Mark Pryor--Fact or Fiction

DEBORAH CROMBIE: I'm very happy to have our Jungle Red friend Mark Pryor back on the blog today! His new book, THE MOST MYSTERIOUS BOOKSHOP IN PARIS, is out today, and not only does it feature one of my favorite fictional detectives, Hugo Marston, but it's the first book in a spin-off series! How can you beat bookshop, Paris, and a handsome ex-FBI profiler? Oh, add chocolate! And Mark's special expertise, as he will explain.

Mark Pryor:  Fact or fiction? If it's really weird, it's probably true...

I will be doing a fair few book events over the next month or so, and I can guarantee one question will be asked of me at each one. And, to be clear, it's a question I love answering because I'd ask it, too:

"Do you use any of your real-life criminal experiences in your books?"

Oh, let me back up and be clear: those "criminal experiences" do not involve me committing crimes (not that I'd admit to, anyway!), but refer to my sixteen years as a prosecutor and my current profession, a criminal defense attorney.

In that time, I've handled dozens of murder cases, and thousands of other criminal cases, everything from the theft of a watch from Target to gang-related robberies and assaults and... well, if you can think of a type of crime, it's probably landed on my desk. 

So what's my answer? Well, I'm a lawyer so it's not a straight Yes or No, of course. It's both, and here's what I mean.

Yes: what I use is my knowledge of the investigative process. When a crime happens, usually murder in the case of my books, I know what steps the police take to secure the scene and collect evidence. This lets me set a genuinely accurate process in place but also, if I choose, allows me to insert mistakes (or clues) by whoever is investigating. I don't have to call a detective or rely on Google (or, heaven forfend, AI) to get it right. Or wrong, if that's what I'm going for.

No: the truth about most real-world crime, murder included, is that it is one of two things, either (1) grubby, sordid, and "unsexy" in the sense that it wouldn't be at all interesting to read about. For example, a man strangling or beating his wife to death in a drunken, jealous rage. Horrific and tragic, and I don't mean to minimize that, but novel-worthy? Probably not. If not in that category then those few cases that aren't dismal and gross, well, to be honest they are (2) often so weird and bizarre that if I tried to put them in a fictional story, you'd throw that book across the room with an anguished cry of "Ridiculous! That could never happen!"

Two quick examples of this: Picture a recycling plant and the large conveyor where people are sorting the types of recycling, when someone ponders aloud, "Would you look at that - why would someone recycle a mannequin?" and someone closer to this odd sight hits the "Stop" button while pointing out that it's not a mannequin at all. The investigation was quick - mail and papers around the body led police to a specific street address, where blood in a recycling can matched that of the victim, and a nearby surveillance camera captured the killer dumping the body. It also captured what was beside the recycling bin: a trashcan. And in case you didn't know, if you put a body in a trashcan, it goes to the dump and is never seen again.

Which is to say, if I write a novel where my murderer is standing there, a body over his shoulder while deciding whether to use the trash can or the recycling bin, and he goes for the recycling, you would be understandably irritated and incredulous. But it happened. And is why he was caught. 

Second example: a 1985 murder of a beautiful young mother, beaten in her apartment by a person or persons unknown. Here are some of the oddities associated with that case, and why writing it as fiction would render a story contrived and unbelievable:

• At the time, the police collected a written alibi statement from the jealous ex-boyfriend (and as we all know, it's always the jealous ex-boyfriend!), but never checked it;
• Twenty-five years later, a phone call out of the blue pointed police to that ex-boyfriend, the call coming from his current jealous wife (!);
• The cold case detective, Tom, and I visited the scene of the crime, and the woman living there was an absolute carbon copy of the victim, she looked startlingly like her;
• Tom then found the alibi witness, still living in her same neighborhood in Austin;
• That witness remembered the suspect, but not if she was with him at the time of the attack, but told Tom she used to keep a diary of her life;
• She literally went up to her attic and found the diary for that week, and busted the alibi (helping lead to a conviction at trial);
• The suspect's wife then did an about-face and sided with her husband at trial, throwing a dramatic fit when the guilty verdict was read.

All of that was pretty interesting and exciting to be involved in, no question, but if I stitched that sequence of events and coincidences into a novel, you'd be rightly skeptical. 

Which, I suppose, brings us to that famous saying, that truth is stranger than fiction. Is it? Not always... but when it is, it's too strange even for mystery novelists and our ever-discerning readers!

DEBS: Mark, these are great stories! But I agree, not very good for book plots. My husband is a former cop and would agree with you that in real life most criminals are really dumb. Fortunately for us, if not for fiction.

