Showing posts with label Lin-Manuel Miranda. Show all posts
Showing posts with label Lin-Manuel Miranda. Show all posts

Friday, May 12, 2017

What's Your (Creative) Type?

HANK PHILLIPPI RYAN:  How did you think of that? Where did that idea come from? How often have we wondered about that or been asked that? How often have we tried to untangle and understand our own thought processes? How do the successful people do it?

Those of us who do something creative—writing, or painting, or music, whatever it is—why are we the ones who feel compelled to do so?  If we understood our own creativity, could we-- be better at it?

The brilliant Meta Wagner has thought about this—not only for herself, but for all of us. And because we all love to take quizzes (and believe the answers,) she studied the human mind, and created a structure of “creative types.” 

And she suggests, in her fascinating new book WHAT’S YOUR CREATIVE TYPE? we all fit into one of them. All we have to do is take her quiz to find out which one! (And then get her book to find out what it means--and how it can help!)

Which one are you? Turns out I’m a—well, first, let’s hear more from Meta.  

HANK: Can you remember a time when you were completely engrossed in a creative activity as a child? How has that memory shaped you as a writer?

MetaWagner: When I was a kid, I’d wake up on Sunday mornings way earlier than my parents or my sister. Still in my PJs, I’d sit on my bedroom floor and write little poems and stories during those hours of solitude and put them in a shoebox that I kept in a secret hiding place. I don’t really know why I felt the need for such secrecy! There was something about the early morning quiet that allowed me to just be in the moment, without anything else to do. It was pure.

It’s harder for me to find that pure experience now. But I think where I come closest is when I’m on deadline and there’s no time for distractions – I’m focused and there are just my ideas and my words and my desire to make the writing sharp, mostly for my own satisfaction.

Hank: You’ve developed the concept of the five creative types. How did you come up with it, and what are the types?

Meta: I teach a class at Emerson College that asks the question, “Why do people create?” I looked into hundreds of famous creators in all the arts, from Ernest Hemingway to Meryl Streep to Lin-Manuel Miranda, and I discovered that they have such a clear understanding of their reasons for doing creative work. At the same time, I, personally, kept coming up with new book ideas that I’d be really excited about but then abandon out of fear or doubts. Sound familiar to anyone?

I wondered, what if we all could become motivated like the masters? And so I grouped their motivations into five categories and translated those into creative types: A-Lister, Artisan, Game Changer, Sensitive Soul, and Activist. Once people identify their type and become aware of their strongest motivations, they can return to these motivations anytime they have trouble getting started or breaking through creative blocks.

Hank: In honor of Mother’s Day, what advice to you have for moms who want to write or paint or do anything creative but can’t seem to find the time?

Meta: If you’re a mom who’s pulled in multiple directions with barely a moment for yourself, creativity might seem like a low priority or a luxury you can’t afford. But, I believe if the creative urge is strong in you, you’ll find a way.

Creative expression is also important—study after study shows that it’s good for your mental health! Maybe you could spend ten minutes a day doing creative writing exercises or plotting your novel. Maybe once a month you could go to a reading at a bookstore to get inspired. And, then, as your kids get older, you might finally have the time to write the novel you’ve been “training” for all these years.

Jungle Reds, tell us why writing (or any creative activity) is so important to you? What are your motivations for doing it?

HANK: And as it turns out—my quiz results were very different from what I predicted! Whoa. Now I have to see what that means.  And Reds and readers--what's your type?

To figure out your creative type, take this fun quiz and post the results  in the comments--and on Facebook and Twitter if you’d like! http://snapp.to/2lHVOEY
And read more about the book and Meta below!





How do the world’s greatest creators produce such amazing works despite experiencing the same doubts and fears as the rest of us? What’s Your Creative Type? cracks the code, revealing that legendary artists don’t just possess talent, they also understand their motivations for creating. Whether you write, paint, film, act, dance, develop software, or even play the ukulele as a hobby or a profession, What’s Your Creative Type? can teach you to identify your creative type (A-Lister, Artisan, Game Changer, Sensitive Soul, or Activist) and discover your motivations so you can break through blocks to finally fulfill your creative potential.
 
Meta Wagner is the author of What's Your Creative Type (Seal Press). She is a contributor to Boston Globe opinion pages, was a columnist for PopMatters, and has written for Huffington Post, Chicago Tribune, Salon, and Wall Street Journal custom studios. She was also a 2017 TedxBU speaker. Meta teaches creative and communications writing at Emerson College and Boston University and also teaches a seminar on creativity that served as the basis for her book. Her background is in public relations and marketing. To connect with Meta, visit www.metawagner.com.


Monday, March 21, 2016

Hamilton, Albums, and Musical Obsessions




Alexander Hamilton
My name is Alexander Hamilton
And there’s a million things I haven’t done
But just you wait, just you wait... 

(Listen here.)

