advance copy of Cathy Ace's THE WRONG BOY. I was bowled over. Engrossing characters, perfectly rendered Welsh setting, a stunning ending, and as with the best books, the title takes on a new meaning when you're done reading.Today we welcome Cathy today to talk about her amazing new book.
CATHY ACE: A recent review of my latest book The Wrong Boy (by the well-respected Kristopher Zgorski at BOLO Books) began thus:
“With two successful series and a few collections of novellas, some may view Cathy Ace’s decision to release a stand-alone psychological suspense novel as a strange – and potentially risky – move…”
Kristopher was right – I was leaping into the unknown, stepping into the dark…
My Cait Morgan Mysteries have their place firmly in the “traditional” camp; they are contemporary, closed-circle whodunits, with a not-so-amateur professor of criminal psychology as a sleuth.
I have never viewed them as “cozy” though they were marketed as such by the publisher, there being “no distinctive way to market them as traditional”; each is set in a different country, with an ever-changing cast of characters save the two main protagonists. My other series, the WISE Enquiries Agency Mysteries, is truly “cozy”, featuring a recurring cast, a Welsh village and stately home, and several quirky, and quintessentially British, cases for my four female professional PIs to investigate in each book.Then along came 2017, when I was faced with two publishers who no longer wanted to do business with me the way they had (a new direction for one, a new owner for the other) so it was clear I had a Big Decision to make – what to write next. Oh, and I should probably mention I also fired my agent. So, I completed my contractual obligations, then plotted my next move…
As a psychology graduate I have always been drawn to the “why” more than merely the “who” or the “how”; Cait Morgan is a professor of criminal psychology who applies her significant understanding of the human condition to the cases she encounters on her travels, and while the four women of the WISE Enquiries Agency aren’t psychologists, they always use their breadth of life-experience and insights to interpret the information they gather through their professional investigating.
So why not run with that? The “why” as the driver for an entire book. But how, exactly?
I began where I always tell those wanting to write to begin – by reading. I read dozens of psychological suspense novels, from the bestsellers to those by authors I’d never heard of before. I met flocks of unreliable narrators (often “girls”!), and became wary of anyone who’d ever sipped so much as a small glass of sherry or sustained even the slightest bump on the head at any point in their life because – you know…blackouts and amnesia, right? I suspect I over-read, because I ended up convinced the “shape” of these books wasn’t right for me as an author.
You see, I had a plot, with the key twists all lined up, but it didn’t feel right; the three main female characters in my head lived their worrying lives in a Welsh location I knew well, but still I couldn’t orchestrate the right rhythm for the tale.
Then I got it!
I’d written a collection of short, and long, stories, as well as a collection of novellas; three of those novellas featured characters from the original collection of short stories, and two of those sets of characters had grown to live their lives in their own series of books. Yes, Cait Morgan and Bud Anderson as well as the four women of the Wise Enquiries Agency were all “born” in the same collection
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| The real location of THE WRONG BOY: Rhossili, South Wales |
of short stories. The only character who’d recurred in my novellas who hadn’t been featured in a novel was a lovely chap by the name of Detective Inspector Evan Glover of the West Glamorgan Police Service in South Wales, who lived an unremarkable, but hard-working and happily-settled life with his psychotherapist wife Betty.
I decided to introduce a police detective element into the shape of the new book to be able to change the rhythm – without allowing it to become a police procedural, which I knew I didn’t want to write. I’d left DI Glover pondering his future as a policeman at the end of the novella I’d written about him in Murder Knows No Season – so decided to give his wife a significant financial windfall, which would allow him to take early retirement.
That meant was I was then able to tell my dark, twisting tale not through the eyes of one unreliable narrator, but through several – each of whom knew a part of what was going on, but none of whom could see the whole picture. I gave each their own point of view, each their own voice – and allowed the reader to see the world in which they lived through their individual lenses, never certain about what was true, or what was assumed or imagined.
Now that the book is written, the characters’ voices aren’t talking in my head anymore – which I’m sure is a good thing. I’ve thoroughly enjoyed the process of revealing more and more layers of the psyches of the characters – from Evan and Betty Glover struggling
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| Village of Rhossili, South Wales |
It’s been a journey down a darker, twisting path for me. A risk? Certainly, but the review I mentioned earlier concluded with “The Wrong Boy is a first-class narrative journey and readers should seek it out immediately” which is uplifting, and the book recently hit #1 on the amazon psychological suspense best seller list, which tells me readers like the sound of it enough to take that journey with me. And – especially when we leave our usual paths and take a chance – I believe that’s the best an author can hope for.
Do you choose to follow authors whose work you enjoy when they take a different path?
Does it always work for you? Or them?
Find Cathy at:
http://www.cathyace.com/
Facebook: https://www.facebook.com/cathy.ace.author
Twitter: @AceCathy