I'd much rather read about fictional crimes, especially ones set in Paris!

Here's more about The Most Mysterious Bookshop in Paris:

Hugo Marston, former head of security at the U.S. embassy in Paris, has retired and is ready to realize his lifelong dream of owning a mystery and antiquarian bookshop. But when a blackmail scheme targeting a chocolatier leads to murder, Hugo is again called to investigate in the first Paris Bookshop Mystery.

And more about Mark:

Mark Pryor is the author of the Hugo Marston series, set in Paris, London, and Barcelona. With nine books in the series thus far, THE MOST MYSTERIOUS BOOKSHOP IN PARIS is the first in a new spin-off series. It sees Hugo Marston still in Paris, and with the same characters around him, but instead of working at the US Embassy Hugo has opened his own mystery bookshop!

Mark also authored the Henri Lefort trilogy, historical mystery novels set in 1940s Paris, and has two books set right here in Austin, the psychological thrillers HOLLOW MAN and DOMINIC.

Away from books Mark is a former prosecutor, and now a partner at a criminal defense firm in Austin, Texas. He began his career as a journalist in England, where his beat was also crime-related - the police blotter. He has been a guest analyst on CourtTV, and appeared on CBS News's 48 Hours, NBC's Dateline, and Discovery Channel's Discovery ID: Cold Blood

 

What We're Reading

DEBORAH CROMBIE: Lucy was kind enough to hand off one of our favorite regular chats to me, and I am particularly appreciative because I seem to have been reading a lot lately!

First off, our wonderful Jenn McKinlay's latest (and maybe last?) entry in her Library Lovers series, BOOKING FOR TROUBLE, When I finished it I had to seriously resist going back and rereading the whole series. I'm glad Jenn has said "never say never" on future installments, as I do love the setting and the delightful characters.

Then my daughter gave me her copy of Niall Williams' TIME OF THE CHILD, because she couldn't get past twenty pages. Most of the time we like or dislike the same books, but I have to differ on this one. I will agree that this look at Irish village life in the early 1960s is a bit slow in the beginning, but it reads like poetry, and once I got into it, I could NOT put it down. I adored this book. I sobbed my way through the ending (in a good way) then read the last few chapters again. Twice. I also listened to Williams' THIS IS HAPPINESS, his previous book, which is also set in the small Irish village of Faha. I would recommend reading Williams' books in the order in which they were written, as they feature many of the same characters. Lovely books, exquisite writing. You can see why Williams' THE HISTORY OF RAIN (now on my TBR) was longlisted for the Booker Prize.

Here's one Kayti and I did agree on: She thrust Matt Haig's THE LIFE IMPOSSIBLE into my hands with a must read directive. I liked it so much I dug out my unread copies of Haig's THE MIDNIGHT LIBRARY and HOW TO STOP TIME which I really enjoyed, but THE LIFE IMPOSSIBLE was definitely my fave. We have tickets to see Haig here in Dallas when he is touring for his upcoming book, THE MIDNIGHT TRAIN, and I'm very excited about that. On my birthday, no less!

From our local bookstore, I picked up a copy of Fredrik Backman's MY FRIENDS. I did like this, but what an odd book it is. I think it would make a great book club selection, because when I finished it I was dying to discuss it with someone! I can't say more because spoilers!

Except for Jenn's book, you will have noticed there are no mysteries in my little list, but never fear. I read Rhys and Clare's new Molly Murphy, VANISHED IN THE CROWD, and I enjoyed it so much! Such wonderful historical detail, and I especially liked this one as it dealt with early women in science, as well as women's suffrage, which felt very timely.

One more, and a mystery, Andrea Penrose's latest in her Wrexford and Sloan Regency series, MURDER AT SOMERSET HOUSE. These are fun, and usually deal with early 18th century science and economics. Some of this one, which centered on the development of the London Stock Exchange, went a bit over my head, but I loved the adventures of "the Weasels," the young wards of the main characters, and the introduction of a new young person to the family. I think these books would be great YA reads.

How about it, dear REDS? What's been on your nightstand since last we checked in?

LUCY BURDETTE: I was asked to read POPPY MONTGOMERY GETS EVEN, a new book coming out from Mysterious Press in June. Poppy is a woman of a certain age who becomes suspicious of two deaths in a retirement community where her dear friend lives. They decide to investigate, and she enlists her computer hacker grandson to assist with developing false profiles for older women on a dating site. The book is delightful, with wonderful character development and a good mystery too. Reminds me of Richard Osmond‘s murder club characters and Spencer Quinn‘s Mrs. Plansky.

