JAN BROGAN - It's my pleasure to welcome here today a friend, as well as a regular Jungle Red commenter, Edith Maxwell. Her first murder mystery, Speaking of Murder, which features Quaker linguistics professor Lauren Rousseau as sleuth, was first runner up in the Linda Howard Award for Excellence contest, and it is hitting the book shelves this week. It is published under her pen name Tace Baker by Barking Rain Press.Why the pen name? Because when it rains success, it pours. Edith also has another book, first in her Local Foods Mystery series, A Tine to Live, a Tine to Die, featuring organic farmer Cam Flaherty, coming out in June, published under her real name by Kensington Publishing.
Her short stories have appeared in Thin Ice and Riptide by Level Best Books, the Burning Bridges anthology, the Larcom Review, and the North Shore Weekly, with one forthcoming in the Fish Nets anthology. She is active in the Sisters in Crime Guppies group and on the board of SINC New England.
Best of all, Edith is willing to give away a free copy of Speaking of Murder to one lucky mystery fan who will be chosen at random from the comments page. So please give Edith a big round of welcoming applause.
EDITH MAXWELL/TACE BAKER: It’s such a thrill to be here in this illustrious company, and on the other side of the Comments page that I haunt every morning. Thanks for having me to visit, Jungle Reds, my esteemed mentors and pals.
Crime novels always have
something bad that happens, often to someone good. Sometimes something good
comes out of it, sometimes not. Four years ago something bad happened to me.
One early morning I drove from my home in Ipswich, Massachusets to my job as a
technical writer for a software company, as I had for the past fourteen years.
By 8 AM word had already spread through the cubicles that it was a Layoff Day.
Ouch. Nobody got any work done, as my colleagues and I clustered in the halls,
waiting to hear who would be axed this time. When I heard the phone on my desk
ring, I knew I was the next victim of a Reduction in Force (in the software
industry, people speak of being RIF’d).
So when I started writing the
book, I dreamed up a linguistics professor. Made her a Quaker, a world
traveler, and a runner (did I mention I ran the Boston Marathon in 1998?). Gave
her a boyfriend who is the local police department’s video forensics expert. Placed
her in a fictional town very much like Ipswich, and made up a larger town
nearby where I located the college where she teaches, a Friends Meeting, and a
hospital. Even incorporated a fictional owner of the very real decrepit boat
shop that actually burned down in Ipswich while I was writing the book. And
then I followed the professor and the other characters around and wrote down
what happened to them. Which turned out to be a lot.
I’m not my protagonist Lauren
Rousseau, by any means. She’s younger and taller, slimmer and fitter, and is a
tenured college professor, a job I never managed to snag. And she still has
knees that can run, unlike me. But the research part of the book? I’d already
lived much of it.
Which fictional character’s
experiences would you like to have in real life? Writers, which parts of your
real life did you use in your fiction? And what bad thing were you able to turn
into something good?
JAN BROGAN _ Don't forget a free copy of Speaking of Murder will be sent to one lucky commenter. Look for Edith M. Maxwell on Facebook and @edithmaxwell on Twitter. She blogs weekly at www.edithmaxwell.com. Tace Baker can be found at www.tacebaker.com, @tacebaker, and www.facebook.com/TaceBake
JAN BROGAN _ Don't forget a free copy of Speaking of Murder will be sent to one lucky commenter. Look for Edith M. Maxwell on Facebook and @edithmaxwell on Twitter. She blogs weekly at www.edithmaxwell.com. Tace Baker can be found at www.tacebaker.com, @tacebaker, and www.facebook.com/TaceBake










