DEBORAH CROMBIE: I have been huge fan of Connie Berry's Kate Hamilton books since the first one, and now with A GRAVE DECEPTION we have SIX! And, look, there is a quote from Hank on the cover!!!! I'm jealous that Hank got to read this one first, because this plot sounds amazing. Here's Connie to fill us in!
Inspiration: Finding Plot Ideas Hiding in Plain Sight
by Connie Berry
Thank you for inviting
me! Today A Grave Deception, the sixth full-length novel in the Kate
Hamilton Mystery series, makes its debut in the world. I’m excited and a bit
nervous. After more than a year of thinking, developing characters, sketching
out plots and subplots, slogging through a first (hideous) draft, and then
shaping that unruly blob into a novel, my book must make its own way in the
world. I hope my loyal readers will love it, and I hope the book will be
discovered by new readers as well.
I’ve been
thinking about how that happens—how books find readers. Every series has its
own distinctive vibe, its own world populated by characters we hope readers
will care about. The Kate Hamilton books are traditional amateur sleuth
mysteries set in the British Isles in the world of antiques and antiquities. The
focus isn’t on the objects themselves, however. The precious artefacts Kate
deals with are literal time travelers, born in another age but surviving for
decades, centuries, millennia. I use them as metaphors or launching pads for plots
exploring the impact of the past on life today.
I’m often asked
where my plots come from. Are they inspired by real events or real people in
history? The answer is yes. Every book I’ve written began with something I’d read
about, a place I’d seen, or people I’d heard about: What if something like
that happened to Kate? How might she get involved? If I’m intrigued,
chances are my readers will be, too.
The first novel
in my series, A Dream of Death, for example, was inspired by a tale I
heard in Vermont years ago while researching an article I wrote for a scholarly
journal. In the 1740s, a young woman perished when her horse-drawn sleigh went through
the ice on Lake Champlain. It was nighttime. It was March. What was she doing
out there alone? Didn’t she know the ice was unstable? Was she fleeing from
someone? I moved the setting from Vermont to the Scottish Hebrides, and the
story took off in my mind. Since one of my plotlines was set in the 1740s, I
brought in Bonnie Prince Charlie and placed my modern story on a fictional
island in the Inner Hebrides that refused to let “The Great Hope” die.
Book Four, The
Shadow of Memory, was born when I heard a story on NPR’s This American
Life about a group of young teenagers who explored an abandoned house in
New Hampshire one summer. Who were the people who’d lived in that house, and
why had they left everything behind, including clothes, wallets and eyeglasses?
It felt creepy. What if those teenagers had stumbled upon something nefarious,
something that put their lives in danger? At the time, I was also reading Bill
Bryson’s The Road to Little Dribbling and was fascinated by his stint as
an aide in a Victorian mental hospital now being converted into luxury
apartments. What if the abandoned house had belonged to one of the
psychiatrists? What if traces of blood could still be seen on the wooden
floorboards?
My new book, A
Grave Deception, is based on the discovery in Cumbria in 1981 of a
fourteenth-century body so miraculously preserved that archaeologists thought
at first they’d discovered a modern murder mystery. The body has since been
identified as a knight killed in the crusades in Lithuania and shipped back to
Britain for burial. The lead coffin and the methods used to preserve the body
turned out to be so effective, liquid blood was found in the man’s chest
cavity. What if a medieval body was found in Suffolk, in archaeological
excavations in an abandoned plague village—this time of a woman murdered when
she was about to give birth? Kate and her colleague Ivor Tweedy might be called
in to appraise the grave goods. But then what if another body was found in the
excavations—one of the archaeologists?
Plot ideas begin
as a single seed that takes root in an author’s brain where it begins to grow
and multiply and mature. And these seeds are scattered everywhere. Prolific
author Anthony Horowitz said:
There
isn’t a single thing in the world that doesn’t have a story attached to it, and
all you have to do is ask the right questions. An example: there’s a black
telephone box outside my house that’s never actually had a telephone installed.
What’s it doing there? Who paid for it? This could be the beginning of a sci-fi
novel (it’s a portal to another university [sic]), a spy story (it’s an MI6
dead letter box) or a satire (it’s a costly mistake by an incompetent council…
possibly true). [“Five Things Anthony Horowitz Can
Teach You About Writing,” https://www.writingcoooperative.com,
Oct 13, 2017].
Where
in your world might you find the seed of your next plot? That seed could be as
simple as a city bus running ahead of schedule or as enigmatic as a gravestone
with a disturbing epitaph. It could be as innocent as a child’s imaginary
friend or as chilling as a mummified body found in Disney World’s Haunted
Mansion.
I
hope you enjoy Kate’s adventures in medieval archaeology and murder.
DEBS: Here's more about A GRAVE DECEPTION:
American antiques dealer Kate Hamilton and her husband, Detective Chief Inspector Tom Mallory, have settled into married life in Long Barston. When archaeologists excavating the ruins of a nearby plague village discover the miraculously preserved body of a fourteenth-century woman, Kate and her colleague Ivor Tweedy are asked to appraise the grave goods, including a valuable pearl. When tests reveal the woman was pregnant and murdered, the owner of the estate on which the body was found, an amateur historian, asks Kate to identify the woman and, if possible, her killer. Surprised, Kate agrees to try.
Meanwhile, tensions within the archaeology team erupt when the body of the lead archaeologist turns up dead at the dig site with fake pearls in his mouth and stomach. Then a third body is found in the excavations.
With the help of 700-year-old documents and the unpublished research of a deceased historian, Kate must piece together the past before the grave count reaches four.
And more about Connie!
Connie is a member of the Crime Writers
Association (UK), the Authors’ Guild, Mystery Writers of America, Sisters in
Crime, Buckeye Crime Writers, and Guppies, of which she is the immediate past president.
Connie lives in Ohio and northern Wisconsin with her husband and adorable Shih
Tzu, Emmie. Her latest novel, A Grave Deception, is available at
fine bookstores everywhere. You can sign up for her very entertaining monthly
newsletter at www.connieberry.com.














