Saturday, August 27, 2016

The Ultimate Armchair Adventure

DEBORAH CROMBIE: Okay, enough about Paris. (Well, really, there's no such thing as enough about Paris...) But I want to talk about the places you would NEVER actually go, the thing you would NEVER do,  the adventure that weirdly and inexplicable fascinates you.

Mine is Everest.

I'm not even a hiker, much less a climber. And I'm not that crazy about mountains, as far as scenery goes. (Give me rolling English countryside, or Scottish moors, or beaches and tropical islands.) I can remember reading about Edmund Hillary's expedition when I was child and trying to imagine what it would have been like to climb the world's highest mountain. But the bug really bit me when I read Jon Krakauer's 1999 account of the 1996 ill-fated Everest expedition, INTO THIN AIR.  It is still my favorite non-fiction book. (In 1999, Krakauer received an Academy Award from the American Academy of Arts and Letters, which honors writers of exceptional accomplishment.) Readers, if you haven't read this book, put it on your list!


I've since read other books about Everest (Will North's THE GHOSTS OF EVEREST, about Hillary's expedition, is waiting on my bedside table) and seen most of the movies about Everest climbs. I was disappointed with EVEREST (2015) the dramatized account of the 1996 expedition. I think they were trying to be more realistic, but there are a lot of climbers in climbing suits (I couldn't keep up with who was wearing which color) and goggles and face masks, which made them indistinguishable, and the only dialog (mumble mumble) I could understand was at base camp. It's hard to identify with the characters when you can't tell who they are! However, the scenery is spectacular, but I'd read Krakauer's book first.

How about you, REDS?  What's your ultimate armchair adventure?

SUSAN ELIA MACNEAL: Oh my goodness! Miss Edna was obsessed, OBSESSED, with Everest. I watched so many documentaries and read so many books about it with her, it's not even funny. And, Debs, we both loved INTO THIN AIR, too.

I was disappointed with the movie, Everest, as well -- I wish they had picked one character and stuck with him or her — it felt a bit all over the place and I also had issues understanding the dialogue.

So basically for armchair travel, for me it's also mountains, plus anywhere in the jungle—too hot, too humid, too many bugs. And, really, anywhere without indoor plumbing I'd just as well rather read about than experience. Which includes much historical fiction. People are always saying, "Oh, it would be so romantic to live in fill-in-the-blank era," and I always think about the lack of sanitary facilities and modern medicine...

HALLIE EPHRON: I am so sad that it looks as if I won't get to Egypt or Turkey, not with so much unrest in the world. I'll have to travel by book. Like Susan, mountains and jungles will have to be via armchair. A magical place we were at a magical time was Prague just a few months before the Velvet Revolution. It was so beautiful and so alien at the same time. Restaurants where nothing on the menu was actually served; stores where all the merchandise was in locked cabinets; where buying anything (things like bananas from a street vendor, waffles from a window that mysteriously opened onto a sidewalk...) involved waiting in a long line.

HANK PHILLIPPI RYAN: I want to live in Oxford, and hang around with Morse. And Lord Wimsey. That would be an adventure, right?  But I'd have loved to be on a glamorous first-class high-society cruise across the Atlantic, or the New York night club scene in the 20s or 30s. But--you know. Briefly.
Usually when I read about "adventures," I think, whew. SO glad I can read about this and not have to do it.

DEBS: Oh, Hallie, yes, Egypt. Me, too. My grandmother and I read everything about Egypt. She was fascinated by it, like Miss Edna with Everest. Then I discovered Elizabeth Peter's Amelia Peabody and I don't even want to admit how many times I've read all those books. My mom loved them, too. I always thought I'd go to Egypt, but now, not so much. So I guess that falls into the "under different circumstances" category, rather than in the "never in a million years" group. Kenya, too, was always a dream, but maybe someday...
READERS, what fascinates you that you would never in a million years actually do?

