Showing posts with label paris is always a good idea. Show all posts
Showing posts with label paris is always a good idea. Show all posts

Thursday, June 13, 2024

Missing Inspiration by Jenn McKinlay

 JENN McKINLAY: I am in the thick of writing proposals. This is the best part and the worst part of the writing process to me. Taking that kernel of an idea and crafting it into something that readers will love, always feels like landing at the base camp on Mount Everest. 



I love it when an idea comes out of the ether and fills my brain, taking over my every thought until I get the story down on the page. Unfortunately, this very rarely happens and it's much more likely to be an idea that goes nowhere, a notion that goes sideways, or a concept that tanks before it can become a fully realized PROPOSAL. 

One of the biggest challenges right now is that the industry is very saturated in romcoms and mysteries and what I hear repeatedly from the publishers and booksellers is that they want "the same but different". When I ask what they mean specifically, I am told that they don't know but they'll know it when they see it. As you can tell I have spent many an hour banging my forehead on my desk.


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When things seem impossible, I do look behind me and remember that PARIS IS ALWAYS A GOOD IDEA came fully formed while I sat in my car waiting for a Hooligan while the SPRINKLE WITH MURDER arrived almost by happenstance when everywhere I looked there were cupcakes and everyone I spoke seemed to be talking about cupcakes and I just happened to be looking for a fresh angle on cozy mysteries. 

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Since I am fresh out of inspiration, a very disconcerting place for me since finishing the cozy fantasy, I must ask both the Reds and the Readers, what do you do when your creative well is dry? Do you have a technique for kick-starting your brain or your creativity? In other words...HELP!


Tuesday, July 21, 2020

Paris is Always a Good Idea -- Release Day!

On Sale Today!






































RHYS: Who doesn't agree that Paris is always a good idea? Now more than ever! But today we Reds are jumping up and down with excitement because this much anticipated day has finally come.  Our dear Jenn's beautiful, wonderful, sexy, funny break-out book is finally born.

What's more it's the perfect book to help us escape from the crazy world we're living in. Tell all your friends. Jenn couldn't have the sort of tour and publicity she would have expected for a new venture like this so let's all shout from the rooftops.

Here is enough to whet your appetite:

One of Popsugar’s Best New Books for Summer 2020

A thirty-year-old woman retraces her gap year through Ireland, France, and Italy to find love—and herself—in this hilarious and heartfelt novel.


It's been seven years since Chelsea Martin embarked on her yearlong postcollege European adventure. Since then, she's lost her mother to cancer and watched her sister marry twice, while Chelsea's thrown herself into work, becoming one of the most talented fundraisers for the American Cancer Coalition, and with the exception of one annoyingly competent coworker, Jason Knightley, her status as most successful moneymaker is unquestioned.

When her introverted mathematician father announces he's getting remarried, Chelsea is forced to acknowledge that her life stopped after her mother died and that the last time she can remember being happy, in love, or enjoying her life was on her year abroad. Inspired to retrace her steps—to find Colin in Ireland, Jean Claude in France, and Marcelino in Italy—Chelsea hopes that one of these three men who stole her heart so many years ago can help her find it again. 

From the start of her journey nothing goes as planned, but as Chelsea reconnects with her old self, she also finds love in the very last place she expected.


JENN McKINLAY: What a thrill to have Paris is Always a Good Idea released into the wild! Even after so many books (Paris is my 45th book!!!) the thrill of opening a box of author's copies never ever gets old! 

This book, oh, this book. My first foray into women's fiction and it was an endeavor. It was hard. It required some blood letting, sage burning, and howling at the moon. Okay, not really, but it sure felt like it. Given that my personality is one of conflict avoidance -- as in, Oh, things are awful, okay, let's just cracks jokes and move forward and pretend we're not having any feelings -- writing about a person grappling with grief and loss and big turning points in her life, while she was traveling in three different countries, mind you -- was really freaking difficult. Oh, and it's me, so it had to be funny or why bother. In fact, I'm quite positive this book gave me shingles! Oy!

There was so much about this book that came from my own life. Chelsea, the heroine, finds herself at a turning point where big decisions have to be made. Her journey to find her happiness brought me back to the time in my life where I was standing at a crossroads, trying to decide which way I should go. Should I quit my job and move across the country to follow my dream of being a writer or should I continue on in the unfulfilling but safe job I had landed post college? I suppose it’s obvious which path I chose. Like me, Chelsea quits her job, but her journey, to try and find her former happiness, becomes much more complicated than she anticipated.

