Thursday, November 6, 2025

What I’m writing by Lucy Burdette plus a Cover Reveal!


LUCY BURDETTE: It’s been a busy stretch, what with making the transition from Connecticut to Key West, finishing the first round of edits on my book 16 (coming next July), working on a short story, working on a murder mystery for the Friends of the Library, and so on.



I can’t tell you too much about the new book without spoilers – for some reason this seems more challenging than with other books. But I remember talking about the inciting event in an earlier essay. This involved Hayley Snow going along on a safe custody exchange, which I know some of you worried about. I think I’ve fixed the book so that is addressed—we’ll see.

Here is a bit of the opening again, but this time with a note from my editor. There are a lot of notes like this sprinkled throughout the book, which can feel impossible when they first arrive. But I’ve learned that addressing them always, always makes a book stronger. The trick is to read all the feedback a couple of times and let it sink in over a couple of days—the answers will come! In summary, I’m very lucky to have this editor! I’m also grateful to have my long-standing writers group pals Ang and Chris to bounce things off.



Next, the manuscript will be sent off to the copyeditor. She or he will look for grammar and spelling mistakes, errors in the timeline, and general consistency. Over the course of 26 books, I’ve hardly had the same copyeditor two times in a row, so this process can be a little more fraught. Keep your fingers crossed for me please. Meanwhile, as we were driving, the cover arrived! (You can preorder here.)



What do you think? My only complaint is I wish some of that fruit was plates of cake and cookies:). But I'm thrilled to get a little mental rest from the book and work on some other things. (Although I'm rediscovering that short stories are hard!)

How do you celebrate the end of a big project? or do you just move on to the next item on your list?

**Meanwhile, here are some deals for you. The ebook edition of A DISH TO DIE FOR is on sale this month for $1.99! 

**The audio editions of THE KEY LIME CRIME and DEATH WITH ALL THE TRIMMINGS are both on sale for $1.99! (Not sure how long this one will last...)

**Finally, after a several month delay, the audio edition of THE MANGO MURDERS is finally available!

Wednesday, November 5, 2025

Rhys on Leaving Clues.

 RHYS BOWEN: I have been extra busy recently, firstly with the edits for my next stand alone, then helping Clare plot the next Molly book, then come up with a story suggestion for next year's stand alone while at the same time writing the twentieth Royal Spyness book.

One of the things I'm passionate about is playing fair with the reader. That means dropping subtle and appropriate clues. I've noticed that not all writers do this. Agatha Christie, for all her brilliance, did not always play fair.  Poirot says "I happen to know that she was once wardress of a prison."  Okay. We didn't know that! And the books in which the first person narrator is the killer. I have to say in Roger Ackroyd she was pretty good about leaving subtle hints, but in another, which I won't name in case it's a spoiler for those who haven't read it, the narrator says near the end that he's been getting funny black turns when he doesn't quite know what he's doing.  We did not know that before!

So what kind of clues do you appreciate? Which authors do them well?

This Royal Spyness book, that I am calling TO CROWN IT ALL, takes place at the coronation of King George and Queen Elizabeth in 1937. a group of Georgie's friends and relatives are staying at her house before the coronation, plus a German man who has escorted Mummy from Germany. Oh, and there's a village fair going on outside the house. So it's quite a challenge to drop clues without being over obvious.  I'm not normally the spent match type of cluemaker. It's usually what somebody says, or doesn't say, or reacts to a statement by someone else. 

But this time I am using fingerprints. But what if they show the wrong person? What if one of Georgie's family actually seems to be the main suspect? 

It's quite a complicated plot: one thread involving Mummy, another involving security for the coronation and the crown jewels and yet another involving poor Georgie:  here are a few tell-tale lines about that plot. Georgie has been worrying about what to wear to the coronation. Since her husband has is only Mr. O'Mara she can't wear her peeress's robes if she's to sit with him. And she has no fabulous outfits. 

Then this happens:

