Thursday, August 3, 2017

Which comes first: the title or the book? by Donna Andrews

JENN: In March, I was lucky enough to attend Honolulu Havoc, Left Coast Crime's annual conference. My panel was named Crazy Crimes: Screw Ups to Die For. Well, didn't that prove to be true when our moderator went MIA! We renamed the panel Mystery of the Missing Moderator. Luckily, we had Donna Andrews at the helm and she gamely took over the double duty of moderator and panelist and with her usual wit, she led us into a lively discussion about writing humorous mysteries. She writes one of my very favorite series and I'm delighted to have her visit us today!

DONNA: With the launch this week of Gone Gull, the twenty-first book in my Meg Langslow series from Minotaur, I once again expect to hear a familiar question: do you think of a good title and then write a book to go along with it, or do you come up with a book idea and then figure out the title.

And the answer is: yes.

Or, less cryptically, it all depends on the book.

When I was about to submit my first book, I hadn't yet come up with the perfect title. The best I'd come up with was Three Weddings and an Undisclosed Number of Homicides. I called a friend who was good at this title thing, and asked her what she thought I should call it. Knowing that I had several projects in progress, she asked, “Is this for the murder mystery? The one with the peacocks?” Aha!  Murder with Peacocks!  And thus a title—and a series concept—was born.

All my books have birds in the titles. Often there are birds in the plot, but not always. The good thing is that unlike Sue Grafton, who will be up a creek if she wants to keep her series going after she hits Z is for whatever, I'm not likely to run out of bird names to use in titles. Although it is an ongoing challenge to come up with good titles—prefererably punning titles—that include a bird name, please not only me but also my editor and my publisher's marketing department, and last but very definitely not least, have some connection to a mystery plot that I think will work.

Sometimes the title comes first. For example, I knew for a year or two beforehand that the book in which my heroine was pregnant would be called Stork Raving Mad. No real storks were required, of course, which gave my plotting more freedom than usual.

Sometimes the plot comes first. I came up with a Christmas mystery plot in which someone was playing pranks in the various churches in the small fictitious town of Caerphilly, Virginia, where the series is set. Pranks that were non-lethal, caused no real permanent damage, but played havoc with the busy schedule of services, classes, pageants, and social events churches have at holiday time. When I came up with a good title—Duck the Halls—all I had to do was make sure that one of the pranks involved unleashing an impressive number of ducks in a church.

With Gone Gull I knew I wanted to set a mystery in the residential craft center owned by Meg's grandmother Cordelia. But I puzzled, at first, over how to bring Meg's grandfather into the picture. Cordelia and Grandfather were only briefly a couple; they get along very badly in ways that I find enormously entertaining (and hope my readers agree).  I knew the book would be much more fun if I could involve Grandfather. Aha!  The craft center is located in a picturesque small town on the edge of the Blue Ridge, surrounded by wide expanses of forest and mountain. The sort of place where Grandfather, a zoologist and ardent environmentalist, could be in pigheaded pursuit of some rare and endangered species. But what species?

At about this point, the title Gone Gull sprang into my brain.  Perfect! No, wait. The craft center is in the mountains—I can't move it because it already appeared in another book. Gulls live at the seashore, right? I did some quick research. No, gulls are not exclusively shore birds. They often live far inland, especially in places where they find good pickings, like garbage dumps and mall parking lots. The grey gull, a South American species, has its breeding grounds not merely inland, but in the Atacama Desert of northern Chile, the dryest non-polar desert in the world. I can have my gulls, even in the mountains.

Okay. Gone Gull it was.

I try not to get too invested in a title until I'm sure Marketing approves. Later this year—okay, October 24, 2017, if you really want to know—I have a Christmas mystery coming out. I was originally going to call it Jingle Bills. Marketing wasn't crazy about that, and I had to admit it didn't have the pizazz of Gone Gull, so I was delighted when Marketing suggested calling the book How the Finch Stole Christmas instead. Of course, that did mean I had to go back and rework my plot to finchify it, since there were no actual finches in my first synopsis. But the changes I made ultimately improved the plot.

