigid social structures dominating Bern society, and now, in A FONDNESS FOR TRUTH, the lives of immigrants in a famously heterogeneous society. Along with the charged, complicated relationship between her two detectives and mysteries as intricate as the workings of a Tissot watch... well, you can see why she's on my auto-buy list.

 

 

The last two times I had a mystery come out, I wrote something about Switzerland for this blog since that’s where my books are set. In fact, my first guest post for JRW was about Swissness itself and how to define and convey it. Today, however, I want to write about the people who live full-time in my adopted country and are not Swiss.

Different nationalities use different ways to create citizens. A baby acquires Canadian or US citizenship, for example, by being born on those nations’ soil, even if the baby’s parents are not citizens and later leave the country. This form of “birthright” citizenship exists in New World countries settled primarily by immigrants from many nations.

Most European countries—in fact, most countries in the world—think about nationality as a family matter. You are Swiss, for example, if you are born to at least one parent with Swiss nationality. If you aren’t a Swiss “by blood,” you must apply for Swiss citizenship. The process is long, complicated, and expensive, and you need to have lived in the country for at least ten years. Generations of foreigners living and working legally in Switzerland and paying taxes haven’t bothered to become citizens—which means they can’t vote in federal and (with a few exceptions) cantonal and local elections. This is a tragedy.

The US is the country that takes in the largest number of immigrants but by no means the largest percentage: only 15% of its 335 million people are foreign-born. This proportion of foreigners is about the same as it was between 1890 and 1910 when many of our great-grandparents arrived in America. Contrast this US percentage with that of the United Arab Emirates, which hires its workforce from India, Pakistan, and Bangladesh and is, therefore, 88% foreign. The populations of Australia and New Zealand are each about 30%, and Ireland and Germany, around 20%.

Switzerland has 8.9 million people, and 27% of them are foreign-born. A further Swiss statistic involves a category of residents called “people with a migration background.” This is defined as everyone who is not a citizen of Switzerland, no matter how long they’ve lived here, along with first-generation foreigners who have acquired Swiss citizenship plus citizens with one or both parents born abroad. By this definition, 40% of Switzerland’s residents have a migration background. Most of them are Europeans, the majority from the seven ex-Yugoslavian countries, followed closely by Italy, Germany, Portugal, and France.

My latest mystery, A Fondness for Truth, is the third in the Polizei Bern series featuring detectives Linder and Donatelli. It introduces a set of Swiss residents with a “migration background” who aren’t European: around 50,000 Sri Lankan Tamils. In 1983, fighting broke out in Sri Lanka between the majority Singhalese and the minority Tamil populations, continuing until 2009 and killing at least 100,000 people, including many civilians. During this civil war, Tamils dispersed worldwide, seeking safety, and Switzerland became one of their refuges. 


Fifty-thousand Sri Lankan Tamils are not many, but in a country as white-skinned as Switzerland was in the 1980s, they stood out. Although it’s the nation’s capital, my city of Bern was particularly vanilla-looking. On my first walk through Bern in 1987, I told my Swiss husband-to-be that I’d never been in such a white city—and I didn’t mean the color of the walls.

I don’t know how many insults, how much violence, and what kinds of discrimination those first Tamil asylum seekers experienced in the 1980s, but, like every Swiss, I saw how determinedly they went to work. For over a decade, it seemed as if every restaurant kitchen in Bern was peopled by dark-skinned men mopping floors, washing dishes, and chopping vegetables. Tamil mothers and fathers, many with good educations, went to work at menial jobs, determined that their children—boys and girls—would have better lives. The young Tamil parents who arrived in the 1980s and 1990s are grandparents now; the younger generations speak perfect Bernese German and work at skilled jobs. 

 But although they seem so well integrated, the process of assimilation hasn’t been easy for them, trying to meet their parents’ high expectations and preserve Tamil culture in their homes while yearning for the independence of their Swiss peers. This dilemma is something I examine through the character of Nisha Pragasam, a Swiss Tamil who plays an essential role in A Fondness for Truth.