Chelsea has been challenged by her sister, Annabelle, to rediscover her old self in the last place she can remember being happy. She believes that if she goes back and reconnects with her past loves, maybe, she can find her happiness and herself again. But is it possible to go back? Can we ever be the person we once were before such a life changing event like the loss of a loved one? There is only one way for Chelsea to find out. She has to go.

It is my fondest wish that Chelsea’s journey will resonate with you, Readers. I think we have all lived through times of loss and grief, endured uncertainty while standing at life’s crossroads, and have looked to our past to inform our future, while navigating this crazy journey called life. Being able to examine these truths through Chelsea, while writing about some of the places I love best in the world was a pure joy for me in the end (despite the shingles) and I hope it will be for you as well.

So, tell me, if you had to go to Europe (hardship, I know) to make a big life decision, which country would you visit and why? 



Also, if you're in the mood for a bargain (and who isn't?) my romantic comedy EVERY DOG HAS HIS DAY is on sale for $2.99, with several other terrific titles, wherever ebooks are sold!

Sunday, July 5, 2020

What We're Writing - Jenn on Promo!

Jenn McKinlay: I am presently at the start of that two-weeks prior to release day mad dash of have-I-slapped-news-of-my-upcoming-release-on-every- possible-social-media-forum-known-to-God-and-man? Is there any new way I can say "Buy my Book!" without saying buy my book? Um...how about a giveaway? A live chat? A bulletin board in downtown Phoenix? A Zoom visit with every bookstore that will have me? Does everyone know I have a book coming out? It's a romcom set in Ireland, France, and Italy - coming July 21st - just sayin'! Plus, look at the cool animation my publisher did of the cover. 




At this point, I feel like the neighborhood gardener with the bumper crop of zucchini. A perfectly nice person, to be sure, but suddenly they have zucchini coming out their ears and you can't walk by their house without them thrusting a bag of the dreaded stuff on you.  Right now, I am that person with the paper sack full of zucchini. People see me coming and they run. I get it. I don't take it personally. Really. (sob)

But still, promo is a part of the job. I think I've hit every avenue available to a writer for promotion (there's even a book club kit for the novel: click HERE), but if you have any suggestions or ideas, give me a holler! 


A starred review from Publisher's Weekly! Thrilling!

Paris is Always a Good Idea is my debut trade paperback women's fiction novel. Debut! It's like starting all over and being a newbie author again -- exhilarating and insanely stressful! Because 2020 hasn't been exhausting enough. I swear every day feels like a week, every week a month, every month a...well, you get the idea. Focus, Jenn! Talk about the book!

There is so much I want to say about this book. How I wrote it in the wake of great personal loss, how the stress of writing it almost killed me with a scorching case of shingles (not hyperbole, okay, maybe a little), and how it really started to shine with such delightful promise in the beginning of the year. Then, as you all know, the world ground to a halt and the fiction industry hit pause. So now we're in a very peculiar wait and see period, which for an author releasing their baby into the world is, frankly, excruciating. 

And so, I write my silly social media blurbs, trying to lure skittish readers like wild birds to the feeder: 

Have you ever looked up your exes? (Subtext, don't look up your exes, just read about my heroine looking up hers. Much more satisfying without the potential for embarrassment or upset).

Which country would you like to travel to Ireland, France, or Italy? (Less subtle subtext: No one can travel anywhere right now, so buy my book and you can fictionally tour all of Europe. Much cheaper).

Can a person ever really let go of the pain of their past? (Not even subtext, more like a slap upside the head of -- who cares? Buy my book! It's fun and it'll make you cry - a twofer!). 

All right, Reds, how about it? What's in your secret promo sauce? Where do you focus your energy? 

And, Readers, what gets you to buy a book from a debut author? Word of mouth? Reviews? A pretty cover? Can a writer grind you down by promoting so much you develop FOMO (fear of missing out) and you buy the book or does too much promo repel you? 

Asking for a friend. Okay, it's me, I'm asking for me. 

Sunday, May 10, 2020

What We're Writing (or not) Week - Jenn McKinlay

First, Happy Mother's Day to all who mother two legged, four legged, finned or feathered! 

And, because this is also a day that can be difficult for many, here are hugs to those who wanted to be moms but life had other plans, those with complicated relationships with the ones who mom them, to those who've lost their moms, and to those whose active mom time was shorter than expected. Please know that you are beautiful, special, uniquely you, and you are loved.