PS The winner of Mark Pryor's The Paris Librarian is Ann in Rochester! Ann, you do know the drill:-) And congrats!

Friday, August 26, 2016

A Special Place in Paris--Oooh, la la!

HANK  PHILLIPPI  RYAN:  Gosh, how many manuscripts from other authors have I read? For blurbs, or for contests, or whatever.  And some of them are great, and some are meh. And some are pretty awful.

But from time to lucky time, there’s a manuscript that’s enthralling. Captivating. Fabulous. A manuscript that makes me pick up the phone or open my email to tell the author—I absolutely LOVE this.

That is exactly what happened when I read Lark Brennan’s earlier version of what was then called Deyrolle. (Isn’t that what it was called, Lark?) And I might be mis-remembering this, but I don’t think the contest even revealed who the author was, so I told the contest admin to let her/him know I was instantly their biggest fan.

That was a while ago, and many things have changed. But not how much I adore this book! Its different, it’s quirky, you would not predict it to be my cup of—anything.

But look at these photos! Look at this story!  Oooh, la la! I know we’re having kind of a Paris theme this week, and talking about traveling solo--unplanned, but that’s the Jungle Red magic.

A Special Place in Paris
              By Lark Brennan

Thank you so much for inviting me to Jungle Red, Hank! I’m honored to be with such talented authors!

The first time I visited Paris I wasn’t yet 30 and was traveling on my own. My college French had already become a bit rusty but something about the city and its people made me feel that I belonged there. Since then I’ve visited the City of Lights so many times I’ve lost count. 

Still, I love Paris in all its moods and seasons, especially a neighborhood that’s begun to feel like home. This is where the most obscure famous place (or is that famous obscure place) in ParisDeyrolle—inspired me to write IRRESISTIBLY YOURS.

Deyrolle isn’t much from the street, just a quaint garden shop. But when you climb the stairs to the second floor you discover an elegant townhouse filled with the most amazing collection of taxidermy animals—everything from elephants and lions to horses, llamas, chickens and mice--that looked like they froze mid-party. I was so charmed, I imagined the owner of the collection could bring them to life when no one was there. Et voilà! That man became Adrien Durand, a powerful telepath who had inherited the establishment and unusual responsibilities, not to mention a vast international business empire which is in deep trouble.

In spite of the animals, IRRESISTIBLY YOURS is anything but Night at the Museum meets Doctor Dolittle. Rather it’s the story of deceit, betrayal, international intrigue and a man with dangerous enemies determined to destroy him--including a mysterious woman from Adrien’s past. And if external forces aren’t enough, Adrien is also dealing with tricky Durand family dynamics and an unwanted connection to Tate, a beautiful American with psychic abilities of her own.

While I was working on the book, my husband and I had the chance to rent an apartment a few doors down from Deyrolle. I found myself weaving the fabric of the neighborhood into the story and using some of my favorite places for key scenes. For example, Tate’s future is sealed—unbeknownst to her and Adrien—as they stroll past the cafés on Boulevard Saint Germain to the Bel Ami Hotel where she’s staying. After luring kidnappers into Adrien’s trap, the Durand cousins meet up Chez Papa Jazz Club with its graffiti walls and live music. To make up for behaving rudely earlier, Adrien would, naturally, take Tate to dinner at Le Jules Verne on the second floor of Eiffel Tower to apologize and the course of their relationship changes there (the private elevator to the top is fictional as far as I know).

 And where else in the Louvre would Tate fall into a trance but the exotic Egyptian wing with all its ancient artifacts?

I also ventured outside the city for inspiration. A few years before I started IRRESISTIBLY YOURS, I’d visited the Parc Zoologique et Château de Thoiry about 20 miles west of Paris and loved seeing all the animals roaming free. So when Adrien and Tate use animal telepathy to rescue a pair of white lions from explosions during a concert, they take them to Valtois, the Durand family’s estate and animal sanctuary for wild and exotic animals.