Like its predecessors, Pesticide and Sons and Brothers, my third book starts with a death and proceeds to my detectives' investigation of it. Into this story of Giuliana and Renzo’s police work, I’ve woven an examination of the struggles to communicate that parents and children of all ages experience. Second-generation immigrants like Nisha, brought up in a country so different from their parents’, have particular cross-cultural problems to overcome—but every family has its roadblocks. The first and possibly hardest step is recognizing them so the dismantling can begin.

Some families in A Fondness for Truth make a good start at it. Others don’t.

 

Andi Eberhart is riding her bicycle home on an icy winter night when she is killed in a hit-and-run. Her devastated partner, Nisha, is convinced the death was no accident. Andi had been receiving homophobic hate mail for several years, and the letters grew uglier after the couple’s baby was born.

As Bern homicide detective Giuliana Linder pieces together the details of Andi and Nisha’s lives, her assistant Renzo Donatelli looks into Andi’s job advising young men who’ve been drafted into Switzerland’s civilian service. Working closely together on the case, Giuliana and Renzo are again tempted to become more than just friendly colleagues. 

As both detectives dig into Andi’s life, one thing becomes clear: Andi’s friends and family may have loved her for her honesty, but her outspoken integrity threatened others, including, perhaps, her killer. 

 

Kim Hays, a citizen of Switzerland and the United States, has made her home in Bern for thirty-six years since marrying her Swiss husband. Before that, she lived in San Juan, Vancouver, Stockholm, Cambridge, MA, and Berkeley, CA. Kim has worked at many jobs, including factory forewoman, lecturer in sociology, and cross-cultural trainer. Pesticide, the first book in her Polizei Bern series featuring detectives Giuliana Linder and Renzo Donatelli, was published by Seventh Street Books in 2022 and was a finalist for the Crime Writers’ Association Debut Dagger Award and the Falchion Award for Best Mystery. The second book in the series, Sons and Brothers, came out in 2023, and the third, A Fondness for Truth, in April 2024. William Kent Krueger has called it “an absolutely riveting mystery.”

 

 

Photo of Tamil Temple from the Swiss State Secretariat for Migration (SEM) site.

Wednesday, July 12, 2023

“You Will Live a Long and Prosperous Life . . . ” by Leslie Budewitz

 Jenn McKinlay: Good morning, Readers! I am delighted to invite our dear friend Leslie Budewitz to talk about her latest Spice Shop Mystery, of which I was lucky enough to get a sneak peek! Enjoy - I know I did!

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Leslie: My Spice Shop mysteries are set in Seattle’s Pike Place Market, where Pepper Reece runs a spice shop and solves crime. I love showing readers around—via page and screen—a place I’ve loved since I was a teenager. And the Market’s long, twisty history is the perfect series backdrop.

But I also like taking readers to other areas of the city. A few years ago, Mr. Right and I visited Seattle’s Wing Luke Museum, chronicling the history of the Asian community in the Pacific Northwest, and toured the Kong Yick Hotel, a community center and residential hotel dating back to the 1880s. Naturally I started to wonder: What if a body was found in the basement of an old hotel? What other secrets might linger in a building where so many people had lived and worked—and died? So I created the Gold Rush Hotel on what was, when I last saw it, a vacant lot in Seattle’s Chinatown-International District. 


The research was a book nerd’s dream. I pored over oral histories from early residents of the CID, as it’s called, along with maps and photos, and an intriguing account of the residential hotels, which were vital to the region's culture and economy. 

When I read a historian’s account of traveling with her father as a child in the early 1970s delivering fruits and vegetables, and his visits to the old Chinese hotels and restaurants, I felt one of those satisfying clicks writers live for. Community is key to immigrants, but especially to those who have faced extreme prejudice and legal exclusion. That, I realized, was why Francis Wu, my fictional hotelier, held on to the Gold Rush long after it closed. Why he was so determined that it stay in the family, despite his son’s indifference. 

And why he did not destroy the apothecary in the basement, despite what it had cost him. 

Part of the fun of writing the Spice Shop books is searching out the chapter epigraphs—spice lore, facts about Seattle and the Market, and other quirky tidbits. With Wok, I couldn’t resist the temptation to scatter in a few facts about fortune cookies, and even write a few fortunes of my own. 


Fortune cookies are an after-dinner ritual in Chinese restaurants across the U.S., but it turns out that their history is as tangled in fact and myth as any food in America. And theories of their origins abound, along with the claims to have been the first bakery to make them. 

