Showing posts with label toni morrison. Show all posts
Showing posts with label toni morrison. Show all posts

Friday, December 15, 2023

Lisa Malice--Lest She Forget

DEBORAH CROMBIE: One of the things we enjoy most on Jungle Red Writers is hosting debut authors. It's always thrilling to see a book come into the world, but even more so for an author's first published work--for most it's a long-cherished dream.

Today, meet Lisa Malice, whose suspense novel, LEST SHE FORGET, explores an amnesia victim's buried secrets.



Have You Lost Your Mind? Why Amnesia Stories Draw Us In 

By Lisa Malice, Ph.D. 

“I don’t remember . . . I can’t recall anything!” A vast cast of characters have blurted out these words over the years in books and films. Some consider amnesia a trope, an overused fictional plot device. But that doesn’t stop writers from crafting tales of memory-challenged heroes, nor does it keep readers and viewers from loving every minute of an amnesia story. Why do we, as readers and viewers, find such tales so appealing? That depends on who’s answering the question. 

A mystery/thriller writer (such as me) might suggest we enjoy casting our lot with the memory-impaired protagonists, racing desperately along with them as they uncover the clues to their buried pasts before any harm can come to them. As we do, we encounter surprises, twists and revelations that challenge our assumptions and expectations until, the tale ends with a satisfying triumph over evil, with justice prevailing over corruption, envy, and greed.  

A psychologist (me, again) would offer that amnesia stories allow us to explore the nature of memory and identity. How much of who we are depends on what we remember? What happens when we lose our memories or gain new ones? How would we cope with the uncertainty and confusion of not knowing ourselves or our past?

The 2001 film Regarding Henry explores these questions with Harrison Ford playing the role of as a man who miraculously survives a bullet to the brain during a convenience store robbery—though the memory of his life does not. Henry, a high-powered, philandering attorney and head of an unhappy, dysfunctional family, never recovers from his amnesia, leaving his old, flawed self behind to start life anew. The path Henry takes, the choices he makes—vastly different from those he made in his forgotten past—yield more satisfying outcomes for Henry, who becomes the loving, attentive husband and father his family so need in their lives. The happy ending may also reflect a desire many of us experience once in a while when life gets us down—the wish to escape from reality, start over, and re-invent oneself.                                                                                                    

My debut psychological thriller, Lest She Forget, also offers a tale of memory loss and explores the question of how people cope with amnesia. Can completely forgetting everything you are be good or even achieved, or will your dark past eventually catch up with you? The story follows a young woman struggling with the aftermath of a soul-searing psychological trauma. Her PTSD-induced amnesia (clinically known as “dissociative fugue”) leaves her without a name, nor a past to claim as her own. She’d like to just move on with her life but can’t—she’s haunted by a shadowy memory, one in which she witnessed the murder of a young woman. She is suspicious of everyone and everything—typical for PTSD sufferers, who tend to live with a heightened alert for danger. As she struggles to uncover clues to her life, she quickly learns that her fears may not be all in her head—a deadly stalker appears determined to find her. The race is on to remember her past before it catches up with her. 

A sociologist (not me, this time) might offer that amnesia stories are popular metaphors for social and cultural issues, such as the effects of trauma, oppression, or erasure on individuals and groups. Toni Morrison’s Pulitzer Prize-winning novel Beloved (1987), a haunting indictment of the Atlantic slave trade, is a prime example. Told through the eyes of freed slaves in the post-Civil War years, it fictionalizes the collective horrors inflicted on Black slaves, their struggle with the loss of identity and self-fragmentation, and the unconscious desire to dissociate from the past and its horrific memories. 

What are your favorite stories of memory loss? Why do you find them so appealing? If you could wipe your mind of one memory in your life, what would you choose and why?


DEBS: Great questions, Lisa!

Readers, Lisa will be giving away a copy of LEST SHE FORGET to one lucky commenter, so be sure to drop by and say "hi."



