Love and Saffron--Kim Fay

DEBORAH CROMBIE: I was so delighted when I learned that my friend Kim Fay had a new book coming out, as I was a huge fan of her Edgar nominated novel, THE MAP OF LOST MEMORIES. 

Well, LOVE AND SAFFRON not only did not disappoint, I can already say that it will be one of my favorite books of the year. More than that, it's a book that I will read and reread, and give to people I hold dear. It's a book above all about friendship, but there's food and cooking and romance, too--all the best of things, whether in life or in books.

Here is Kim to tell us how it came about!

LOVE & COMFORT

by Kim Fay

As any true reader knows, sinking into a novel always provides an element of comfort. Some fiction (Happy All the Time, The House at Pooh Corner) is made for keeping the soul warm. Some, like mysteries, hearten by ensuring justice is served. Even difficult books soothe when they teach us something new and make the world a smaller place.

Writing, on the other hand. When was the last time you heard a writer say, “Oh, I write to comfort myself.” Um, never! “Ugh,” we moan, “I had to force myself to write today.” We meet up with our writing friends online to do The Pomodoro Technique—a method of jump-starting ourselves into bursts of writing. We have an official name for our struggle: writer’s block.

At worst, it’s hard and frustrating. At best, it’s satisfying and exhilarating. But comforting?

Personally, I journaled for comfort (not to mention self-indulgence) and wrote fiction to accomplish. That is, until March 2020. A month that will live in infamy—I do not say this lightly.

On March 16, the mayor of Los Angeles announced the following:

                         SAFER AT HOME ORDER FOR CONTROL OF COVID-19

Temporary Prohibition of Events and Gatherings of 10 Persons or More

Closure of Non-Essential Businesses and Areas

The order would go into effect at 11:59 pm on March 19. Thus began that early era of washing our groceries, airing out our mail, hour-long lines at Trader Joes, hoarding pasta, making homemade masks out of bandannas and hair ties, and for me, a headlong tumble into a place I had not visited since childhood. A place where my writing was not a destination but a journey.

Baby Kim on Camano Island with the inspirations for the characters Imogen (her great-aunt Irene) and Francis (her great-uncle Frank).

While the world frantically hunted for toilet paper and Clorox wipes, I woke up each morning in a kind of trance, writing fictional letters back and forth between two women in the early 1960s. Every sentence I crafted was infused with a piece of my life that I loved and gave me joy: favorite dishes, childhood weekends at Camano Island, my decades-long correspondence with the essayist Janet Brown, my friendship with the pioneering food writer Barbara Hansen.

                    Pioneering L.A. food writer Barbara Hansen was the inspiration for the character Joan.

The pandemic worsened, politics shred the country, and the murders of Ahmaud Arbery, Breonna Taylor, and George Floyd stirred civil uprisings. I paid attention. I took action. But I also sheltered in my writing in certainties I knew I could count on: family, friendship, love. Even though the book was set in another era, as I wrote about events like the Kennedy assassination, I thought about the only thing I believed could save us in times of strife: human connection.

My only goal as I wrote was to create a gift for Janet and Barbara. A small book that could be read in a single afternoon, providing escape and entertainment and, yes, comfort. Three months later, Love & Saffron was done. I sent it to Barbara and Janet. They loved it, and that was that. Mission accomplished.

But a mention of the book to another friend led me to send it to my agent. Her response: Where in the heck had this come from? She’d been patiently working with me on two different books for the past few years. She knew I was a writer who took a very looooooooooooong time to write (and revise, and revise) a book. Yet here was Love & Saffron, seemingly out of the blue. I say seemingly, because I know now that some stories can simmer inside us unnoticed for years until they are ready for the world.

 In December of 2020, my agent sold Love & Saffron to Putnam, and now, just under two years since I started writing it, it is out in the world. Love & Saffron saved me during those first months of the pandemic. It also changed me. I never want to write to accomplish again. I only want to write to bring comfort and pleasure to myself and to readers who know that while we must be present in this world, at the same time we need to find moments to retreat and nourish our souls.

 Love & Saffron is a story of shared meals, enriching correspondence, and two women whose friendship bridges generations and geography. Featured on Katie Couric Media, it is a witty and tender story, following budding food writer Joan Bergstrom and established magazine columnist Imogen Fortier in 1960s America as they discover that food really does connect us all, and that friendship and laughter are the best medicine.

 Independent booksellers around the country chose Love & Saffron as their #1 Indie Next Pick for February, and bestselling authors are raving about it. Tembi Locke (From Scratch) calls it “a memorable and lovely story of friendship,” and Heather Webber (Midnight at the Blackbird Café) describes it as “delightful recipe of food, friendship, love, and acceptance.” Love & Saffron “reveals how a love of food can open doors into culture, history, homes, and love,” shares Ann Hood (The Knitting Circle), and Louise Miller (The City Baker’s Guide to Country Living) says, “You’ll want to share it with everyone you call friend.”