Someone once asked me if it wasn't a pain having to figure out a way to work in a particular bird in order to justify a catchy title. Sometimes, if I'm in a grouchy mood, it feels that way. Most of the time, though, I just consider it a part of the challenge. The balancing act. I try to write a book that balances mystery and humor. The elements of the plot that surround the requisite murder often pull the book in a darker direction. The brainstorming I have to do to make my title work the the book often beefs up the humorous side of the plot, and helps it achieve the right balance.  And even on those days when I think it's a pain—well, I'm sure poets who write traditional haiku sometimes find the seventeen-syllable limit a pain. It's a pain that makes their art what it is.

And now I will return to the current draft--which involves graverobbing and a thirty-year-old jewel robbery and is traveling under the title of Toucan Keep a Secret. And there will be a toucan, and a whole lot of secrets, and both will play a humorous but integral role in the plot. I keep telling myself that, because I'm at that part of the writing process where every creative decision I've made seems highly suspect if not disasterous, and only the fact that I've already done this twenty-six times before makes me think I can pull it off.

So maybe this is the right moment to remind myself that I felt the same way about Gone Gull about a year ago, and that seems to have come out okay.  I hope if you get a chance to read it, you'll agree.

Gone Gull is available in hardback, as an ebook, and as an unabridged audiobook read by the award-winning Bernadette Dunne. And in honor of the latter, just mention in a comment`—here or on Facebook—that you're an audio book fan, and I'll enter you in a random drawing to win the CD-set of Gone Gull.

All right, Reds, chime in, what's comes first for you -- the title or the book?



Wednesday, August 2, 2017

How do I kill thee? Let me count the ways.

JENN MCKINLAY: Seriously, having written more than thirty plus murder mysteries, I’m beginning to lose track of my homicides! Even doing simple math (not my gift) I figure I’ve fictionally murdered a minimum of thirty-six people and I have mostly forgotten how. Huh. I’m not really sure what this says about me as a person and I’m not sure I want to know, so let’s just move along, shall we? Excellent.


Pie Chart! Yes, to help figure out my most used methods of murder, I made a pie chart. Again, not really sure what this says about me…but look at the pretty colors! And, probably, you don’t want to hang out around me and sharp objects at the same time since stabbing people seems my most preferred method of murder. Who knew? Of course, poisoning, bludgeoning, shooting, and strangling are all throwing elbows for second place, so it’ll be interesting to see how this chart shapes up in another thirty-six books.

Once I realized I needed to do less stabbing and more pushing off buildings or drownings, I then wanted to see if I had a pattern for murderers and victims. Interestingly enough, my murderers are pretty much split down the gender middle in a fifteen to sixteen split, but the victims are a whole different chart with men being the victims three times more often than women.

After seeing this, the Hub may never sleep again, at least not unless he hides the knives!

So, what about you Reds? What’s your preferred method of murder if you have one? And what about your murderers and victims? Any patterns there?

HALLIE EPHRON: I'm afraid I'm an outlier here. My books often don't have murders in them... so I guess technically they're not murder mysteries. Having said that, when I do resort to murder it's usually (I had to go back to figure this out) a bop on the head followed by drowning (twice). If you count attempted murder, then fire. Insulin poisoning. Tylenol poisoning. And my victims are as often women as men... as are the perps.

HANK PHILLIPPI RYAN: I hate the part where you have to kill the people. I once said to Jonathan--maybe they could just get badly hurt? And J said: you are not writing badly-hurt mysteries, you are writing murder mysteries. Anyway, I am not much for weird or complicated causes of death. I go for matter of fact. Most of my victims..let's see.  Car accident. Pushed down stairs. (Not a reliable method.)  Drowning. Stabbing. (See how unpleasant this all is?) Head bopping then fire. Guns are loud, strangling takes too long. It's all very..difficult.
 And my victim-murderer ratio is about equal.  Although, wait. You know? More women as bad guys.  And about equal victims. 
Please pass the pie.

DEBORAH CROMBIE: Pie chart!!! I LOVE it! I usually make lists in my notebook, which are not nearly as pretty. Let's see...electrocution (my very first murder!), bludgeoning, drowning, poisoning, shotgun, hit-and-run by car, grenade... But by my unscientific reckoning, I would watch out for blunt instruments around me. I never tend to go in for very complicated offings--I'm more interested in motive than method. And there have been murders that I really, really almost couldn't bring myself to commit.

