Connie Berry--A Grave Deception

DEBORAH CROMBIE: I have been huge fan of Connie Berry's Kate Hamilton books since the first one, and now with A GRAVE DECEPTION we have SIX! And, look, there is a quote from Hank on the cover!!!! I'm jealous that Hank got to read this one first, because this plot sounds amazing. Here's Connie to fill us in!

Inspiration: Finding Plot Ideas Hiding in Plain Sight

by Connie Berry

Thank you for inviting me! Today A Grave Deception, the sixth full-length novel in the Kate Hamilton Mystery series, makes its debut in the world. I’m excited and a bit nervous. After more than a year of thinking, developing characters, sketching out plots and subplots, slogging through a first (hideous) draft, and then shaping that unruly blob into a novel, my book must make its own way in the world. I hope my loyal readers will love it, and I hope the book will be discovered by new readers as well.

I’ve been thinking about how that happens—how books find readers. Every series has its own distinctive vibe, its own world populated by characters we hope readers will care about. The Kate Hamilton books are traditional amateur sleuth mysteries set in the British Isles in the world of antiques and antiquities. The focus isn’t on the objects themselves, however. The precious artefacts Kate deals with are literal time travelers, born in another age but surviving for decades, centuries, millennia. I use them as metaphors or launching pads for plots exploring the impact of the past on life today.

I’m often asked where my plots come from. Are they inspired by real events or real people in history? The answer is yes. Every book I’ve written began with something I’d read about, a place I’d seen, or people I’d heard about: What if something like that happened to Kate? How might she get involved? If I’m intrigued, chances are my readers will be, too.

The first novel in my series, A Dream of Death, for example, was inspired by a tale I heard in Vermont years ago while researching an article I wrote for a scholarly journal. In the 1740s, a young woman perished when her horse-drawn sleigh went through the ice on Lake Champlain. It was nighttime. It was March. What was she doing out there alone? Didn’t she know the ice was unstable? Was she fleeing from someone? I moved the setting from Vermont to the Scottish Hebrides, and the story took off in my mind. Since one of my plotlines was set in the 1740s, I brought in Bonnie Prince Charlie and placed my modern story on a fictional island in the Inner Hebrides that refused to let “The Great Hope” die.

Book Four, The Shadow of Memory, was born when I heard a story on NPR’s This American Life about a group of young teenagers who explored an abandoned house in New Hampshire one summer. Who were the people who’d lived in that house, and why had they left everything behind, including clothes, wallets and eyeglasses? It felt creepy. What if those teenagers had stumbled upon something nefarious, something that put their lives in danger? At the time, I was also reading Bill Bryson’s The Road to Little Dribbling and was fascinated by his stint as an aide in a Victorian mental hospital now being converted into luxury apartments. What if the abandoned house had belonged to one of the psychiatrists? What if traces of blood could still be seen on the wooden floorboards?

My new book, A Grave Deception, is based on the discovery in Cumbria in 1981 of a fourteenth-century body so miraculously preserved that archaeologists thought at first they’d discovered a modern murder mystery. The body has since been identified as a knight killed in the crusades in Lithuania and shipped back to Britain for burial. The lead coffin and the methods used to preserve the body turned out to be so effective, liquid blood was found in the man’s chest cavity. What if a medieval body was found in Suffolk, in archaeological excavations in an abandoned plague village—this time of a woman murdered when she was about to give birth? Kate and her colleague Ivor Tweedy might be called in to appraise the grave goods. But then what if another body was found in the excavations—one of the archaeologists?

Plot ideas begin as a single seed that takes root in an author’s brain where it begins to grow and multiply and mature. And these seeds are scattered everywhere. Prolific author Anthony Horowitz said:

There isn’t a single thing in the world that doesn’t have a story attached to it, and all you have to do is ask the right questions. An example: there’s a black telephone box outside my house that’s never actually had a telephone installed. What’s it doing there? Who paid for it? This could be the beginning of a sci-fi novel (it’s a portal to another university [sic]), a spy story (it’s an MI6 dead letter box) or a satire (it’s a costly mistake by an incompetent council… possibly true). [“Five Things Anthony Horowitz Can Teach You About Writing,” https://www.writingcoooperative.com, Oct 13, 2017].

Where in your world might you find the seed of your next plot? That seed could be as simple as a city bus running ahead of schedule or as enigmatic as a gravestone with a disturbing epitaph. It could be as innocent as a child’s imaginary friend or as chilling as a mummified body found in Disney World’s Haunted Mansion.

I hope you enjoy Kate’s adventures in medieval archaeology and murder.

DEBS: Here's more about A GRAVE DECEPTION:

American antiques dealer Kate Hamilton and her husband, Detective Chief Inspector Tom Mallory, have settled into married life in Long Barston. When archaeologists excavating the ruins of a nearby plague village discover the miraculously preserved body of a fourteenth-century woman, Kate and her colleague Ivor Tweedy are asked to appraise the grave goods, including a valuable pearl. When tests reveal the woman was pregnant and murdered, the owner of the estate on which the body was found, an amateur historian, asks Kate to identify the woman and, if possible, her killer. Surprised, Kate agrees to try.

Meanwhile, tensions within the archaeology team erupt when the body of the lead archaeologist turns up dead at the dig site with fake pearls in his mouth and stomach. Then a third body is found in the excavations.

With the help of 700-year-old documents and the unpublished research of a deceased historian, Kate must piece together the past before the grave count reaches four.

And more about Connie!

Connie Berry, unashamed Anglophile and self-confessed history nerd, is the author of the USA Today best-selling and multi-award-nominated Kate Hamilton Mysteries, set in the UK and featuring an American antiques dealer with a gift for solving crimes. Like her protagonist, Connie was raised by antiques dealers who instilled in her a passion for history, fine art, and travel. During college she studied at the University of Freiburg in Germany and St. Clare’s College, Oxford, where she fell under the spell of the British Isles.

Connie is a member of the Crime Writers Association (UK), the Authors’ Guild, Mystery Writers of America, Sisters in Crime, Buckeye Crime Writers, and Guppies, of which she is the immediate past president. Connie lives in Ohio and northern Wisconsin with her husband and adorable Shih Tzu, Emmie. Her latest novel, A Grave Deception, is available at fine bookstores everywhere. You can sign up for her very entertaining monthly newsletter at www.connieberry.com.