Kim Fay’s first novel, The Map of Lost Memories, was an Edgar Award Finalist for Best First Novel, and her food memoir, Communion: A Culinary Journey Through Vietnam, was a World Gourmand Cookbook Award winner. www.kimfaybooks.com

DEBS:  Isn't the buzz for this book fabulous?? And I couldn't agree more! I'm wondering if #84 Charing Cross Road might have served as inspiration... Kim will be stopping in to visit, so add your questions too!

  

Fanning the Creative Flames: Kim Fay on Fan Letters

SUSAN ELIA MACNEAL: I'm delighted to introduce Kim Fay, the author of the Edgar Award-nominated A MAP OF LOST MEMORIES, on fan letters — both receiving and writing. And the importance of kindness and support, and that amazing  connection to writers we love. Welcome, Kim!

KIM FAY: I was having a bad week. It’s what writers do. Along with writing, we have bad hours, bad days, bad weeks. Often (when we’re lucky), we can write our way through them, but that doesn’t mean they aren’t disheartening.

This bad week came along with its usual nagging voice—you’re a lousy writer, this is a stupid idea, give up and go back to ... teaching, bookselling, editing, fill in the blank. Then, a letter came in the mail. Remember those? Envelopes. Stamps. Handwriting on real paper. This real paper had a beautiful watercolor of an Angkor temple on it, and a note that contained these words:

“I’ve just surfaced from a cover-to-cover read of ‘The Map of Lost Memories.’ I absolutely loved it on so many levels.”

A fan letter.

My heart fluttered!

A fan letter from Dawn Rooney.

My heart soared!!

Dawn is one of the world’s eminent experts on Angkor Wat. Her books were my anchors as I wrote The Map of Lost Memories, ensuring that I got the facts right. I could not have written my novel without her. And she not only loved my book. She took the time to let me know she loved it.

Suddenly, my bad week wasn’t as bad anymore.

This isn’t to say that I rely on praise from outside in order to write. But let’s be honest: it sure is nice, because if you’ve ever been on other side, you know the passionate feelings that inspire a person to write a fan letter.

I wrote my first fan letter to an author when I was in junior high. I adored Betty Cavanna, and I wrote to her in care of her publisher, telling her how I wanted to be a writer just like you when I grow up. She wrote back. She told me to keep writing. She wished me great success. More than thirty years later her words of encouragement still inspire me.

I wrote another fan letter again when I was in my early twenties. The Los Angeles riots had broken out and I was depressed. I picked up Letter from New York, by Helene Hanff (of 84 Charing Cross Road fame). It’s a slim book of her BBC broadcasts about living in New York—vignettes about how her relationships with her neighbors, many formed around dog walking, created a sense of community. Her tales of friendship and kindness compelled me to write to her.

She responded: “I was very touched that ‘Letter From New York’ brought you back from the L.A. abyss. I spend half my time diving down, into murder mysteries to escape the horrors of Sarajevo and Los Angeles, and the new one waiting to happen somewhere else.”

There was more, words that made me feel less alone. I tucked this note inside my copy of her book and I take it out from time to time, when the world gets particularly ugly and mean. And I think about it often now that I am a writer receiving letters from people who have read my novel. Most fan letters come by email these days, but that makes them no less valuable:

I have just finished reading your extraordinary first novel. Thank you for providing such an enjoyable learning experience. 

Although I have not yet finished reading your book, I could not wait to contact you. There are many passages that I have re-read, as the content stirs many ethical quandaries. 

The plot and characters drew me in, but what I appreciated most was your skill in capturing the sensual details, the sounds, smells and feel of the places you describe. By the time Irene reached the temple I REALLY wanted a bath! Nice work!

Sitting on my Arizona patio in the summer, reading your book, and imagining our heat coupled with humidity made the books' environment seem very real. I read quite a lot and must tell you this is one of the best books I've read in a long time. 

I thoroughly enjoyed every minute reading "The Map of Lost Memories" and didn't want it to end.  

I’m not sharing these emails to toot my own horn. I am sharing them because they touched me. I have about 30 notes from fans at the most. This may not seem like a lot to many people, but to me it is a fortune.

In these days when it’s too easy for every Negative Nellie out there to Tweet, Facebook and Goodreads their complaints, a fan letter is a gift. It is an intimate moment between writer and reader. It is a moment of understanding and being understood. I am grateful for each one.

So, Reds and readers, how about you? 

Have you written a fan letter? 

Have you received one? 

What inspired you to write one? 

What unique joy did you experience when you received one?

Tell us in the comments!

Kim Fay, Author of THE MAP OF LOST MEMORIES on the "Vice" of Research, and a book giveaway!

SUSAN ELIA MACNEAL: Please join with me to welcome novelist Kim Fay officially to the Jungle Red Writers blog. (Kim's a regular in the comments section, so you may already know her!) Her Edgar Award-shortlisted first novel, THE MAP OF LOST MEMORIES just came out in paperback, and she's here to talk about her "vice" of research — one of my obsessions as well.

