Thursday, June 23, 2016

WRITING AND SOCIAL JUSTICE by Laurel Peterson


LUCY BURDETTE: I'm thrilled to introduce debut author Laurel Peterson. Not only does she write novels, she's a poet--in fact, she's the poet laureate for Norwalk, CT this year--which I think is the coolest thing ever! Welcome Laurel! 

LAUREL PETERSON: First, a big thanks to Jungle Red Writers for hosting me.
I’m really honored to be here. 




Perhaps social justice isn’t something that one considers when
writing, even though mystery novels are filled with situations that depict bringing
criminals to justice.




For a long time, I struggled with my purpose for writing. Especially
if one is never published or is published for a small audience, who cares? Why do any of us do this?




I’ve been named poet laureate of my city this year, the first one ever, which means I get to write about public art like this (a collection of words of welcome, titled Gateway to Norwalk)





As I set up events, and as I work to publicize my first
mystery novel, Shadow Notes (which, funny
enough, has wicked politicians as a theme), the same question arises: How do I
get people to care about and connect with language and literature?




Yesterday,
I sat with five kids from the  Norwalk
Housing Authority, who said they didn’t write or even like poetry. Then, they
spent an hour writing two poems about themselves
(I am a lion, because I’m strong and love my family and just because I’m annoyed with you doesn’t
mean I don’t like you
…): vivid, interesting, unique poems that gave voice
to their inner selves. Bravo.




They reminded me of the most important thing I believe about
writing: it’s about giving voice—whether in poetry or prose.




At a reading, I once shared a poem about the death of a
spouse, and after, a woman said to me, Thank
you. That’s exactly how I felt.
Yesterday, a woman emailed to say she knew
the same kind of self-absorbed, wealthy women I describe in my novel, because
they acted as panicked and self-righteous in Texas as they did in Connecticut.




If my voice touches my reader—makes her laugh, cry, rage—I’ve
succeeded. If I can help others, through my writing or teaching, to discover
that they have a voice, too, like those kids—even just for a few minutes—then
I’ve succeeded.
It’s not just a
mystery novel, or just poetry. It’s a
model that I’m writing. Maybe others will follow.




As a culture, we need art at all levels—from Stephen King
and Jonathan Franzen to the guy with the plastic bags who shows up to read once
a month at the poetry reading. All art matters. All art gives voice. Those kids
have had a chance to speak now, and maybe they’ll listen to another writer
because they know what it means to say something. Maybe their voice will help
them find their place in the world, or maybe some other writer’s words will
help them see themselves more clearly. That’s why I write.




What are your thoughts about the purpose of your writing? Do
you notice local art and artists? Read less well-known authors?
Thanks for
stopping by.  I’d love to hear from you! 













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Laurel S. Peterson is an English professor at Norwalk Community College in Connecticut. Her poetry has been published in many literary journals and she has two  poetry chapbooks. She is currently serving as Norwalk, Connecticut’s first poet laureate, and her mystery novel, Shadow Notes, has just been released by Barking Rain Press.  
Links:  Twitter:  laurelwriter49
About SHADOW NOTES:
           
Clara Montague’s mother Constance never liked—or listened—to her but now they have to get along or they will both end up dead. Clara suspects she and her mother share intuitive powers, but Constance always denied it. When Clara was twenty, she dreamed her father would have a heart attack. Constance claimed she was hysterical. Then he died.
           
Furious, Clara leaves for fifteen years, but when she dreams Constance is in danger, she returns home. Then, Constance’s therapist is murdered and Constance is arrested.
           
Starting to explore her mother’s past, Clara discovers books on trauma, and then there’s a second murder. Can Clara find the connection between the murders and her mother’s past that will save her mother and finally heal their relationship?