At that very moment I heard a telephone ringing in the front foyer. I froze.  Mrs. Holbrook appeared, looking scared. “You’re wanted on the telephone, my lady,” she said in an awed voice. “It’s the palace.”
                      I couldn’t stop my heart from racing as I went down the hallway. Was it good news or bad? What if the secretary said he was sorry but could do nothing for my mother. What then? Then I would go over and bring her back myself, I decided. It didn’t matter what Darcy or anybody said. She was my mother.
                      “Hello?” I said into the receiver, hearing my voice shake a little.
                      “Lady Georgiana?”  It was a woman’s voice, a brisk efficient sort of voice.
                      “Yes,” I said. “This is she.”
                      “I’m sorry to disturb you but this is Lady Pierpoint, telephoning on behalf of Her Majesty. We’ve had a last minute set back for the coronation ceremony. Do you happen to know Lady Veronica Featherstone-Smythe? Lord Blanchley’s daughter?”
                      “I believe we’ve met,” I said, hesitantly, wondering what on earth this had to do with me.
                      “Horse mad, of course. Rode in a point to point and broke her ankle, stupid girl.”
                      I was still completely in the dark.
                      “She was to be one of the maids of honor for the queen at the ceremony,” Lady Pierpoint went on. “ Naturally carrying a train is quite out of the question and her majesty suggested that you would be a most suitable replacement.”
                      “Me?” The word came out as a squeak.  “You want me to carry the queen’s train?”
                      “My dear, you are an obvious selection. Closely related to his majesty and both their majesties report being extremely fond of you. You were mentioned at the very start but it was considered that the words maids of honor should primarily include unmarried girls. 
But given the circumstance and the late hour it was decided you would fit the bill perfectly.”
                      I was glad she couldn’t see me blushing. “Golly,” I said. “Well, I’d be honored.”
                      “Splendid. I’ll tell their majesties.  We shall need you up in London right away for a dress fitting.  I think you’re about the same size as Lady Veronica, which is most fortunate, but small alterations will need to be made.  Then you will be required to attend several rehearsals, the first at the palace, learning the correct way to walk with the train, then in the abbey knowing the procedure of where to stand. You are free to come when summoned, I presume?”
                      “Yes, yes of course,” I said.
                      “Jolly good. Well done. Then I look forward to meeting you. Good evening.”
                      I put down the telephone and stared at the marble staircase, curving upward into darkness. What had I just agreed to? Carrying a train up steps, through the vast nave of the abbey with the whole world watching. Not dropping it, tripping up, tripping someone else. Oh golly, I said.
                      A wave of panic swept over me. I tried to remember her name. Lady Point to point?  I had to stop myself from calling the palace and telling them that I had changed my mind. But the king and queen had asked for me.  And it was a huge honor. I could hardly turn them down, could I?

Poor Georgie. You know she tends to be accident prone. Nothing could go wrong, could it?





And while we're on the subject of Royal Spyness books, then next one, FROM CRADLE TO GRAVE is published in just six days from now. I'll be holding a launch event at the POISONED PEN IN SCOTTSDALE with two other Jungle Reds, Julia, whose book is out the same day, and Jenn, whose book was out a couple of weeks ago.  It's November 18th.  Who will come to support us?


Tuesday, November 4, 2025

What Hank's Writing--A Sneak peek! And on the Lookout for Typos


HANK PHILLIPPI RYAN: The new book is IN. YAY!

It's in production, which means they are making the bound manuscripts for early early blurbers, and then they will make the advance reader copies--not yet proofread, and not yet copyedited,  to distribute to reviewers. 

Meanwhile,  the copy editor is at work on the manuscript, to fix all (we hope) the dropped words and repeated words and errors and mistakes and stuff you cannot even imagine that's happened in the 617,852 (that's the real number) of characters and spaces in the manuscript.  

In two weeks or so, I'll get that copyedited version back, and make (I hope) all the corrections. And, as always, find even more errors. I have rally found some doozies in those copyedited versions--once when a character went to a place in an Uber, and then departed in her own car. AHHHHH.

It's always amazing to me, once I struggle and slog through that first draft (imagine Jenn climbing those boulders, that's exactly how it feels) how many changes get made in a book

Here's a page from the novel --on this particular day, the document was titled  "NEWEST Trying no phone 5-8." (My file titles are always hilarious. Like: "New New USE THIS ONE  6-6 no steps." There must be a better way, but I have not discovered it. This is page 10. LOOK at all those changes!



Here's another page.  Page 42. SO many changes! 


When I look back, I see why I did the things--the sentence structure was awkward, or with the wrong emphasis. It was not a tight as it should be. Not as dramatic. Not as thematic. It was repetitive (one of my pitfalls) or overly internal.

(And looking at these pages, right now, I can still see several things I will change in the copy edits.)

I adore the editing process. It's my favorite part. It's when I take that unwieldy first draft and try to wrangle it into  being the story I meant to write. I always find something new, and I always discover a theme I hadn't known was there.

And I am always always shocked and supremely thrilled when I get that final email from my editor--she'll say: "Pencils down! We're done!"

For this book--and you are the first people in the universe to see pages from it--we have no title that I can tell you now. And we will have no cover for a month or so.

But it's about a mysterious place crash. A missing influencer.  Her frightened pre-teen daughter. And a writer who is searching for happy endings.  

And it is almost done!

And now, Reds and Readers, I need a good idea for the next book. 

You DO know that advance reader copies are NOT copyedited or proofread, right? They are for savvy readers who know how to read around the errors, and understand they are not reading a final version.

 A while ago I was hearing a lot about typos in final books, though. Are those still as prevalent as they were at one point? 

Reds and readers, are you finding typos in books? Do you tell the authors when you find them?

Authors, do you want to know?