Second, we have some winners!!!  From our coppersmithing author friend, Sara Dahmen, the winners are...


Celia Fowler for the book!
Susan Emerson for the copper straws!

You can email Sara at: housecopper at gmail dot com with your addresses and she'll send your prizes! Congratulations!

Jenn McKinlay: And now, what am I writing? Welp, I can start by saying it hasn't felt like writing. It's been more like driving alone in a white out blizzard in a Geo Metro from New London, CT to Worcester, MA -- a white knuckling, while really needing to pee, drafting in behind a trailer truck for the entire stretch of I-395 experience, ending when I landed at my brother's house, where I did a face plant in the snow but shot my hand up out of the snowbank to retrieve the tumbler of whiskey he held out to me. Good times!

Basically, I'm writing Wait For It, my second stand alone women's fiction rom-com, by the seat of my pants, which is exactly what driving through that blizzard felt like. I couldn't see where I was going and every mile felt like five hundred miles. I had no idea where I was or when I would get to my destination, if I arrived at all. Full disclosure, this is the first book I have written by the seat of my pants (NO OUTLINE!) since I started writing mysteries. I have no idea why. The world was on fire all around me and I just couldn't get it together to write an outline but the book was due either way, so I strapped in and away I went. Only time will tell if this was the stupidest/smartest thing I've done in writing to date. 

All I do know is that the book is due on May 15th, and IT WILL BE DONE. Because it's in no shape to be shared right now, I'm going to share a snippet of Paris Is Always A Good Idea, which I did have an outline for, thank God!

