RO: Most mystery fans know that Carl Hiaasen has pretty strong views on the environment, in Florida, in particular. And why should he hide them? He's got a bully pulpit now. But it wouldn't work if he hadn't written some terrific books first. The Cosby Show was enormously popular before the anti-apartheid posters starting showing up in the kids' bedrooms. Later on this week (Wednesday!)our guest blogger will be NYTimes best-selling author Linda Fairstein, who, as a former NYC prosecutor and former head of NY's Sex Crimes Unit has made no secret of some of the issues that are important to her.
I gently (I am still a newbie, after all) raised the issue of day laborers in Pushing Up Daisies, and casino gambling in The Big Dirt Nap. How comfortable are you mentioning real issues in your books? We know the story has to be served first, but what about after that's done?
JAN: I always have an issue in my books. In Teaser, it was the dangers social networking pose for teenagers; in Yesterday's Fatal it was the exploitation of illegal immigrants in staged car accidents; and A Confidential Source it was casino and state-sponsored gambling. But I wouldn't exactly call it a bully pulpit. I'm not sure murder mysteries are an effective forum for advancing social change. They are more an avenue for me to research and explore the crime trends that fascinate and disturb me.
RO: Well, I guess I'm asking, not so much about advancing social change (would that we all had the power of Oprah, or to a much lesser degree Carl Hiaasen) as I'm asking about revealing your own positions on issues.
HALLIE: I think it works when Hiaasen does it because he's so funny about it. You do it with humor, too, Ro. So even though there may be a serious intent, it doesn't come off as confrontational.
ROBERTA: I think we all reveal ourselves (whether we start out with that intention or not) in our choice of characters and story. As long as the opinions read like they come from the characters rather than the heavy hand of the author, I'm all for it. Celebrities do have unusual opportunities to bring attention to world problems and I admire the ones who do that.
HANK: Yes, Roberta, I agree. It's a great way to put a spotlight on reality without beating readers over the head with it. For instance? Franklin Parrish, Charlie McNally's producer, is black. That's not really discussed, except for one brief introduction. Except...in each book there are situations that, unfortunately, would happen to Franklin and not to Charlie, who is white. He's pulled aside by airport security. He's followed by suspicious salespeople in a used car lot. He's ignored by salespeople in a posh store.
"Look at the bright side," Charlie suggests. "At least they're not bothering you." "There is no bright side," Franklin says. Charlie pauses. "I guess not." As an author, I don't need to say any more.
"Look at the bright side," Charlie suggests. "At least they're not bothering you." "There is no bright side," Franklin says. Charlie pauses. "I guess not." As an author, I don't need to say any more.
RO: That's that famous Ryan touch. Not too heavy, not too light!
HANK: Aw. Thanks. xo.
RHYS: I also strive for a balance between light and dark in my books.Even though I write historicals, I focus a lot on social issues and I leave the reader to draw interesting comparisons between the early twentieth century and the present day. My latest Molly book is all about the role of women in society, how women leave Vassar with bright, awakened minds, only to marry and be caged by what society thinks a wife should be. We've come a long way in that respect, but I've also written about conditions in sweat shops and the powerlessness of the immigrant--which haven't changed all that much. Even my Royal Spyness books, light as they are, have a darker underpinning of the great depression. I think that if my sleuth is a real person, she can't fail to be aware of conditions and injustices around her and they have to creep into the book.
RO: As readers and writers how do you feel when you're reading a mystery and you can feel the writer's political or social positions coming out? Do you need to agree with the main character's opinions in order to enjoy the book?
(And don't forget to come back Wednesday for the first of our two interviews with Linda Fairstein.)