I also read an old favorite Arnaldur Indridason’s The Quiet Mother, a story about a murder in Reykjavík. I love this description from the back cover: a masterful blend of human tragedy and relentless suspense, where every discovery comes at a cost. So dark and so well written.

And finally, I was encouraged by many readers to catch up with those who have read and adored Remarkably Bright Creatures by Shelby van Pelt. Loved, loved, loved this book! Wonderful characters from the grandmother to a lost teenage boy to a small town in Washington to the octopus himself. I raved so much that John immediately read it too, and loved it just as much.

HALLIE EPHRON: I just finished two terrific mystery novels. First, RAVEN BLACK by Ann Cleeves. She is so great at creating a sense of place the Shetland Islands), complicated victims, and interesting suspects. And of course her detective Inspector Jimmy Perez is so humane.

After that I chomped through Anthony Horowitz’s doorstop of a book, MARBLE HALL MURDERS. With his usual high wire act of metafiction (a novel within the novel, several casts of characters from present/past in the novel and the meta-novel). Not a book you’d ever fall asleep reading (it’s nearly 600 pages long). 

I’m looking forward to the dramatization (this is the third book, after MAGPIE MURDERS and MOONFLOWER MURDERS in a series) with Lesley Manville returning as editor Susan Ryeland. Again, she’s editing a novel within the novel and trying to figure out who the fictional characters (villain, victims, …) in a murder mystery and who they map to in real life.

And I’ve just dipped my toe into THE CORRESPONDENT. A break from crime fiction, it’s written in letters. Absolutely fascinating just figuring out how the author Virginia Evans pulls it off. So far it reminds me (character-wise) of OLIVE KITTERIDGE and has me queuing up OLIVE AGAIN to read next.

DEBS: Hallie, Kayti just read THE CORRESSPONDENT and loved it! She's loaned it to a friend but I am getting it next!

JULIA SPENCER-FLEMING: Are they doing the third book, Hallie? I’m so excited! I loved the two seasons of MAGPIE and MOONFLOWER.

I just finished (and blurbed) Dick Cass’s HARDER THAN A HEADSTONE, a deeply-Maine mystery starring a “I amd NOT a PI” hero. I love Dick’s spare, evocotive prose; he reminds me of Steve Hamilton.

I’m currently enjoying FAMILY DRAMA by Rebecca Fallon, a tale of “love, grief, motherhood and the different versions of ourselves we share with the world and with each other,” to quote the flap copy. It ranges from 1986 to 2012, and it’s beautifully written. PS, is anyone else freaked out by the fact the late 80s and early 90s are now historical fiction?!?

Next up, THE FOUND OBJECT SOCIETY by Michelle Maryk. I picked it up after reading the dynamite first chapter and the premise: an ultra-secret society of, yes, found objects that enable anyone holding one to experience the moment of the last owner’s death - and come back safe. 

Finally, non-fiction: PLANET MONEY, A Guide to the Economic Forces That Shape Your Life. I’m a HUGE Planet Money podcast nerd, and if you are too, the book is coming out on April 7. 

HANK PHILLIPPI RYAN:  Well, I say drop everything and read YESTERYEAR by Caro Claire Burke. It is truly amazing, and it’s about a trad-wife influencer who has a much better life than you, just ask her, and she advocates churning her own butter and oh, I just realized I wrote a whole JRW blog about this. So you already know.  It’s fantastic. (I almost gave up after page one. But  I persevered. ANd SO happy I did!)

And I just finished THE ENIGMA CHALLENGE  by S.C. Godfrey,  which I know sounds like one thing but it isn’t that–it’s truly a contemporary  Romancing the Stone with codes and puzzles, and I adored it. (The heroine is even named Zoe Wilder, who knows the author meant it to be an updated Joan.)

And I am in the midst of two books: Anthony Horowitz’s new  A DEADLY EPISODE, his latest Horowitz and Hawthorne mystery, which is of course hilarious and meta and clever and perfect, and THE MORTONS by Justine Larbalestier and Scottt Westerfeld,  which, hold on to your hats, is the wildest most unhinged family drama thriller mystery thing you can imagine.  I dare you, look at the cover. YIKES.