Excerpt: Chelsea Martin vs. Jason Knightley

“You’ve got some hidden talents, Martin,” he said. 
I knew he was trying to get a rise out of me and I should resist. Instead, I smacked his feet off the corner of my desk. 
“You’re mistaking my work space for the frat house you wallow in, Knightley,” I said. “Feet stay on the floor.” 
“You’re no fun,” he complained. 
It was exactly the sort of thing he could have said to me on any other day and I wouldn’t have thought anything of it. Not today. Today I felt as if he was speaking my truth, and it hurt. 
“Was there something you needed?” I snapped. “Because I really am busy.” 
He studied my face. Clearly, he’d been expecting a bit more of our usual back-and-forth. 
“Busy doing what exactly?” he asked. 
“Packing,” I said. I gestured to the box and my stuff going inside the box. I really thought I should get points for not adding duh to my answer
He heaved an exasperated sigh. “No kidding, but why are you packing?” 
“Because I’m leaving,” I said. “Not that it’s any of your business.” 
“Wait . . . what?” He rose to his feet, and I found myself staring up at him. “You’re serious? You’re leaving? For real?” 
“Yes,” I said. “In two weeks I’m gone.” 
Jason stared at me, slack jawed. He looked stunned, as if I’d just told him I was pregnant and the baby was his. 
“But . . . that’s . . . How . . . Why . . .” 
I took no small satisfaction in making the usually smooth-talking Jason stutter. I watched as he shook his head as if trying to realign his brain. When he finished, he crossed his arms over his chest and glared at me. 
“Martin, you can’t leave. You can’t leave me.” 
I stared at him. He seemed genuinely upset. Had I misjudged our heated rivalry as corporate fundraisers for the American Cancer Coalition all these years? I’d thought he couldn’t stand me. Had I been wrong? Maybe beneath his flagrant disregard for my organizational skills and his sarcastic asides at meetings when I was speaking, he actually liked me. Was our relationship the professional equivalent of the boy on the playground who showed a girl he liked her by pulling her pigtails or punching her in the arm? 
“I mean, who is going to make me look good at the weekly staff meetings if you’re not there to bore us all to death with your Power- Points, charts, graphs, and other assorted mind-numbing minutiae?” he asked. He uncrossed his arms and spread his hands wide. “I count on you, Martin, to make me shine.” 
So that was a negative on him actually liking me. I should have known. Jason Knightley was an arrogant asshat. If I could pick one thing I was not going to miss about working here, it would be him. 
“I’ll be sure to tell my replacement to load up on the statistical data,” I said. “I wouldn’t want your lazy little star to go dim.”  
“Lazy?” His eyebrows rose. “Are you calling me lazy?” 
He put his hands on his hips and looked incredulous. Clearly, I’d struck a nerve. Goody. 
“Truth hurts?” I asked.
“Truth?” he asked. “What truth? I work just as hard as you do.”
I snorted and held up a hand as if he were telling a joke that was too funny. “Please.”
“I do,” he insisted. “Just because I don’t bog it all down with number projections in Excel spreadsheets—”
“Bog it all down?” I gaped at him. “Those projections are what convince the corporations to pony up the major gifts, Knightley. They want to see how their money will be used, how it will impact their business and spread their mission.” 
“It’s all smoke and mirrors,” he said. He shook his head. “You make it more task driven than it needs to be. You like busywork because it makes you feel like you’re accomplishing something. News flash—you’re not. It’s the big picture that matters.” 
That did it! I really was going to brain him with one of my awards. 
“Busywork?” I hissed through clenched teeth. My right eyelid started to twitch. I could feel it throb in time to my heartbeat. I wanted to hold it still with my index finger, but I didn’t want to betray that he was getting to me. 
“Yup,” he said. He pantomimed typing on a keyboard with his hands. “Busy, busy, busy. No one wants to read those long-winded reports of yours. They want big ideas; they want something to get excited about; they want to have a campaign that goes viral and makes their company a global presence.” 
If he kept talking, I suspected my resting bitch face was going to become permanent, like a stone mask that nothing could crack. This. This was precisely why I couldn’t stand Jason Knightley. 
“Please don’t take this the wrong way,” I said. “But you’re an idiot. No corporation is going to sign off on a major gift for a ‘big idea.’” 
“No?” Jason asked. He gave me a superior look. “Then why did the sneaker company Soles jump in and match the millions in donations for my hot wing challenge for the Children’s Leukemia Society?” 
I closed my eyes. I drew in a long breath, held it, and then carefully let it out. So typical of him to bring up his one significant claim to fundraising fame. I stared at him across my barren desk. 
He grinned at me without humor. “It drives you crazy, doesn’t it?” 
I rolled my eyes. “It was lightning in a bottle.” 
“Bullshit. It was a well-thought-out campaign that people loved to participate in,” he said. 
“Well thought out?” I leaned back on my heels and crossed my arms over my chest, trying to look down on him, which was not easy, because he was several inches taller than I was. “Who are you kidding? You cooked it up while killing time at some bar for happy hour where the wings and beer were half price.” 
He didn’t even look embarrassed. He shrugged and winked at me and said, “Inspiration strikes where it strikes, plus it made millions. How much have you ever managed to wrestle as a major gift? One million? Five million?” 
“I’m sorry, are we comparing dick size here?” I asked. “Because I can assure you while my anatomy is different, if it’s a pissing contest you want, I’ll win.” 
“Admit it, Martin.” He leaned down so our faces were just inches apart. “You don’t have my reach.” 
“Ugh.” I curled my lip. That was it. I was leaving my job. Why was I even speaking to this Neanderthal? I turned on my heel and crossed to the open door of my office. I raised my hands and gestured for him to leave. “I think we’re done here.” 
“Is that how you deal with losing a debate?” he asked. He turned to face me. “You just throw the person out?” 
“First, this wasn’t a debate. It was a waste of fifteen minutes of my life that I’ll never get back,” I said. 
I reached forward and grabbed his arm, pulling him toward the door. Normally, I would never touch another employee, as I was hyper- aware of the rules put forth by our human resources person, Michelle Fernando, who was downright scary, about encroaching on my colleagues’ personal space, but at the moment, I had no Fs left to give. If Jason Knightley didn’t leave my office right now, I was going to put my foot in his backside and kick him out the door. 
 “Second, I’m not throwing you out but merely assisting your overly swollen head through the doorway so that it doesn’t get stuck,” I said. 
“Aw, sweet.” Jason chuckled as I propelled him forward. In an innuendo-laden voice, he wagged his eyebrows and asked, “So, you like my big frontal lobe?” 
“Get. Out.” I gave him a firm but what I hoped would be construed as friendly—it wasn’t—shove through the opening. I stepped back and grabbed the door, slamming it in his face. Then I huffed out an exasperated breath, trying to find my Zen. 
“I take it that’s a no on the sexy frontal lobe?” he called through the door. 
In spite of myself, my lips twitched. 