One theory traces them to the Japanese tradition of tucking slips of paper with lines of poetry into “fortune crackers.” Just how that became the Chinese cookie spouting questionable bits of wisdom isn’t clear, but during the first half of the 20th century, their popularity grew. Some credit Japanese immigrants who ran many of the early Chinese restaurants in California. Others say it was a way of satisfying the Western love of something sweet at the end of a meal. 

Originally, the paper fortune was placed into a hot cookie and quickly folded with chopsticks before it cooled. An experienced baker could fold 13 cookies a minute. Machines came along in the 1960s—and now make as many as 8,000 fortune cookies an hour. 

The CID is still home to one last cookie and noodle factory, a century-old family-owned company whose original factory is now an art gallery, less than a block from where I built my Gold Rush Hotel—and I didn’t even know! 

Whatever the origins of the fortune cookie, they’re thoroughly American now, and no one can resist reading their fortune—and if all the cookie cutter wisdom does is make you laugh, that’s good luck, isn’t it?



***
Leslie Budewitz writes the Spice Shop mysteries, set in Seattle, and Food Lovers’ Village mysteries, set in NW Montana where she lives. As Alicia Beckman, she writes moody suspense, including Bitterroot Lake and Blind Faith. The seventh Spice Shop mystery, Between a Wok and a Dead Place, will be out July 18. Find out more and links to buy the book at www.LeslieBudewitz.com. 

Here’s what Jenn said about Between a Wok and a Dead Place: 
“Leslie Budewitz delivers the goods again in her latest captivating cozy, Between a Wok and a Dead Place. A twisty-turny plot, seasoned just right with plentiful suspects and lots of culinary delights, this is one page turner of a mystery no reader should miss!”  

Between a Wok and a Dead Place

It's the Lunar New Year, and fortunes are about to change. 
 
Pepper Reece, owner of the Spice Shop in Seattle's Pike Place Market, loves a good festival, especially one serving up tasty treats. So what could be more fun than a food walk in the city's Chinatown–International District, celebrating the Year of the Rabbit?
 
But when her friend Roxanne stumbles across a man's body in the Gold Rush, a long-closed residential hotel, questions leap out. Who was he? What was he doing in the dust-encrusted herbal pharmacy in the hotel's basement? Why was the pharmacy closed up—and why are the owners so reluctant to talk? 

As Pepper begins to expose the long-concealed truth, the killer is on her tail, driven by hidden demons and desires. Can she uncover the secrets of the Gold Rush Hotel without being pushed from the wok into the fire?

Readers, do you have a favorite Chinatown memory or souvenir? A fortune you’ve saved? Writers, tell us about a “click” moment you’ve had. One lucky reader will have the good fortune of winning their choice of a Spice Shop mystery! 


Wednesday, March 4, 2020

Viva Strong Italian Women! by Maria DiRico

JENN McKINLAY: One of my favorite authors, Ellen Byron, is visiting today but she is appearing as her alter ego Maria DiRico to introduce us to her brand new Catering Hall mystery series! I was lucky enough to read and advance copy and called it "A fresh, fun, and fabulous debut to what promises to be a fantastic new mystery series!" Here's Ellen/Maria to tell us more about what inspired this series. Also, she's offering a giveaway! One lucky commenter will be randomly chosen to receive a copy. Don't miss out!

Ellen: The relationship between my protagonist and her “nonna” in my new Catering Hall Mysteries is central to the series. This reflects my wonderful luck of having been raised with two strong women as role models – my mother and grandmother, both Italian immigrants. 

They came from a picturesque town called Orsogna in the Abruzzo region, immigrating to America in 1930, just in time for the Great Depression. Here’s a photo taken shortly after their arrival. The stuffed animal was a prop. Mom says she screamed bloody murder when she had to return it to the photographer.


Life was hard for the new arrivals. They ate rotten fruit that shops discarded. For a treat, mother would pick up lollipops or gum kids dropped on the street. My grandfather, who I never knew, scraped together whatever jobs he could. Nonna found piecemeal work crocheting rosettes for baby’s hats. She and my mother would pick up a gross of the hats from a factory in Queens and carry them back to whatever apartment they were living in at the time. Nonna was paid $1.50 per gross. Mom says that because of this, she’s never forgotten that a gross equals 144. It’s emblazoned on her brain.