If you don't know Kim Fay and her work yet, you should. Kim's the author of the historical mystery novel The Map of Lost Memories, the Mystery Writers of America's 2013 Edgar Award finalist for Best First Novel by an American Author. She's also written the food memoir Communion: A Culinary Journey Through Vietnam, winner of the Gourmand World Cookbook Awards’ Best Asian Cuisine Book in the United States. She lived in Vietnam for four years, has traveled throughout the region for the past twenty, and now makes her home in Los Angeles.

Kim and I were fellow nominees for the 2013 Edgar Award for Best First Novel by an American Author — and when I read her nominated novel, THE MAP OF LOST MEMORIES —I absolutely fell in love with her writing. Booklist gave THE MAP OF LOST MEMORIES a starred review and said, "Fay’s extraordinary first novel has everything great historical adventure fiction should—strikingly original setting, exhilarating plot twists, and a near-impossible quest . . . Every word of this evocative literary expedition feels deliberately chosen, each phrase full of meaning."

Here's a description:

In 1925 the international treasure-hunting scene is a man’s world, and no one understands this better than Irene Blum, who is passed over for a coveted museum curatorship because she is a woman. Seeking to restore her reputation, she sets off in search of a temple believed to house the lost history of Cambodia’s ancient Khmer civilization. As Irene travels through Shanghai's lawless back streets and Saigon’s opium-filled lanes, she joins forces with a Communist temple robber and an intriguing nightclub owner with a complicated past. What they bring to light deep within the humidity-soaked Cambodian jungle will do more than change history—it will solve the mysteries of their own lives.

Today Kim Fay joins us to talk about her research process, 

and also to give away three copies of 

THE MAP OF LOST MEMORIES.

KIM FAY: When I tell people that it took me fourteen years to write my first published novel (I’m also the proud owner of many unpublished ones), it’s true and it’s not true. Yes, from the day I started it until the day my agent felt it was ready to send out, fourteen years passed … but not all of that time was spent writing. Some of it was spent editing travel guidebooks, working on a non-fiction book and indulging in one of my greatest vices: research.

I was that kid who turned her reports in early because I loved investigating the culture of Hawaii or the history of the Bicentennial so much that I’d gathered all the information I needed within a few days. I worshiped at the spines of my family’s set of encyclopedias—I could decide I wanted to know something and look it up, or I could simply open a volume at random and discover something entirely new. My grandpa did not buy me dolls. He bought me Time-Life series. The Old West with twenty-six volumes including my favorite, The Women. This Fabulous Century with a book for each decade, filled with archival photos, newspaper articles and cultural tidbits. 

I have heard some writers say that there’s such a thing as too much research, and when it comes to stuffing everything you’ve learned about a subject into a novel, I agree. As for too much researching? Impossible! It’s a joy, it’s gratifying, and I feel that it makes my work so much stronger.
Take, for example, my first novel, The Map of Lost Memories, set in 1920’s China and Indochina. Although I lived in the region for years, I obviously needed to do a lot of research to understand that part of the world during that time period. My main character loses her job at a museum and sets off for Cambodia to find a lost treasure; to understand her and the world she operated in, I read eight different books on the history of art collecting and looting. Was I going to use all the information I learned in these books? Not even close. But the wealth of knowledge I gained bolstered my confidence and gave me a firm understanding the context for the story I was choosing to tell.

I am working on a few new books now, one being the first volume of a mystery series set in Los Angeles in the 1970s. The idea was sparked by my meeting with a woman who was one of the founders of the L.A. Times food paper. It’s not well-known that in its heyday the weekend food paper was a 50-plus-page magazine and its staff operated one of the largest test kitchens in the country. My desire to know more about this world (by conducting interviews, digging through old food papers and testing old recipes) began to shape a character named Barb, a housewife and food writer whose life changes dramatically when a young P.I. moves in next door.

I decided that Barb was addicted to mystery novels as a young woman in the late 1950s. The next thing I knew, I was on AbeBooks at midnight ordering the first ten Edgar award winners for best novel so that I could understand my character through her reading habits. Turns out I also want to learn about the rise of the Los Angeles Conservancy, which was born with the efforts to save our downtown library. So guess what? Barb’s husband is an architectural conservationist whose career trajectory follows the failures and successes of twentieth-century conservation efforts in L.A. As for 1970s L.A., it has always fascinated me, which is why I find myself at the downtown library prowling through local magazine archives and reading the 1971 Los Angeles phone book as if it was the latest New York Times bestselling page-turner.

One lesson I’ve learned (sometimes the hard way) is to never fall so much in love with a piece of research that you bend your story out of shape just to fit it in. No matter how much I’ve read or know about a subject or issue, it’s important that I let my research be an organic part of the actual writing process. The second it stands in the way of the story’s flow, it must go.

So, how about you? Do you like researching? Do you have a favorite topic? Have you ever OD’d on research? Has too much research ever gotten in the way for you as a writer? As a reader?

All readers who comment on this post with be entered into a random drawing to win one of three copies of The Map of Lost Memories, compliments of Kim's publisher, Ballantine Books/Random House.

Find out more about Kim Fay and her books at her website.
Friend her on Facebook here.
And follow her on Twitter here.