Lisa Malice is a psychologist-turned-thriller author. She loves being part of the community of crime-loving writers and readers. A compulsive volunteer, you can often find Lisa interviewing an author for a feature in ITW’s “The Big Thrill,” planning an author event for her Sisters in Crime chapter on the Florida Gulf Coast, or working the registration table at Bouchercon and Thrillerfest.

You can find her at:

www.LisaMalice.com

www.Facebook.com/LisaMaliceAuthor

www.Instagram.com/LisaMaliceAuthor


 

Haunted by a forgotten past. Hunted by a ruthless killer. No one to save her but herself.

After surviving a car crash, Kay Smith wakes from a coma with amnesia, a battered face, and no one to vouch for her identity. Her psychiatrist is convinced that her memory loss is connected to the horrific flashbacks and nightmares haunting her. As she digs for clues to her past, Kay uncovers a shady character following her every inquiry. Who is he? What does he want from her?

 

As Kay’s probes deepen, she realizes everyone around her has deadly secrets to hide—even her. Emerging memories, guilty suspicions, and a headline-screaming murders push Kay to come out of the shadows and choose: will she perpetuate a horrendous lie, or risk her life to uncover the truth?

Thursday, May 10, 2018

It's never too late! by Jenn McKinlay

BIG NEWS: Jungle Red Writers has been nominated for an Anthony Award for Best Online Content!!! The winner will be announced at Bouchercon later this year. Needless to say we are just thrilled and thank you, dear readers and visiting authors, for helping us make this blog such a smashing success!



Jenn McKinlay: We live in a society that is geared to the young. I have no idea why because, quite frankly, when I was young I was a colossal idiot. I hadn’t accumulated the life experience, self awareness, or the empathy for the struggles of others to even be an interesting person never mind be the writer I dreamed of becoming.

We hear the stories about the young guns, the successful novelists, singers, actors, artists, and business moguls who explode into the world in their twenties, and we forget that most people haven’t even figured out who they are until they’re forty and then they have to learn to scrape off the opinions of others, which occurs at about age fifty. So, why do we think a person has to succeed at their passion by the age of thirty or perish? Or is that just me?

Well, it was me. I promised myself that if I wasn’t published by the time I turned thirty I would quit writing. Naturally, the universe with its perverse sense of humor allowed me win a writing contest put on by Harlequin for a five-hundred word humorous essay where I received a cool $1,000.00 and a nod in a novel by JoAnn Ross when I was twenty-nine. It was just enough bait to hook me and keep me on the line. Mercifully, I did sell my first book when I was thirty-three so I wasn’t too far off the mark, but still while I was trying to be published, I became obsessed with knowing the age of first publication of every big author out there. Why? I don’t know, maybe so I would be inspired to keep going or perhaps be convinced to quit. ¯\_(ツ)_/¯

Jenn in lecture mode: Subtitled "Will Work for Food".
I gave a lecture the other day at a seniors’ group. It was fabulous. The attendees were charming and kind, and they all had so many stories to tell. There were a few in the crowd who dreamed of being authors but they had let the dream go as they aged because they said, “Oh, I’m too old to do that now.” That made me sad. One woman in particular had what I thought was the makings of a novel in her, so I said, “You know, if you wrote just one page a day, you’d have a book in less than a year. I mean, you're going to turn a year older anyway, but this way you'll be a year older and have a book." Her eyes went wide. Yes, it really is that simple when you break it down.

So, here is my short list of late blooming authors (whose books I love, love, love) to inspire and admire because…it’s never too late!


Richard Adams wrote Watership Down when he was 54.



Laura Ingalls Wilder wrote Little House in the Big Woods when she 65.

Raymond Chandler wrote The Big Sleep when he was 51.


Toni Morrison wrote The Bluest Eye when she was 40.


Bram Stoker wrote Dracula when he was 50.


Anna Sewell finished writing Black Beauty when she was 57.

How about you, Reds? Did you ever obsess about getting published? How long would it take? How old would you be? And if any of you readers have a late blooming artist story, do share!