Eventually my grandfather got a job with the city as a sewer cleaner. Nonna went to work in a factory doing sewing piecework, meaning she was paid per finished piece. It wasn’t easy but Papa and Nonna managed to save enough money to buy this two-family home in Astoria. 



Meanwhile, Mom carved her own path. She trained herself to speak without the thick New York/Italian accent of her family and got a job as a secretary in Manhattan. Raised by her father to love reading and the arts, she shared that passion with her younger cousins. Here she is with her late cousin Antoinette, who once told me that the times she spent exploring the Big Apple with Mom were some of the happiest memories of her life. 


Italy is considered a matriarchal society. The power of the women in my immediate and extended Italian family was proof positive of that. Besides my nonna and mother, there were the cousins who came over from Italy with barely any schooling, saved their pennies, and bought buildings in Astoria that made them millionaires. One cousin, the first in the family to attend college, became a doctor. Years later, her mother, who had arrived in America at the age of fifteen after surviving the horrors of World War II, did the exact same thing.


Mom used to sing to me an old Orsognese song that went
"Le donne di Orsogna sono le più belle." Translation: the
women of Orsogna are the prettiest. They're also the smartest,
most resourceful women around, and I and so proud to share
their genes and history.

By the way, "Maria DiRico," my pen name, was Nonna's 
maiden name. Viva le donne di Orsogna!






So, how about it, Reds and Readers, have your parents and grandparents influenced your writing or your life? Where did they come from and how has it influenced you?


HERE COMES THE BODY is available at your local bookstore, as well at Amazon and Barnes and Noble


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BIO: Maria DiRico is the pen name of mystery author Ellen Byron, who is first-generation Italian American on her mother’s side. MARDI GRAS MURDER, the fourth book in Ellen's bestselling Cajun Country Mystery series, won the 2018 Agatha Award for Best Contemporary Novel. The series has also won multiple Best Humorous Mystery Lefty awards. TV credits include Wings, Just Shoot Me, and Fairly Odd Parents. Fun fact: she worked as cater-waiter for Martha Stewart, a credit she never tires of sharing. Maria/Ellen loves to translate what she learned from Martha into recipes for her books. You can reach her at:
https://www.facebook.com/CateringHallMysteries/




Thursday, August 2, 2018

The Chugs of Key West

LUCY BURDETTE: About 10 years ago my sister and her husband were visiting us in Key West, but had taken two days to camp on the nearby Dry Tortugas National Park. My sister called me from the boat on the way back. 

"You’d better get over to the dock quickly," she said, "we picked up a group of Cuban refugees." 


Photo from Wikipedia

We hurried over. The refugees were huddled on the bow of the boat, faces impassive, dressed in clothing and blankets loaned by the staff of the Yankee Freedom. Who knows how long they'd been at sea, and on what craft? And it was chilly! A group of their relatives had gotten the word about their rescue and gathered on the dock. The tears and the joy were amazing to witness.


Since Key West is only ninety miles from Havana, we hear a lot about the island and many Key Westers have an intense curiosity about Cuba and what life might be like for its inhabitants. Up until 2014, when the wet-foot, dry-foot policy (in which Cubans who reached the US were allowed to stay,) changed in the Obama era, frequently we heard news stories about Cubans who attempted to reach the US in a variety of homemade, unseaworthy vessels— even windsurfers—with some disastrous results. Many of these crafts are on display at the Key West Tropical Forest and Botanical Garden on Stock Island. I'll show you a few--hope you get a sense of the shakiness!











When I wove some of that backstory and conflict into DEATH ON THE MENU, I had no idea that immigration would become such a national hot button issue. But whatever a person might think about the special Cuban  policy that was in place for years, it seemed to me that it would be hard not to be moved by the dangerous attempts immigrants made crossing the Straits of Florida. 

I knew it might be considered risky to weave this subject into a cozy mystery, but it felt more impossible not to do so. Despite our differences in politics, I think we need to remember that the policies that governments make affect real people with sometimes heart-breaking results. 


across from the Statue of Liberty
When it came time to choose a dedication for this book, this is the only thing that came to mind:


Where did your family come from and how did they get to the US?