HANK PHILLIPPI RYAN: We are swooning
at Jungle Red today! You may know our
guest as Peter Abrahams, the internationally acclaimed and bestselling thriller
writer. (Seriously, one of the best in the world.) Or as Spencer Quinn, the internationally
acclaimed and bestseller author of the adorable Chet and Bernie mysteries. And many
other terrific books. (“The
Edgar-winning author of 36 novels” as his bio says.)
Yes, I am absolutely unabashedly
gushing. He is one of my favorite authors ever.
And now he (as Spencer Quinn) has a
new book out in two days, THE RIGHT SIDE. It’s a different incredible...well, now I am
gushing again.
HANK: I'm in the midst of your
wonderful book right now (oops, still gushing)--so don't tell me the ending.
But I'm fascinated by what you said on your website--how sometimes a
character grabs you and won’t let go. you said: "This character – a
figment of your own imagination but not wholly under your power – demands to be
brought to life." So that's what happened with your main character
in THE RIGHT SIDE, LeAnne? Tell us about that. who is she, and where did she
come from?
SPENCER QUINN: Publishing - what a
crazy business! On the outlet end, it's more and more data and numbers driven
all the time, as though the product was sheet steel. We workers back at the
inlet end deal in feelings, dreams, emotions, zeitgeist. Strange things go on
in that pipeline. LeAnne Hogan came to me suddenly, out of the blue. The Chet
and Bernie mysteries - and Bowser and Birdie for kids - which have been
occupying me for almost the past 10 years are probably essentially comic in
tone. And I love writing them! But what I think happened is that things going
on in the world that are not comic came barging in and couldn't be ignored.
LeAnne lives in this dangerous, baffling,
violent world which I must have been grappling with subconsciously and when she
popped up in my imagination I knew had to write about her. I'm not saying she's
humorless - far from it, I hope - but she's been in terrible situations that
brand you forever. In THE RIGHT SIDE, she is forced to solve two mysteries, one
macro, one micro.
LeAnne's highly capable of doing
that, or at least she was. She's a soldier and a warrior, beloved and respected
by her comrades; but then her patrol wanders into a mysterious set-up in an
Afghan village, and it all comes undone.
I've explored the idea of a highly
capable person forced to carry on with suddenly diminished abilities once before
in OBLIVION, but this turned out quite differently. And one of the reasons for
the difference is the strange dog who enters LeAnne's life when she really
needs her, even if LeAnne doesn't know it at the time.
HANK: But
even though you’ve written riveting standalone thrillers, and the smart
and (okay, adorable) Chet and Bernie mysteries, and the Bowser and Birdie YAs
(and more--I adore your Echo Falls books) --but this book is so different.
It has a different tone, and a different...aura. Did it feel different to write
it?
SPENCER QUINN: Good question. That aura thing came up in a
conversation with my editor. He said reading the book reminded him of the
feeling of getting swept along in a piece of music by Philip Glass. I'm no
expert on Philip Glass, but chose to take it as a compliment. There were a lot
of technical challenges in the writing - it's part war novel, part mystery,
part road book, and moves back and forth in time - but I wasn't really aware of
them until I was done. Thank God! Those challenges can be intimidating. Better
not to know.
As for the feeling of
writing it - well, I'm not sure. There are always surprises. For example, when
I made LeAnne a high-school pole vaulting champion, I had no idea there'd be
that scene in Afghanistan where she tries to teach the schoolgirls in their
burqas how to pole vault. And how, much later, she tries desperately to
remember their names. One thing I do know is that the writing process never
gets easier. That seems unfair. After a dentist has filled 1000 cavities or so,
autopilot must set in. Why can't we have that?
HANK: Well, it’s good, really, isn’t it? Because to have the joy
of a new idea, or a new insight. People have said to me—“After 40 years as a
reporter, don’t all stories seem the same? Like how many ways are there to
cover a fire?” And that’s so—wrong. Every situation is astonishingly different.
In fiction, there are even more possibilities. And having a good idea is the
best thing that could ever happen.
Speaking of good ideas...this sense you have about dogs, and
their place in the world, and in people’s lives. There’s a dog on the cover of
THE RIGHT SIDE—did the dog appear to you when LeAnn did? (And we won’t
tell the dog’s name.)
SQ: Well, I knew from the start that I wanted a dog in the story
- but not a narrating dog! THE RIGHT SIDE is all third-person close. And this
dog had to have been through something bad - although we never know exactly
what - and like LeAnne, bears the scar. And like her, the dog is not in a
cuddly mood, at least in the present. As for the future, I hope readers see the
ending as an up note.
HANK: there’s such a layer of melancholy and sorrow and loss at
the beginning of the book. Was that difficult—more difficult than writing
always is anyway—to write?
SQ: The truth is the parts of a story with heightened emotions,
like the beginning of THE RIGHT SIDE, and heightened action, are easier to
write, at least for me. It's the getting to them that's hard, often a slog. In
this book, I tried to simply jettison most of that slogging.
HANK: Jettison the slogging! Ah. My new mantra. Talk about that title—so multi-layered! Did
the story come first, or the title?
SQ: The moment I picked the side of LeAnne's face that would be
damaged, I had the title; and all the metaphoric ripples got set in
motion.
HANK: And not to bury the lede, but you have reached blurb nirvana.
Stephen King said “Brilliant. Deeply felt, but totally under control. I loved
it.” Not to be sappy, but okay. How did you feel when you read that? The
totally under control part is so fabulous. And, yeah, brilliant is good.
SQ: I was very glad to see this blurb. The implication is so
right: simply having the deep feeling is not enough. Someone (and of course
it's the same dude!) who's almost stern has to be at the controls.
HANK: That’s such a
terrific image—flying high, but under control. Have a great time with the new book! So exciting.
So, Reds and readers, who’s your favorite dog in
fiction?
And a copy of THE RIGHT SIDE to
one lucky commenter!
Peter
Abrahams is the Edgar award winning author of thirty-six novels. Among his acclaimed crime thrillers are Oblivion and The Fan (filmed
starring Robert De Niro). Under the name Spencer Quinn, he writes the New
York Times bestselling Chet and Bernie mysteries and the middle-grade Bowser
and Birdie series. The Right Side – the
story of a wounded female vet – comes out June 27, 2017.
-->
