Showing posts with label Minotaur. Show all posts
Showing posts with label Minotaur. Show all posts

Saturday, March 16, 2024

HOT OFF THE PRESSES


HANK PHILLIPPI RYAN:  Hurray! You know how much we love debut authors here on Jungle Red, and we are so thrilled to give a standing ovation to the fabulous Christina Estes, an intrepid experienced reporter who finally, after years, took the big step into fiction.

 

I can tell you, Reds and readers, her debut novel OFF THE AIR is a must read--and a perfect beginning for a series. A winner in every way! (And all of you who wonder: do I need to start at the beginning of the series? Christina makes it easy, because this is book 1!) The iconic and revered JA Jance says “it's a tale that demonstrates how behind the smiling faces of TV anchors, covering the big story is a dog eat dog world.”

 

And today, Christina gives us the inside scoop. And breaking news: a copy of OFF THE AIR  to one very lucky reader! Enter once here with a comment, and you can get a second entry by coming to the Reds and Readers Facebook page and commenting on the post there, too!

 


HANK: Have you always wanted to be a mystery writer? How and why did that start? 

 


CHRISTINA ESTES: I remember being young and some adult asking, “What do you want to be when you grow up?”

 

Since I devoured books, I would answer, “An author.”

 

But I never met an author and didn’t know anyone who pursued writing as a career. My love of reading included magazines and newspapers and I was exposed to reporters on TV and the radio, and that led me to study journalism.

 

J.A. Jance’s Ali Reynolds series, about a former L.A. newscaster who moves back home to northern Arizona, planted the seed for my writing. Hank’s Jane Ryland series about a Boston reporter helped it grow. Or at least helped me contemplate the idea of writing a series featuring a Phoenix TV reporter. It would be many years before I became serious about writing.

 

HANK: When did you decide that you were really and truly going to seriously write a novel? It’s such a big step – – what made you take it? 

 

CHRISTINA: In 2009, I said, “I’m going to write a book.” And, fifteen years later, I’m being published. Fifteen years!

 

I naively thought that because I’m a reporter and write every day that I could write a novel. Big mistake. There’s a huge difference between writing a thirty-second or three-minute broadcast story and a 300- page novel.

 

There was a lot of writing, rejection, stopping. More writing, rejection, stopping. You get the picture. I went years without writing. That’s not how you get published.

 

When I finally accepted that I didn’t know how to write a novel, I focused on learning (and I’m still learning) and got serious. I started saying ‘No’ to a lot of things in order to prioritize writing. It will not take 15 years to get published again! 

 

HANK Makes sense! And of course. Butwhat happened to make you finish this time?

 

CHRISTINA: There was no ‘aha’ moment that I recall. I just felt more committed. I wanted to see it through and figured I would give it my all one more time. Fortunately, perseverance paid off because Off the Air was selected for the Tony Hillerman Prize and I received a publishing contract through Minotaur Books.

 

HANK: What idea sparked this particular novel? The ONE thing you wanted to write about?

 

CHRISTINA: Besides taking readers behind the scenes of local news, I wanted to showcase Phoenix. I remember reading J.A. Jance’s first Ali Reynolds novel years ago and practically squealing with delight at the local references. There are so many great series set in cities like Boston, New York, Minneapolis, Chicago and Los Angeles, and I want to read more set in the city I call home.

 

The theme that kept swirling as I wrote centered on recognition. We all need it. People leave jobs and relationships when they don't feel valued. In the case of Jolene, my main character, she gets the acknowledgment she craves by breaking stories. Part of her desire for recognition comes from her upbringing, which she doesn’t yet realize or chooses not to accept.

 

HANK: So—do you blend fact and fiction in this novel? Do you use your real-life reporting experiences as a basis for your story?

 

CHRISTINA: I include references to two stories I covered as a reporter. The first involved residents who gathered to celebrate the demolition of an abandoned restaurant that had become an eyesore and attracted criminal activity. I changed the restaurant’s name but kept the party details – neighbors really did bring balloons and sparkling grape juice to cheer the demolition.