I never intended the book to be a Paris travelogue, and it only touches on a very small part of the city. But it does share my love of the streets and places in a neighborhood of the old section of the Left Bank. I can only hope that readers will feel a little of the magic of my special corner of Paris.

HANK: Wait—Susan, are you going to Paris soon? Or someone? How can you resist a visit here?

Did you all even know this existed? What do you think of it—fabulous? Or bizarre? Or both?

And the amazing Lark is giving away a copy of her book to one lucky commenter!


Adrien Durand, one of the most powerful telepaths in the world, was born for a life of action and intrigue. But his father’s sudden death forces him to return to Paris to take over his family’s business empire and control the source of the Durand family’s psychic abilities. When American empath Tate Fulbright walks into his world, he suspects she's a spy for the Durands’ enemies. Even more disturbing, however, is the mysterious energy that flows between them, forming a psychic link he’s powerless to break.
Adrien’s life begins to unravel when an unknown enemy tries to abduct Tate, and threatens his family and his freedom. Just as it seems Adrien and Tate might have a chance for a future together, the danger gets up close and personal—and deadly.


Lark Brennan's love of reading, writing and travel has led her to a string of colorful jobs and a well-worn passport – as well as a few years spent sailing and diving in the Virgin Islands. Her travels have inspired the Durand Chronicles, a romantic suspense series with a psychic twist, which take place in some of her favorite places--the British Virgin Islands, Paris, New Orleans and Scotland. Dangerously Yours and Irresistibly Yours, are the first two books of the Durand series. Recklessly Yours will release in early 2017. When not traveling, she lives in Texas with her brilliant husband and her two adorable canine children.

You can find her at:
Twitter: @larkh

IRRESISTIBLY YOURS is available at:

Barnes & Noble:

Thursday, August 25, 2016

Traveling Solo

DEBORAH CROMBIE: Traveling alone for pleasure has come up several times recently in conversations with friends. A few friends have ventured on solo trips with trepidation; some enjoyed them, some did not. More friends have said that not only could they not imagine planning a trip alone, they couldn't imagine why anyone would want to do that.

And, then, there are a few weirdos like me (at least I hope there are) who actually enjoy it. It's not that I don't like traveling with family and friends--I do! But traveling alone is very different experience. My first solo trip was my second trip to England, the year after I graduated from college. I had been for the first time the previous September with my parents. I knew, after one week in England, that I absolutely had to go back. So I moved back home and worked in the family business for the next nine months, saving money and planning. In June of that year, I took off for England, alone. I'd bought a bus pass rather than a rail pass, because I didn't want to see Britain only from the backside, so to speak. I spent the next cold, rainy six weeks crisscrossing the country, staying in cheap (and often horrible) B&Bs. But there were some gems, too, and I saw wonderful places. And I looked and listened and made notes, taking it all in.

That, for me, is the big appeal of traveling alone. You have the opportunity to observe and process in a way that isn't possible if you're socializing. There is also, of course, the fact that you do only the things YOU want to do.

What about you, fellow REDS? Do you like to travel alone? And if so, what have you done that's most memorable?

JULIA SPENCER-FLEMING: I used to enjoy traveling alone when I was a young woman, but I think so many years of solo business travel has made me appreciate having a companion (or companions) along.

When I was in college, I spent a summer at an archeological dig in the Apennine Mountains of Italy. I had a week or so before my semester started in London, so I went to Rome and Nice on my own. I did the topless sunbathing thing and felt very daring! Then, when we had the end-of-term holiday, none of my friends wanted to go to Germany and Austria, so I went by myself, to revisit some scenes of my childhood and see my dream city, Vienna. 

The things I loved then about going it alone? I talked with and met more people - there were several times I wound up having dinner with someone I had just met that day. Speaking of dinner, it was great not having to adjust to anyone else's stomach. (I swear, half the time we spend traveling as a family is consumed with finding food for one of the kids or Ross.) And, as an art/archaological/history museum fiend, it was bliss not having to cut a visit short because my companion was tired or bored. (My perfect art museum companion is my mother, who would stay until the doors close.)

