Showing posts with label Laura Alden. Show all posts
Showing posts with label Laura Alden. Show all posts

Thursday, June 21, 2012

How Not to Plan a Party Menu by Laura Alden



LUCY BURDETTE: Speaking of writing fast, Laura Alden offers this lesson on how important it is to pay attention to your husband when you're writing! (And Laura, we're all waiting for our invitations!)

LAURA ALDEN: My husband and I moved into our house ten years ago. To my husband,
this means it’s a perfect time to have a party. Now there are parties
and there are Parties, and my husband figures that if you’re going to
have a party you might as well have a Party. As in, invite friends and
family from near and far, get a keg, killed the fatted calf, and serve
it up with all the fixings.

We first discussed having a big shindig in February. Back then I was
frantically busy trying to work through the first draft of PTA Mystery
#4. At dinner one night, my husband casually mentioned that he’d like
to have a Party this summer. “A what?” I said vaguely. “Sure. Sounds
great.”

In early May, I was frantically busy trying to finish the final edits
of #4 before the May 15 deadline. He asked if I thought early July
would be a good date for the party. “Um, this July?” I asked vaguely.
“Sure. Sounds great.”

Then the other day I was starting to work on the synopsis for PTA #5.
My husband said, “We should probably start thinking about a menu.”

I blinked at him. “Menu? For what?”

“For our party.”

Though I didn’t actually ask, What party? I came pretty close. “Oh,” I
said. “Right. The party.”

He gave me a look. “You remember that we’re having a party, right?”

“Pulled pork,” I said quickly. “You cook a great pulled pork.”

He smiled modestly. “Well, it’s not bad, but the recipe could use a
little tweaking.”

While he went on about the ratio of vinegar to barbecue sauce, I
mentally lined up a list of easy-to-cook foods. Easy was crucial, for
while #4 was on my editor’s desk, the synopsis for #5 was due June 15,
and I really, really needed to get started on writing the first book
in my new series, the bookmobile cat mysteries. (Pen name, Laurie
Cass.) After my husband settled on how he was going to make the
perfect pulled pork, I asked, “How about grilling some hot dogs?”

“Okay, sure.”

“And the potato salad from that restaurant supply store is excellent.
Their spinach dip is good, and what do you think about getting some of
their vegetable trays?”

He eyed me. After umpteen years of marriage, he knows me pretty well.
Which is nice come Christmas, but he also knew perfectly well that I
was trying to weasel out of anything that remotely resembled cooking.
“It’d be nice if you made those shrimpy things.”

I bit my lower lip. The shrimp puffs were tasty, and I could make them
ahead and freeze the little buggers, but making enough for a Party
would take half a precious Saturday, at least.

“If you make those,” my husband said, “I’ll make baked beans.”

A marriage is made of many things. One of them is knowing when to bow
to the inevitable. “Deal,” I said.

Moral of the story? Pay attention to what your husband says in
February. You just might find yourself spending a Saturday in July
cooking shrimp puffs.


Laura’s debut novel, Murder at the PTA was an Agatha Award finalist for Best
First Novel. Her third book, "Plotting at the PTA," will be released
in early July. JRW tried to get her husband's pulled pork recipe, but he claims he doesn't use one! But here is the link for Laura's shrimp puffs, straight from the Food Network.

Laura says: Nothing fancy; just don't overfill the muffin cups. First time I made
this the bottom of the oven was a monstrous mess...

Wednesday, November 3, 2010

Get Real, People!

The course of PTA meetings never has run smoothly, but when Tarver's unpopular principal turns up dead, Beth realizes that making bake sales wheat-free and funding class trips weren't the only things on the agenda. Then the local gossip blogs, WisconSINS, starts fanning the flames of speculation, and it seems like everyone is a suspect---especially certain members of the PTA.

****Murder at the PTA by Laura Alden




HANK: Here at JRW, we love debut authors! (okay, we also love veteran authors, and mid-listers, and bestsellers..) But theres nothing like opening a box of your first books! And todays debutante is LAura ALden (who you may already know, but we're not telling unless she wants to) --a true stalwart and a hardworker and a devoted mystery fan.


But as a debut author, she's now experienced a few moments that all mystery authors share. (Have you? She'll ask in a minute.) Here's one of them.

LAURA ALDEN: Back a few Christmases ago, my in-laws gave me a tee-shirt that read; “Careful, or you'll end up in my novel.”

When I opened it, everyone laughed and made the standard jokes. “Hey, you’re not going to kill me off, are you?” “Hope you don’t put me into one of your books.”

I smiled and made the obligatory response: “Then you’d better be nice to me.”

But honestly, even if I wanted to put a real person into a book, I doubt that I could. Difficult as my made-up characters can be, the degree of difficulty of getting them to do what I want is no comparison to how hard it would be to get real people to do my bidding.

For instance? Well, if I based a character on, say, an old boss, I’d be locked into that personality. He’d still do all those things that irritated me when I worked for him, and I still wouldn’t get a raise.
After all, why would he co-operate as one of my characters when he wasn’t cooperative in real life?

If I based a character on a good friend, that character would walk like her, talk like her, have her interests and her skills. Fitting a known quantity into a rough first draft would, for me, be like slipping a honed college athlete into a pickup basketball game. She wouldn’t fit and it’d be hard to smooth out the edges.

And then there’s the naming thing. If I turned that guy from Fifth grade who called me Four Eyes into a suspect, how can I possibly give him a different name? He’d still be the kid who called me Four Eyes, no matter what.

If I need a name for a character I look through the trusty 3” x 5”
spiral-bound memo pad I carry with me. One of the things I write down is names, first and last, male and female.


If the memo pad fails me, I’ll give my husband a yell.

Let’s try one right now: “Honey, I need a name for a forty-five year old man who’s been living over his Mom’s garage for twenty years.”

“...Erik. With a K.”

“Thanks, honey!”

But then where do my characters come from, if not from real life?

Well, they do come from real life. Of course they do. They just don’t, um, carry over directly. Let’s take my main character’s best friend, Marina. My sister-in-law thinks Marina is based on her. My oldest friend, I suspect, thinks she’s Marina. The truth? Marina is both of them and neither of them. She comes from all the friends I’ve ever had and all the friends I’ve always wanted to have, plus she’s a little bit of me.

The same is true with all my characters -- they’re me and not me.
They’re everyone and no one. They come out of my pointed little head and even I don’t know their origins.

So rest easy, dear father-in-law. Don’t worry, brothers and sisters- in-law. There is no way I’ll ever transfer your personality onto that of one of my characters.

Not that you’ll recognize, anyway.

(Heh heh heh.)

How about anyone else? How do you deal with the assumption that you’re sticking real people into your books? Do you put real people in your books?




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Laura Alden lives in northern Michigan with her husband and two very strange cats. When she’s not writing her next book, she’s working at her day job, taking pictures for the local newspaper, reading, or doing some variety of skiing. She’s fond of long soaks in the tub, red raspberries, and blue skies. Her first mystery, MURDER AT THE PTA, was released in October and is the first in a new series.