I think I'm pretty good on the gender equality scale as far as perps and victims, but will now have to go make another list...

LUCY BURDETTE: I'm not pie-chart methodical, Jenn, but my hub tells everyone that if he dies suddenly they should demand an autopsy! Thinking back over the Key West mysteries, I'm remembering more clunks on the head than anything else. Though poison is up there too...there were many worried looks exchanged at a dinner party where I showed up with a key lime parfait. Apparently, they'd discussed the murder in AN APPETITE FOR MURDER ahead of time.

The good thing about writing lighter is I don't feel obligated to describe too much of the deed itself. However, I do have to clean up the mess...

INGRID THOFT: It’s hard to find a good way to kill someone!  Really!  So far, I’ve gone with drowning, bludgeoning with a blunt object, pushing someone so the victim smashes her head, and poisoning.  Stabbings are very messy and require the killer to be especially vicious and cold, and strangulation, as Hank noted, takes time and also strength.  I have a close to even split on men and women as both murderers and victims.  I’m very equal opportunity!

RHYS BOWEN: I don't think much about clever methods of killing. In real life I think murderers plan the easiest method. Usually it's done out of desperation or on the spur of the moment. So I've hit people over the head with a blunt object, I've stabbed, shot, poisoned, pushed off a cliff and out of a boat, strangled and shut one poor girl in a steam room with the setting on maximum. (Yes, that was about the most gruesome I've ever done)

I once took a train up a Welsh mountain to see where I could push somebody out and they'd fall to their death. I saw the perfect spot and said excitedly to my friend, "This is it. If he fell out here, he'd go down a thousand feet!" Then I looked up and everyone else in the carriage had moved as far away from me as possible.

HANK: Exactly Rhys! Once at a restaurant I said to Jonathan: "You can't just push someone off a bridge. You can't be sure they'd actually die."  And the waiter, who turned out was standing right there, was...unsettled. Anyway, what's your gender ratio?

RHYS: I think I have rather more male murderers but the females have been pretty creepy. But a pie chart? Can I see myself saying, "Oh, let's drown this one in the bathtub. We haven't done that for a while!"

What about you, Readers? Do you have a preferred method of fictional murder? When reading, do you find yourself noticing the gender of the murderer or victims?

 


Tuesday, August 1, 2017

RHYS CELEBRATES LAUNCH DAY!

JENN MCKINLAY: One of my very first “I’m an author now” memories is walking into the Poisoned Pen for one of my first signings and having PK (the unflappable Patrick King) tell me that Rhys Bowen was visiting and was going to moderate the book talk. Rhys Bowen! I was so undone, I almost turned around and ran home. I’m very glad I didn’t. Rhys was, well, Rhys. She was charming and lovely, funny and gracious. And now I’m celebrating the release of her latest fabulous A Royal Spyness mystery On Her Majesty's Frightfully Secret Service. Congratulations, Rhys!

I am a lover of series – the longer running the better! Since Rhys has managed to weave her Lady Georgie magic for eleven books, I have to ask, how do you do it, Rhys? How do you keep your series fresh and how long do you think the series will go? (Please say forever).

RHYS BOWEN: Dear Jenn. Thank you for hosting me today. And I'm so glad I spend part of the year in Phoenix and we get to see each other. I'm sure we know each other's spiel by heart now!  How do I keep a series fresh? Well, I guess I have to enjoy visiting those characters. This series has been pure joy to me from the first words I wrote for Her Royal Spyness back in 2007. I still sit and chuckle as I write and call out to John , "Hey, listen to what Fig just said!"  I figure if they can make me chuckle then my readers will do the same. So I have no plan to quit any time soon (in fact I'm just signing new contract)

LUCY BURDETTE: Rhys, I really loved visiting Ireland with Georgie and Darcy in CROWNED AND DANGEROUS.  And now I see that we will have the pleasure of visiting Italy this time out in ON HER MAJESTY'S FRIGHTFULLY SECRET SERVICE. My question is do you plan the books around places that you happen to visit, or do you go  visit the places that will be in the books? (I know you do some research by accident, as I will always remember your story about stumbling into a funeral unexpectedly and thinking that this would be exactly the kind of thing that Georgie would do!)