And of course, you all know how much I value my solo visits to my agent's house in Nantucket in February. Is it a state peculiar to writers, or does everyone crave more time alone as they get older?

HANK PHILLIPPI RYAN: Okay, just between us? I adore traveling alone. I mean--I thrive on it. I get to make all the decisions. I can eat whatever I want. I can get to the airport really early, ridiculously early, because it's much more relaxing for me, without having to explain that to anyone. I can have hamburgers and salad and wine and diet coke and tea in my hotel room every night, and hot have someone wonder whether I am in a rut. I AM in a rut, and I like it there. I can work on my book for hours without feeling guilty.  I can sneak down to breakfast in a jersey nightgown and a levi jacket and scarf, snag my food and two cups of coffee and take it back to my room and watch the news. Oh. It is completely great.

Now let me say.  My mom used to say a "vacation" was not fully realized unless there was something to have a vacation from . So I am infinitely grateful to be able to travel with Jonathan at the times I do. ANd I love our vacations together--he is a perfect travel companion.   I'm just saying: when it's book tour and I am on my own? I really like it.
Julia, that is a good question.

RHYS BOWEN: I've always traveled alone, ever since my parents put me as a young teenager on a train in London and I made my way to Vienna unescorted. A year later I went to France by myself, finding the way to get around Paris from one station to another. I suppose I had been up to London on my own from the age of about ten, so nothing phased me much.

And I still love finding myself alone in a strange city. Sometimes when I come to New York on business I take a day to just wander around, discovering little treasures: a garden between tall buildings, new Subway murals, old Jewish delis. And I find myself thinking "Nobody knows I'm here but me" and it's a heady thought. Like Debs and Hank I love the freedom to stop to eat when when I feel hungry, suddenly decide to fan a museum and go shopping or just sit in the park and people watch. 

And I love getting room service when I'm on book tour and come back late to my hotel, then curling up in pjs and eating a sinful helping of fries. However..... I only like being alone for a finite amount of time. After three or four days alone in a city I find myself chatting to grocery clerks and the person next to me on the bus. And I do enjoy traveling with husband and family too. Just not all the time!

HALLIE EPHRON: I can't imagine traveling alone for pleasure. It's like an oxymoron. Because the fun of travel for fun is doing it with someone. YOu've got to be compatible because within five seconds you'll know if you're not. My druthers: food (YES, all kinds), walking (YES), museums (YES), shopping (NO NO NO!!!), wildlife (BIG YES). 

SUSAN ELIA MACNEAL: Love, love, love traveling solo. Of course, I love traveling with my family, too. And, come to think of it, when I travel alone—for research trips—I'm really traveling "with" my characters. Having someone else along would impede all the ideas, the scribbled note-taking, the feeling of overhearing snippets of their conversations....

That said, I went to Scotland to research Maggie Hope #4, THE PRIME MINISTER'S SECRET AGENT, and I'm going to be returning to Edinburgh, with Noel and Kiddo, next summer for a proper holiday with all of us. I loved it so much I have to share.

But first I'll be traveling solo for work to ... Shetland! Yes, the very northern tip of the UK! The 8th Maggie Hope novel will be set in Shetland and revolve around the so-called Shetland bus—the secret boat service that ran between the UK and Norway, ferrying British SOE secret agents in and out of Nazi-occupied territory. So, solo research trip for me and THEN a meet up with the family. Sounds like a good compromise!

LUCY BURDETTE: I'm with Hallie--would rather travel with good company than alone. Definitely book research days are more productive alone, but for fun--I like someone to share the road with. Unlike Hallie, I don't at all mind a little shopping...

DEBS: Everybody's hitting my fantasies! Room service (adore it when I'm book tour.) Vienna. New York. Birding. And Shetland!! Susan, that sound fabulous. Ever since I read Ann Cleeves I've wanted to go to Shetland. Plus, the research time alone, and then the family time, is the perfect mix.