 


The other story relates to my personal experience being nominated for an Emmy for reporting about a fish going to the dentist. It lost to a story about bubble wrap. Yes, bubble wrap! In the book, it is Jolene’s loss. It’s interesting to hear reactions to that vignette. Some readers relate to Jolene’s disappointment, while others laugh.

 

HANK:  A fish going to the dentist? You must tell us about this in the comments.  How did the book change from how it was when you began? How did it become different—darker, bigger, scarier, more thought-provoking, deeper?  What did you learn?

 

CHRISTINA: My main character initially had a different name and backstory. I was writing about the 29-year-old TV reporter that I wish I had been. I needed a character with some rough edges, a character that I cared about and could root for.

 

I created Jolene’s backstory based on my experience as a former foster parent. It was uncomfortable because I didn’t want to cause pain for anyone who had experience in the child welfare system. It’s a big reason why I included a content advisory in the book. I love Jolene. I know some people will say, “She’s a character, not a person” and they would be right. But Jolene feels real to me.

 

HANK: One of the most difficult things in having a new novel is that you need the elevator pitch! So here we go… Tell us about this book!

 


CHRISTINA: I’m glad you asked because I need to practice for Good Morning America. Off the Air will be their Buzz Pick on March 30 and I get to pitch via video. Here’s what I’m thinking:

 

Off the Air introduces Jolene Garcia, a local TV reporter in Phoenix trying to cover real issues in a society that seems more interested in clicks and reels.

 

When a controversial radio talk show host dies on air, Jolene’s managers are ecstatic because she conducted his last interview. They’ve got the advantage – but not for long. National media descend on Arizona with bigger budgets and better scoops. Jolene is determined to solve this murder. It’s an investigation that could make or break her career—if it doesn’t break her first.

 

HANK: YAY! Massive congratulations on GMA. I absolutely love this book, it was surprising and wise and knowledgeable and fast paced and fun to read. How do you hope  people will feel at the end of it? 

 

CHRISTINA: Thank you, Hank. I hope readers feel entertained and are curious about what’s next for Jolene personally and professionally. A sequel is in the works!

 

HANK: Hurray!  And cannot wait to hear about all of your adventures. SUCH a joy to have a debut novel, and we are cheering you from the reds room!  So, Reds and readers, let’s talk TV.  Do you have a favorite television reporter? Past or present, fictional or real?

 


And a copy of the hot-off-the-presses OFF THE AIR  to one lucky commenter!


Remember, you get another entry by commenting on the Reds and Readers page!

 

 

 

 

 

Emmy award-winning reporter Christina Estes received the Tony Hillerman Prize for Best First Mystery Set in the Southwest. Off the Air is the first in a series featuring a local TV reporter. Having worked for several local TV stations, Christina now reports for the NPR member station in Phoenix.

www.christinaestes.com

https://www.facebook.com/ChristinaEstesAuthor/

@reporterestes on Instagram, X/Twitter, Threads

Saturday, August 19, 2017

Take Your Pick


HANK PHILLIPPI RYAN: Don’t ever let it be said that the Reds have failed to allow you to learn new things. Widen your horizons. Deepen your skills.   Yesterday, what to do if you are kidnapped. And today, another lesson that may well come in handy, er, someday. We are the first place you look for that kind of valuable stuff, right?

This wisdom, hard-won and in-depth and exclusive to Jungle Red (J) , comes from the amazing Kristen Lepionka.  If you hear a sound in the background, that buzz is everyone on the planet talking about her new (and debut) novel THE LAST PLACE YOU LOOK.   

Now, take notes, you all. Then—hide them.

Unlocking the Secrets of Unlocking

Lock-picking always looks so easy in the movies. Is it weird that I notice this? Probably, but no matter--with a single bobby pin or paperclip, Hollywood wants us to believe that our heroine can get any door open in mere seconds. But in reality, it’s not so simple. I know this because, when I created the protagonist in my novel THE LAST PLACE YOU LOOK--Roxane Weary, a private investigator who’s been known to trespass through locked doors--I wanted to get the details about lock-picking just right. First, I fell down a rabbit hole of YouTube videos about lock-picking. Then I ordered an instruction booklet from a vaguely sketchy website. Then, still unable to figure it out on my own, I wondered if I could get someone to teach me how to do it.

