Showing posts with label detective kubu. Show all posts
Showing posts with label detective kubu. Show all posts

Tuesday, September 20, 2022

Michael Stanley--We Love Our Research

DEBORAH CROMBIE: And now for something completely different! Where else can you go from stately pageantry in England to the African bush from one day to the next? And learn fascinating things you never dreamed you needed to know? 

Our guest today, Michael Stanley, reminds me what a wide window on the world books provide us. I may have been an Anglophile from an early age, but growing up I was also enthralled by Africa, and particularly by the Bushmen, because I'd had the good fortune to learn about both through books. I was thrilled to meet these fascinating people again in A DEADLY COVENANT!


We Love our Research

Michael Stanley

Most writers we know enjoy the research for their books nearly as much as they do the writing. That is certainly true for us – after all, we’re both retired academics. When we decided to set our Detective Kubu books in Botswana, we knew little about the details of the country, even though both of us had visited it. So we hit the books.

Of particular interest were the Bushman cultures. We both had a great admiration for the Bushmen and an extreme distaste for how they'd been treated. (For example, less than a hundred years ago, one could buy a license to hunt them.) Partly for that reason, partly because they are a significant group in Botswana, and partly because their culture is so different from almost anything in the West, we’ve given them a major role in a number of our books, including A Deadly Covenant, the mystery we’ve just released. In fact, the backstory of our third mystery, Death of the Mantis, is all about Bushman culture and an effort to ensure it doesn’t disappear. That book was short-listed for an Edgar.

Our research uncovered many intriguing aspects of Bushman life – far too many to include here. However, since the Jungle Red Writers are often pre-occupied with killing people, or at least thinking about killing people, we thought we’d discuss one poison that a number of Bushman groups have used in their hunting. It is so lethal that it is the Bushman equivalent of the nuclear deterrent policy. That idea is if the major powers all have arsenals of nuclear weapons, none will start a war because it would guarantee mutual destruction. Similarly, for the Bushmen, the fact that different groups had this poison prevented them from fighting each other. Since there is no known antidote, mutual destruction would be assured.

The poison is used for hunting, and the main reason for having such a powerful poison is that Bushman bows are quite rudimentary and do not have the power to kill a large animal outright. Instead, the Bushmen have discovered several remarkable poisons that they use on their arrows. The animal then runs off, and the hunter has to run after it until the poison has enough effect to drop it. This can be hours or even days in the case of an eland, for example, which is a huge antelope that can weigh up to 2,000 pounds. Even though the poison can bring down a large animal, the meat is safe to eat.

The most intriguing of the poisons is the one from Diamphidia nigroornata beetles, which lay their eggs on the branches of the Commiphora trees in the frankincense and myrrh family.


They then cover the eggs with their own faeces, creating a hard shell when dry. Eventually the larvae shed their protection and burrow up to a metre into the sand next to the tree, where they make a cocoon from sand. It may take several years before they molt into pupae.



The Bushmen dig up the larvae and pupae and gently squeeze and combine the liquids in a container. When they are ready to hunt, they apply the poison, not to the tip of the arrow in case they nick themselves, but rather to the base of the arrowhead.

Several things about this astonished us. First, how did the Bushmen eons ago discover the larvae buried so deep in the sand? Second, how did they figure out that the liquids inside the larvae were toxic if they got into the bloodstream, but safe if ingested? Finally, one can only wonder how many Bushmen died before they figured all this out.

The design of the arrows is also clever. Because the shot animal often runs through scrub and bush, and because resources in the Kalahari are few and far between, the arrows that Bushmen use have two parts: the head with the poison and the shaft. When an animal is hit and starts running, the main shaft falls off and is reusable. The part with the poison remains fixed in the animal and is retrieved when the animal collapses. Surprisingly, the arrows don't have flights, which means that the hunter has to get very close to his prey before shooting. One theory we read about is that the legendary clicks of the Bushman languages evolved as a form of communication that wouldn’t spook animals. .





Our new Detective Kubu mystery, A Deadly Covenant, is set near Tsodilo Hills, which the Bushmen regard as the birthplace of humankind. While digging a trench for a new water project, a backhoe operator unearths the skeleton of a long dead Bushman. Kubu and Scottish pathologist, Ian MacGregor, are sent to sort out the formalities, but the situation rapidly gets out of hand. MacGregor discovers eight more skeletons—a massacre of Bushmen including women and children. However, the locals deny any knowledge of the event.

When an elder of the village is murdered at his home, the local police believe it was the result of a robbery gone wrong. Kubu thinks otherwise. So does an elderly woman who believes it was the work of Mami Wata, a powerful river spirit. When she dies in an apparent crocodile attack, suspicions rise.

Things become still more complicated when a mysterious Bushman appears at the massacre site, collapses, then disappears again, but seems connected to the murders in some way.

Kubu’s boss, Assistant Superintendent Mabaku, joins them as accusations of corruption are levelled at the water project, and international anger builds over the massacre of the Bushman families. But they have no idea how the recent murders link to the dead Bushmen. As they investigate, they uncover a deadly covenant made many years before by an unknown group, and they begin to fear that their own lives may be in danger.

Once again, Bushmen play a key role in a Detective Kubu mystery!