SUSAN ELIA MACNEAL: Here in our apartment in Park Slope, Brooklyn, it's all Hamilton, all the time — thanks to Kiddo, who got the cast album for his birthday.  In case you haven't heard of it (and I don't know how that's possible), we're talking the hip-hopera Hamilton: An American Musical, currently crushing box-office records on Broadway. It's written and created by Lin-Manuel Miranda (who also stars) and is about, yes, that famous Federalist who was never our president, but still graces the ten-dollar bill. The cast, seen on the Grammys here, recently took the show on the road to the White House, which you can see here

The Hamilton soundtrack, released digitally in September, skyrocketed into numbers no one's ever heard of for a musical: It was the first Broadway cast album to ever hit No. 1 on the Billboard Rap Album chart, the first to ever receive a five-star rating on Billboard.com, the highest-debuting cast album on the Billboard 200 in over 50 years, and boasted the highest debut sales for a digital casting album ever. It was streamed 16 million times in its first three weeks. (We bought the actual CD, because I wanted Kiddo to have the liner notes.)

So this non-stop barrage of Hamilton (and I don't mind at all — love it, too) made me think of albums I adored in my youth and played obsessively. For me, it was everything by the Beatles (even though they'd broken up before I was born), everything by Stephen Sondheim, and Prince, the Police, Michael Jackson, and Madonna (yes, I was an 80s girl).

Reds, when was the last time you were so captivated with an album that you played it over and over again? Was it Broadway, classical, rock, jazz, pop? And what was it exactly that made you obsessive? 




HALLIE EPHRON: First album I ever got hooked on: Tapestry. Carole King. I can still listen to it endlessly. It was the music and the lyrics and her voice. After that Brandenburg concertos and Mozart horn concertos and anything by Vivaldi. 






LUCY BURDETTE: We were fortunate to jump on the Hamilton bandwagon early and saw it last spring. I'm so amazed at the multiple talents of Lin-Manual Miranda. Who can write music, plays, and then perform as the lead? he's an astonishing man and of course we adored the show. If you haven't seen or heard it, look for the YouTube video of him performing an early version for President Obama... [Yes, see above.]

In general, this is how I listen to music--latch on to something I love and never let go. Bonnie Raitt's TAKIN MY TIME (crazy for the song GUILTY), Cat Stevens' TEASER AND THE FIRECAT (Moonshadow, oh my!), Teddy Thompson's UP FRONT AND DOWN LOW (She Thinks I Still Care), and all the early Beatles. And Patsy Cline.


RHYS BOWEN: The first albums that I listened to obsessively in my childhood were the Rogers and Hammerstein musicals: Carousel was the first (thanks to Hallie's parents who wrote the script). South Pacific, The King and I. I played them over and over. In college, it was Ella Fitzgerald.  And then the Beatles. Most recently it's been Les Miserables that I play every time I'm on a road trip.


DEBORAH CROMBIE: I saw the Hamilton number on the Grammys and was entranced!  I can see how you could be hooked, Susan.

My favorite go-to album (for almost fifteen years now, ack) is the soundtrack from Love Actually. When I'm blue, when I'm happy, when I'm stuck on a stressful flight... Love it. I've had some weird album addictions in the past. The soundtrack from Kenneth Brannagh's Henry V. (Really, you're thinking?) The soundtrack from The English Patient. I could never bring myself to watch the movie a second time, but I LOVE the soundtrack. I even have Gemma playing a piece from it on the piano in one of the books.



HANK PHILIPPI RYAN: Such fun to do our history through
music! Of course I played Abbey Road over and over and over. Then Carole King's Tapestry. Then Judy Collins' Both Sides Now. I played Ella Fitzgerald sings the Cole Porter Songbook until the record was worn out. I spent months listening to A Chorus Line. A billion times. And A Little Night Music. Over and over. Evita! And Les Miserables.

Paul Simon's Graceland. And hilariously the soundtrack to Love Actually-- agreed Debs!-- and equally My Best Friends Wedding. Oh, and The Three Tenors, their first album.
Love reading all these! And I'm sure I've forgotten some...but I'd still be delighted to listen to any of these. And I completely forgot all the folk music! 
JULIA SPENCER-FLEMING: Susan, Youngest is a total Hamiltonian as well. She's memorized two long numbers and can sing the rest with music. We're talking about trying to get tickets soon for her 16th birthday in August, although I understand the wait is so long she might be halfway to seventeen before we can actually see the show!
I was lucky; my mother loved musicals, so I had access to some wonderful original Broadway cast recordings - Camelot, Hair, Sound of Music, Man of La Mancha, as well as movie soundtracks from West Side Story, Guys and Dolls, Damn Yankees, etc. etc. The first album I obsessed over was the Broadway cast recording for Jesus Christ, Superstar, which I listened to approximately 500 times. I honestly think I wore the record grooves out. There was something about the music that just captivated ten-year-old me.

 The next music I got hooked on was Simon and Garfunkel. I can remember hiding out in my bedroom at the age of thirteen, listening to the sad songs over and over and over again while scribbling out heart-breaking Starsky and Hutch fanfiction in my spiral binders. (There was always a character who was very much like me who was either Starsky's or Hutch's younger sister.) The next craze, when I was in my teens, was Grease, which I listened to SO often I can now not stand to hear a note of it.
That's been my progression as an adult - no matter how much I love a pop or country or Broadway tune, I'll get heartily sick of it if I hear it too many times. The only thing I can listen to over and over? Classical music and opera. Someday I'm going to take a long lazy vacation on a boat somewhere and listen to four different recordings of Turandot one after the other, just because I have the time. Bliss. 
 




SUSAN ELIA MACNEAL: Reds and lovely readers, what's the first album you remember playing obsessively? Do you still listen to it — or was it part of your youth? Please tell us in the comments!