And that's a good question, Hank. I've always liked that time alone, but I think these days, because I'm so frazzled all the time, I appreciate it more.

READERS, solo, companions, or both? And what about the time alone?

Wednesday, August 24, 2016

Mark Pryor--The Paris Librarian

DEBORAH CROMBIE: You have to love Jungle Red. We get to go to Paris two days in a row! Yesterday it was Paris in WWI, today it's Paris in the present. Ever wonder about the story behind the story? Here's a great one from another of my favorite writers, the terrific MARK PRYOR

First, a little background on his newest Hugo Marston book, THE PARIS LIBRARIAN:

Hugo Marston’s friend Paul Rogers dies unexpectedly in a locked room at the American Library in Paris. The police conclude that Rogers died of natural causes, but Hugo is certain mischief is afoot.

As he pokes around the library, Hugo discovers that rumors are swirling around some recently donated letters from American actress Isabelle Severin. The reason: they may indicate that the actress had aided the Resistance in frequent trips to France toward the end of World War II. Even more dramatic is the legend that the Severin collection also contains a dagger, one she used to kill an SS officer in 1944.

Hugo delves deeper into the stacks at the American library and finally realizes that the history of this case isn’t what anyone suspected. But to prove he’s right, Hugo must return to the scene of a decades-old crime.

Here's Mark to tell us how it all came about.
There are two stories that lie between the pages of THE PARIS LIBRARIAN. One makes me cry, the other makes me laugh.
Shall we start with the tears? Good, so let me present a nice photo of a gentleman called Michael Harmuth. He’s with his daughter Sarah, who happens to be a book seller in Wisconsin, and her daughter, Scout.

Well, early last year Sarah wrote to me and said that her dad, Michael, was a fan of the Hugo series. But she said Michael had cancer and was unlikely to live until the next book in the series was released (THE RELUCTANT MATADOR) in June.
Was there any way I could get an advanced copy to him? she wondered.
Now, my own father was taken by the pestilence that is cancer so, obviously, my answer was heck yes. I asked my publisher to send me an ARC, and I wrote a wee note in it, signed it, and sent it to Michael.
That started a wee conversation between the two of us, and he kept me informed as to his progress with the book. He said he was reading it slowly, so as not to get to the end too fast. As you might imagine, that email had me reaching for the tissues.
Turns out Michael enjoyed the book, which I’d been hoping for desperately. And I didn’t want the last page to be the end of Michael’s association with Hugo so I wrote to him and asked, “How would you like to be a character in the next book?”
He loved the idea and, even though I’ve put the names of other people I know in books, he’s the only one I’ve let choose his role. Good guy, bad, guy, red herring, eye-witness… whatever he so desired.
And now, of course, I must remain tight-lipped for fear of giving anything away. Suffice to say, even though Michael is no longer with us, he lives on in Hugo’s world, and in Paris no less!
Now for the laugh, which comes in the form of a “truth is stranger than fiction” guffaw. As you might be able to tell from the title, Hugo’s latest adventure takes place in and around the American Library in Paris.

Now, back in 2015, once I formulate the idea for the story, I email the good people there and ask rather boldly: “Hello, do you mind if I kill someone in your library?”
Not even hours later I receive a resounding “Yes!!” and an invitation to tour the place. Now, I’m not one to turn down a visit to Paris, so my wife and I hop on a plane to spend a week in our favorite city. And this is where the story gets somewhat amusing.
When we show up to the library, librarians Audrey and Abigail are there to show us around. They start with the front, the circulation area, then lead us through the stacks. At the back of the building, they both stop and when I look past them I see a set of stairs leading down, roped off.
“What’s down there?” I ask.
“Err, the basement. We store books down there.”
“Can I see?”
Nervous glances between them, and a hesitant response. “Well, I guess that’d be OK.”
“Oh, is there a problem?”
“Umm, no real problem. It’s just... a little creepy down there.”
Which, as you know, is precisely what a mystery author wants to hear.
So we head down and it is creepy, slightly dim and musty. I tell them about the book in progress, and explain that I’ll have a character who dies early in a locked room. Audrey says, “Oh, that’s funny, we have a small room down here. We call it the atelier, you can see it.”
Sure enough, there’s the tiny little room for my poor, unsuspecting victim to die in. 