Maybe the sketchy website could put me in touch with someone locally? This type of question seems perfectly reasonable to a writer in full-on research mode.

Then I heard about an organization called Locksport International which is an entirely upstanding and non-sketchy group dedicated to competitive lock-picking. Locks are basically just the home security version of a Rubik’s Cube, and Locksport International gathers people together to practice, compete, and challenge each other to “solve” them. And they’re quite generous about teaching, too! I attended one of their workshops and learned all about this delicate art, including things that Hollywood often gets wrong--like that single paperclip I was talking about.

You really need two tools to open a lock--a pick, and a tension wrench. Without both, it’s virtually impossible. Here’s how it works.


Your garden variety front door lock--a pin and tumbler lock--consists of a series of short vertical pins that are lined up in a matching series of holes drilled into the top of a larger cylinder (which contains the keyhole on the front). The pins prevent the cylinder from turning. But if you push those pins up and out of the cylinder, it will open freely. Each lock has pins of different heights, which is where those jagged edges on your housekey come in. Their purpose is to move the pins up and out of the cylinder, a point called the shear line.

But you can’t open a locked door just by inserting a key and standing there watching, right? You have to turn the key too. Hence the second tool. The pick simulates the jagged edge on your key, and the L-shaped tension wrench simulates the turning motion you make when unlocking your front door the regular way. As soon as the pins are lifted above the shear line, the motion of the tension wrench turns the lock open.

So the next time you watch a movie where a character picks a lock, take a look at how they’re doing it. And check out Locksport International for more information on the exciting world of hobby and competitive lock-picking--it’s quite a lot of fun. Here is a video of me demonstrating

To win a signed copy of the The Last Place You Look, comment with your favorite "rule-breaking" detective character!

HANK PHILLIPPI RYAN: Ooh. We just did a big story about the unscrupulous lock-pickers out there, the ones who take advantage of panicked homeowners who have locked themselves out. See? Now you can avoid all that.

Rule-breaking detective. Hmm. Isn’t that all of them? Or is it? Gotta start with Sherlock Holmes. How about you, Reds and readers? 

And have you ever picked a lock?

THE LAST PLACE YOU LOOK to one lucky commenter! 

(And hey, Kristen, tell us more about your book in the comments!)



 Kristen Lepionka is the author of the Roxane Weary mystery series, starting with The Last Place You Look (Minotaur Books, 2017). She grew up mostly in a public library and could often be found in the adult mystery section well before she was out of middle school. Her writing has been selected for Shotgun Honey, McSweeney's Internet Tendency, and Black Elephant, and she is also the editor of Betty Fedora, a lit journal focusing on feminist crime fiction. She lives in Columbus, Ohio, with her partner and two cats.

-->

_________

About THE LAST PLACE YOU LOOK

Nobody knows what happened to Sarah Cook. The beautiful blonde teenager disappeared fifteen years ago, the same night her parents were brutally murdered in their suburban Ohio home. Her boyfriend Brad Stockton―black and from the wrong side of the tracks―was convicted of the murders and is now on death row. Though he’s maintained his innocence all along, the clock is running out. His execution is only weeks away when his devoted sister insists she spied Sarah at an area gas station. Willing to try anything, she hires PI Roxane Weary to look at the case and see if she can locate Sarah.

Brad might be in a bad way, but private investigator Roxane Weary isn’t doing so hot herself. Still reeling from the recent death of her cop father in the line of duty, her main way of dealing with her grief has been working as little and drinking as much as possible. But Roxane finds herself drawn in to the story of Sarah's vanishing act, especially when she links the disappearance to one of her father’s unsolved murder cases involving another teen girl.

The stakes get higher as Roxane discovers that the two girls may not be the only beautiful blonde teenagers who’ve turned up missing or dead. As her investigation gets darker and darker, Roxane will have to risk everything to find the truth. Lives depend on her cracking this case―hers included.

Kristen Lepionka
Author of The Last Place You Look, out now from Minotaur Books
www.kristenlepionka.com | Sign up for my newsletter



-->