RHYS BOWEN:  I love it when books I’ve enjoyed are mentioned. Remarkably Bright Creatures and The Midnight Library were both favorites of mine. I’ve had so little time for reading, what with all the doctor appointments, books I have to blurb, and my own writing. But when I do read it has to be calming. I just re-read Rosamund Pilcher’s The Shell Seekers. Nothing dramatic, just family dynamics, and now I’ve just started on Lucy Foley’s Book of Lost and Found which looks delicious. I’m also reading, and really enjoying a book that’s coming out later this year called The Pilgrimage of Primrose Honeychurch, by Laura Walker. Watch out for it, it has a really interestingly different main character.

JENN McKINLAY: I have been reading mostly for endorsements as I have no time (deadline 4/1!!!), but I have IN THE MIDNIGHT RAIN by Barbara O’Neal, which Lucy gave me when I visited her in Key West and BECOMING DUCHESS GOLDBLATT by Anonymous on audio which Pat Kennedy recommended while I visited her. Come on 4/1 so I can read again! 

DEBS: I forgot to mention my current read, THE LIBRARY BOOK by Susan Orlean. This is non-fiction, about the disasterous fire in the Los Angelos central library in 1986, and it is fascinating, as well as a love letter to books and libraries everywhere.

Now, what's in your stacks, dear Reddies?

New Zealand, a Few Fun Facts and an Idea

LUCY BURDETTE: Kia Ora! As you’ve no doubt heard by now, I’m just back from a two-week trip to New Zealand. I’m certain you don’t want the full slideshow but I’ll share a few reactions from our whirlwind voyage.

1. New Zealanders are crazy in the sense of tackling physical challenges. Probably because the landscape lends itself to challenge? For example, we heard stories of men hunting deer from a helicopter with no doors. There is a road race along the length of the Milford track every year, 33 1/2 miles of mountainous terrain. It sells out in 22 seconds and has a long waiting list. We did a four hour hike at the end of the trail, which was plenty for me!

2. New Zealand is an island—the closest land point from another country about 1000 miles away. They are very protective of their land and creatures. The country has no natural mammals, other than two bats, which means no predators. That means many of the birds native to New Zealand evolved into land birds without the ability to fly. When people arrived on ships from other countries, they brought with them pests such as stoats, rats, and cats. Also, the Maori people hunted the larger land birds, often to extinction. All this means New Zealanders are very focused on conservation, sustainability, and increasing the population of native species, from birds to people.

3. New Zealand was the last major land mass to be settled. The Maori tribe arrived after 1300, and the British declared sovereignty in the 1840’s. Since the 1970’s, the Maori and other ethnic groups have pushed to take land and power back, which they consider stolen by the British. Maori is a second language for the country—our guide was pleased to tell us that former prime minister Jacinta Arden began her messages to parliament and the people in the Maori language.

Circling back to the question discussed on Monday, I did not do a lot of work on vacation. But as a long-time mystery writer, it’s hard not to think about murder and mayhem in a new setting! The people in our travel group were game to point out poisonous plants and murder methods that I might enjoy using as we toured. If I was going to write a story, I thought I might have opened it in the dark sky night reserve. After a chance to view the southern hemisphere constellations, we herded into the changing areas and given white robes before heading to a warm pool. (Keep in mind that this all happened in darkness so our eyes could acclimate.) We floated in that pool on individual hammocks listening to a guide tell stories about the stars. I could imagine most of the guests exiting the pool, but leaving one behind—quite dead. It would have been too dark to see much of anything, a detecting challenge!

But then, on our last day hike on the Routeburn track, I began to chat with one of our guides, Olivia, who turned out to be a wonderful story brainstormer. She was fascinated with the idea of setting a mystery in New Zealand. She suggested either the Lake Marion or Gertrude Saddle routes, which are very popular  with Instagram influencers. Supposing there was a couple hiking together, each of them with an active account. Supposing their tracking device was lost or malfunctioned, and one or both disappeared on the trail. A professional guide, like Olivia, might have been one of the last people to have seen them on the trail. What might she have noticed? If someone did meet an unsavory end, was it a push and a fall? 

Or perhaps a dish prepared with New Zealand’s most poisonous plant, the tutu with its delicious looking berries? 

Or the stinging nettle, the ongoanga?

Who knows if I’ll use any of this, but what fun to think about it. Honestly, it helped pass the time when I was trudging up a steep and rocky path. Fortunately, there was an incredible view at the top. I’m sure that that’s a good metaphor for writing as well. (Here's one version of trouble I forgot--the Waiotapu hot springs and bubbling mud pools...)

Do you think about murder mysteries when you travel? What's the most exotic setting you've enjoyed in a mystery?

PS, If you'd like to hear more about the itinerary we took without the murderous commentary, here's John's version...