We poke around downstairs a little more and I disappear down a short hallway near the foot of the stairs. To my right is a small boiler room, but to my left is a door. In the wall. It blends in and you could walk right by it.
“What’s this?” I ask.
“Oh.” That hesitation again. “It’s our secret door.”
Are you kidding me?? I thought that, didn’t say it. Not like that, anyway. Instead I ask mildly, “Oh, do tell.”
Turns out it’s their door into the American University, which takes up the majority of that block. A door they’re not allowed to use because, well, it’s kind of their secret.
“Do you happen to have a key?” I ask.
They side-eye each other. “We do but we’re not allowed to....”
My raised eyebrow stops them, and one of the women heads upstairs for the key.
Now, you know what I’m thinking. It’s a possible escape avenue for my killer, right? But that requires lots of people to have access to the key, and what are the odds of that given that it’s to a secret door? But I ask anyway.
“Only the library staff and volunteers can access the key,” they assure me.
“And how many...?”
“Maybe ten staff and, in the course of a year,” Abigail thinks for a second, “maybe a hundred volunteers.”
I grin like a chimpanzee. “Perfect.”
Later, as I wrapped the book up, it struck me that these coincidences might appear too good to be true, too contrived. So I actually put an author’s note in the front of the book pointing out that the library does have a secret door!
And this made me wonder if my fellow writers ever came across situations like this, when their research came up with something almost too perfect... or if readers ever stumbled over something in a novel, not believing it at first but then finding out it was true?
Oh, and you’re probably wondering if I went through the secret door that afternoon. I will tell you that had I done so and admitted it in writing, my librarian friends might have got in trouble.
So here I am, admitting nothing in writing...

DEBS: That is heartbreaking but wonderful. I'm so glad Michael Harmuth got to be in your book, and I love the locked room mystery. And the American Library is now on my must-see list next time I go to Paris.   

REDS and readers, Mark will check in to chat, and is giving a copy of THE PARIS LIBRARIAN to one of our commenters. (Last time Mark was a guest, his kids got to choose the winner.)

Mark grew up in Hertfordshire, England, and now lives in Austin, Texas, with his wife and three young children. He is currently an Assistant District Attorney with the Travis County DA's office.

PS: The winner of Charles Todd's THE SHATTERED TREE is Bev Fontaine! Bev, email me at deb at deborahcrombie dot com and we'll get the book out to you!

Tuesday, August 23, 2016

Charles Todd--The Shattered Tree: A New Bess Crawford

DEBORAH CROMBIE: What a treat we have today! One (two, actually) of my favorite authors, mother and son writing team CHARLES TODD (Charles and Caroline!) are here with us to talk about their new book featuring WWI battlefield nurse Bess Crawford, THE SHATTERED TREE, out on August 30th.  (And what gorgeous cover!)

The Todds are such an inspiration to me. They write TWO terrific books a year, one featuring shell-shocked Scotland Yard detective Ian Rutledge in post WWI England, and the other featuring Bess, a colonel's daughter who joins the British nursing service at the beginning of the war, a time when nice young women did NOT do those things. The books are chock full of research but are so gripping that only later do you realize you've learned history. The Bess books are to me particularly vivid, because they are told in first person and often in the midst of the battlefield action.

Here's what happens in THE SHATTERED TREE:

At the foot of a tree shattered by shelling and gunfire, stretcher-bearers find an exhausted officer, shivering with cold and a loss of blood from several wounds. The soldier is brought to battlefield nurse Bess Crawford’s aid station, where she stabilizes him and treats his injuries before he is sent to a rear hospital. The odd thing is, the officer isn’t British—he’s French. But in a moment of anger and stress, he shouts at Bess in German.