RHYS: Some of the books have been planned around a place. I definitely wanted to write Naughty in Nice and went there to do research. But this one was purely serendipitous. When I start a new book I look at the real events that happened around the time I'm setting my story. And I saw that in spring 1935 there was a big international conference in Stresa, Italy. Britain, France and Italy met to discuss how to combat the Nazi threat. And I thought, "this is interesting because Mussolini was a huge fan of Hitler." And then I thought "I bet there were other negotiations going on behind the scenes." And I'd always wanted to make Georgie do some real spying to live up to her name.

And the next step of serendipity was that I was asked to teach a writing workshop in Tuscany. (I'm repeating it next year for anyone interested!) So I'd already be in Italy. So I headed north to Stresa and spent a wonderful time doing my research there--research which involved going to lots of villas and gardens, steamers up the lake, and of course wine!

INGRID THOFT: I know it’s like choosing your favorite child, but do you have a favorite character in this particular book or the series in general?  Has this always been the case or has your affection for that character grown over time?  What about a character you don’t like?  Do your readers' feelings on this subject align with your own?

RHYS: I'm very fond of Ceorgie's old Cockney grandfather, mainly because I based him on my father, who came from very humble beginnings to become a research engineer. He was a lovely, gentle man like Georgie's grandfather. And I love writing characters I don't like--Fig, Mrs. Simpson. I make them as bitchy as I dare. In Mrs. Simpson's case I try to use things she actually said.

HANK PHILLIPPI RYAN: I know you'll tell us more about this story (and cannot wait to read it!) --but I am constantly delighted by your enthusiasm and your innovation. You are constantly raising the bar on yourself..and succeeding, again and again. You're endlessly goodnatured and flexible. How did you get this life philosophy? And I wonder if Georgie could come to Boston--so you could research here!

RHYS: Darling Hank: you don't see me when I have a deadline looming and the bath backs up! But I'm lucky enough to live in two beautiful places, to travel, to have great friends and wonderful family, also to be able to write what I want to. So I should be content and enjoy life. I have certainly come through many stressful periods in life (husband laid off and 3 kids in college!)  Also a stressful spring this year with John's health looking bleak. So now I savor the good times

HALLIE EPHRON: Rhys, in this new book Georgie does some more spying, so I'm wondering what kind of research you did and whether there was a historical figure whose experiences you may have used?

RHYS: Hallie, as with everything Georgie does the spying is almost a disaster and puts her in danger! I did read a lot about MI5 when I was writing In Farleigh Field so I know about how real spies operated at that time.

DEBORAH CROMBIE: Rhys, I cannot wait to read Georgie's latest adventure!!! I'd love to know about Georgie's genesis. What first gave you the idea for the character and the series? Did you just hear Georgie's voice in your head?

RHYS: Hi Debs! Georgie started  out as a challenge. My then publisher said they couldn't really break me out until I wrote a big, dark stand-alone. I thought about it and couldn't see myself with serial killers, child molesters. So I asked myself what was the most improbable heroine I could think of. How about if she was royal? And penniless? I started writing in Georgie's voice and she was right there, immediately, talking to me. She dictated, I wrote. I still find it easy to be in her head.

In this new book Georgie is planning to go to Italy to be with her friend Belinda who is having a baby and alone. When Queen Mary hears this she gives Georgie another assignment and sends her to a posh house party. But once there it is clear that darker things are happening and Georgie finds herself in the middle of them.  I can SAY NO MORE or I'd have to kill you!

So thank you everyone for joining me today for the launch of ON HER MAJESTY'S FRIGHTFULLY SECRET SERVICE. I start with a launch party tonight at Book Passage in Corte Madera, CA. If you're anywhere near I have baby cheesecakes from the best cheesecake shop in the world. And champagne.
Then I'm hitting the road for Houston, Ann Arbor, Scottsdale, Orange County and Pasadena before I return to the Bay Area for more events. It's all on my website, www.rhysbowen.com