DEBS: I want to know how the Bushmen discovered that you had to mix the two liquids together!

Michael Stanley is actually the writing team of Michael Sears and Stanley Trollip, and if you're curious about their academic pasts, and how they ended up writing about Botswana, here's more--

Both are retired professors who have worked in academia and business. Sears is a mathematician, specializing in geological remote sensing. Trollip is an educational psychologist, specializing in the application of computers to teaching and learning, and a pilot. They were both born in South Africa.

They have been on a number of flying safaris to Botswana and Zimbabwe, where it was always exciting to buzz a dirt airstrip to shoo the elephants off. They have had many adventures on these trips including tracking lions at night, fighting bush fires on the Savuti plains in northern Botswana, being charged by an elephant, and having their plane’s door pop open over the Kalahari, scattering navigation maps over the desert. These trips have fed their love both for the bush, and for Botswana.

It was on one of these trips that the idea surfaced for a novel set in Botswana.

Here's Michael.


And Stan!


I was so sorry to have missed them at Bouchercon!

Stan and Michael will be dropping in to chat and answer your questions, and will give away a copy of A DEADLY COVENANT to one lucky commenter!


Friday, January 10, 2020

Collaboration Is the Way to Go by Michael Stanley

Today the Reds are so pleased to have Michael Stanley, aka the writing team of Michael Sears and Stanley Trollip, talking about the art of collaboration. Take it away, Michael...er...Stanley...um Michael Stanley!

Michael Stanley: The question we are asked most often at book events by both authors and readers is ‘How can two people write fiction together?’
At first, we were puzzled by the question because both of us, in our professional lives as university professors, had been collaborators. Stanley had co-authored multiple non-fiction books and Michael many academic papers. So, when we decided to write our first mystery, A Carrion Death, we never even discussed whether it was a good idea. It seemed the natural thing to do. It was only later that we realized that it was quite uncommon.
So why do we like collaboration so much? 
First, we have the benefit of having a totally involved person to brainstorm with, to bounce ideas off, and to give truly critical feedback. A single writer has only himself or herself to interact with. How depressing! How lonely! Second, we have the benefit of having someone to share a glass of wine with while discussing the intricacies of plot or character – a solo writer can’t do that, because no one else would be totally involved.
Unlike some collaborations where responsibilities are split up, we both do everything. We brainstorm together, follow up on research, travel to little known parts of Botswana, write, and edit. 
Our process is that one of us does the first draft of a piece. Sometimes that is part of a chapter; other times a chapter or two. He then sends it by email to the other, and receives a response, which is often a highly commented and edited version. The originator responds, then back and forth in that way, as many as twenty times or even more. What we have both learned from this is that there is no one, perfect way to write something, much as each of us likes to believe we have done just that. It turns out that words, sentences, and even plots are flexible.
Eventually the piece is not written by Michael or by Stanley, but rather by some gestalt, called Michael Stanley, who sits in cyberspace somewhere between the United States and South Africa. Readers tell us the product is seamless; our friends tell us they can identify who wrote what, but they are wrong about half the time!
There are many benefits to collaboration. We can brainstorm plot and character, which we think results in a more cohesive final product. When one of us flags, the other is there to nag and take up the slack. Best of all we get immediate and interested feedback on anything we write. But there are some caveats. One must be willing to take harsh criticism, knowing that it’s directed at the product rather than the person and that the only aim is to improve the work. There must be trust and an ability to see the other person’s point of view. It helps if you have similar writing styles. And it probably takes longer than writing alone. But all that is outweighed by the biggest advantage: it is great fun! And, after all, almost all people who write do it for the enjoyment.
So now, when we are asked ‘How can two people write fiction together?’, we respond that this is the wrong question! A better question is ‘How can a person write alone?’ 
What about you, Reds and Readers, do you think it is easier to work together or alone? 

On Sale Now!

FACETS OF DEATH
Diamonds can be deadly…
David Bengu has always stood out from the crowd. His personality and his physique match his nickname, Kubu—Setswana for “hippopotamus”—a seemingly docile creature, but one of the deadliest in Africa. His keen mind and famous persistence have seen him rise in the Botswana CID. But how did he get his start?

Inauspiciously. His resentful new colleagues are suspicious of a detective who has entered the CID straight from university, skipping the usual beat cop phase. Nearly broke, with no car or wife, Kubu has the support of his parents, but success will depend on self-reliance. He is immediately plunged into investigations at two airports.

One takes him to the airport near Gaborone where something criminal is going on in baggage claim.

The other begins at Jwaneng Airport, where a plane bursts into flames. It’s the opening move in a brutal heist of stones from the world’s richest diamond mine. The robbers die in a shoot-out, but the diamonds remain missing. So who masterminded the crime? Rumors of a witch doctor’s involvement send the detectives down a dark path. Ultimately, new recruit Kubu finds himself engineering a risky trap. Will his first major case prove his worth—or kill his career?
About the Author:
Michael Stanley is the writing team of Michael Sears and Stanley Trollip.
Both are retired professors who have worked in academia and business. Sears is a mathematician, specializing in geological remote sensing. Trollip is an educational psychologist, specializing in the application of computers to teaching and learning, and a pilot. They were both born in South Africa.