When Bess reports the incident to Matron, her superior offers a ready explanation. The soldier is from Alsace-Lorraine, a province in the west where the tenuous border between France and Germany has continually shifted through history, most recently in the Franco-Prussian War of 1870, won by the Germans. But is the wounded man Alsatian? And if he is, on which side of the war do his sympathies really lie?

Of course, Matron could be right, but Bess remains uneasy—and unconvinced. If he was a French soldier, what was he doing so far from his own lines . . . and so close to where the Germans are putting up a fierce, last-ditch fight?

When the French officer disappears in Paris, it’s up to Bess—a soldier’s daughter as well as a nurse—to find out why, even at the risk of her own life.

I loved this book! It was fascinating to see wartime Paris through Bess's eyes. And of course I was thrilled to have the chance to ask the Todds what inspired them. Here's Caroline to fill us in.

*Why Paris, when Bess was so at home in London and other parts of England?

 Paris was where many English officers and a lot of Aussie enlisted men went to recuperate from their wounds,  and we really hadn’t done much with it. So this was our chance, and that meant creating a French mystery to use it more thoroughly than an English mystery would have done.   And THAT meant a whole bucket full of new research!  We found some really fascinating material about the salons and a designer who worked on French Army uniforms, and all sorts of odd tidbits that didn’t fit the book but were fun to discover.  You wouldn’t believe some of it.  Like a French air ace and his relationship with a French designer.

 *She was out of her comfort zone there—without her father’s knowledge and influence, without Simon, and so on.  How did you manage that?

That made for very interesting opportunities!  We needed some new characters.  That meant learning enough about the period in France to draw them well.  People who really would have been there, people Bess would have been able to turn to, not just handing her versions of her English background.  You’ve done much the same in Cambridge and Cheshire—where your characters are out of their element.

 *You bring back a very popular character in Captain Barkley, the American serving with the Canadian forces. How did he fit into this new setting?

 He’s there to help Bess—but she doesn’t quite trust him!  And he has his own agenda, one part of which is trying to keep Bess safe, and only succeeding in creating problems.  Bess has been used to the freedom that being raised wherever the Regiment was sent, and she missed out on many of the more suffocating English views of women carrying over from the Victorians.  He wants to make sure she doesn’t run into trouble, he wants to see her rest in bed and take care of her own wound and stay out of trouble, but Bess knows her own mind, and much as she likes the Captain, she just isn’t the sort of woman who is afraid of doing anything a man would disapprove of as “unladylike.”   She’s more modern because of her upbringing than many of her contemporaries.  And many of the young women who chose to become nurses often faced these ideas of what a well brought up young lady should see or do or know about.   When it came to bathing the wounded, most Victorian women had never seen a grown man in his underwear much less stark naked, and for many it was more shocking than the wounds they’d suffered.

 *Where does Bess go from here?

(How the devil do I know, we’ve only got a few chapters written!)  Ahem.  Next year’s Bess,  A CASUALTY OF WAR,  goes back to the Front as the war draws to a close. And there is a patient from Barbados in the Caribbean, serving as an English officer, who is certain he was shot by another English officer he recognized, although all the Army’s records show that this man was killed in an attack two years before.  What really happened there in No Man’s Land during that awful retreat when he was wounded? Is this young officer suffering from shell shock or mentally unstable from the strain of war?  He’s a long way from home, and Bess tries to find out just what the truth is.

 *How is Rutledge doing?

 He’s currently in production for next winter.  RACING THE DEVIL starts in France where five English officers who survived the Great War have met in Paris to race each other to Nice. But something goes wrong, and a year later,  tragedy appears to have followed them to England. 

DEBS: Caroline and Charles will be stopping in to answer questions, and will be giving away a copy of THE SHATTERED TREE to a lucky commenter, so get your oar in!