 And now for some awesome news... a Starred Review from

Publisher's Weekly for Paris is Always a Good Idea! YAY!!! 
Also, I'm getting a tattoo of the word "flawless" on something 
somewhere someday. LOL!
Dropping July 21st!!! 
Okay, then, Reds and Readers, who is a plotter and who is a seat of the pantser? It doesn't have to be just in writing. How do you live your life - planned or spontaneous? Has it ever switched on you? (Oh, horror!)






Sunday, March 15, 2020

What We're Writing - Jenn McKinlay

Jenn McKinlay: Per usual, I have a few too many irons in the fire but if I didn't what would I do with myself? I have learned to embrace the chaos. Okay, it's more like I have it in a choke hold so it doesn't avalanche on me, but that works, too. 

So here's what's cooking: I have the copyedits for ONE FOR THE BOOKS coming any day. But let me just show you the cover because OMG, I love it so much! 


September 2020

Also, I'm writing promo pieces for PUMPKIN SPICE PERIL which arrives in April. The paperback is on super sale right now - just sayin'.


April 28, 2020

In addition to the above, I'm prepping the excerpts, Q & A's, and blog tours for PARIS IS ALWAYS A GOOD IDEA. So exciting!!!

July 2020

Aaaaaand I'm writing the first draft of WAIT FOR IT my second single title women's fiction book, slated to come out in July 2021. All of this is happening during and between arriving home from the SW FL Book Festival and dashing back out to Left Coast Crime in San Diego, which is where I am now. 

To answer your question, yes, I drink a LOT of coffee! Since I'm working on WAIT FOR IT, here's an early peek at a scene from chapter one. Our heroine, Annabelle Martin, is celebrating her un-anniversary with her first (yes, I said first) ex-husband Jeremy after turning down a job offer from a friend. When she realizes Jeremy has a completely different agenda unfolding, she has to make a pre-emptive strike:


THE hostess led us through the rows of tables, to one tucked beside a tall window. To my surprise, it was strewn with pink rose petals and a bottle of champagne was in a bucket with two glasses already poured and waiting for us. I gave Jeremy side eye. 
     “You went all out this year,” I said. 
     He shrugged. “It seems like a special un-anniversary, doesn’t it?”
     His pale green eyes met mine and I felt a prickle of alarm. Had I missed something? Had I forgotten something? What did he mean by “special”? My heart started to pound in my chest like warning shots being fired. I could feel my flight or fight, okay, mostly flight response kick in. 
     Jeremy and I had celebrated our un-anniversary at the Top of the Hub, since he moved to Boston three years ago. It was always low-key and fun right up until last year, when, in a bout of deep loneliness, I invited him to spend the night. He’d been “spending the night”, if you get my drift, a couple of times a month ever since. 
     I knew my friend Sophie was right that the relationship wasn’t doing either one of us any good but like glazed donuts or cigarettes or three-day long video game playing binges, I didn’t want to give it up because then I’d have to go out there and find a real relationship, which felt like entirely too much work.
     He pulled out my chair out and I slid into my seat. I felt out of step, like I was clapping on the down beat, and couldn’t quite get the rhythm of the room. I noticed that people at surrounding tables were covertly watching us. This was bad. 
     The hostess put our menus on the corner of the table and stepped back. She was younger than me by a couple of years. She had that fresh faced enthusiasm that could only be found on a person who hadn’t been paying their own rent for very long. 
     She glanced between us and then with a soft squeak, she stepped back, turned on her heel and hurried away. The unease inside of me began speaking in tongues. 
     Jeremy picked up the two champagne glasses and handed me one. I debated downing it, sensing that liquid courage was going to be required. He lifted his in a toast. I wished he’d sit down. It felt as if he was looming over me. 
     “Annabelle, you’re my best friend,” he said. Oh, dear, this sounded like the opening of a speech. That couldn’t be good. Usually we just said, “Look at us,”, clinked glasses and down the hatch the beverage went. We didn’t do speeches. 
      “And you’re mine,” I said. I lifted my glass, indicating the toast was over. But he didn’t get the message. In fact, he looked as if he was just warming up.
     “I know,” he said. “Despite the fact that we got married too young and you had that episode with what’s his name, we’re still each other’s plus one.”
     “By episode, you mean my marriage to Greg?” I asked. I blinked innocently.
     He made a face as if a fly had just flown into his mouth. He waved his hand dismissively and continued on.
     “Yeah, even then I always felt like we were meant to be together, you know.” 
     I didn’t know. I had thought we were done except for the friendship and fringe benefits. The cold feeling in the pit of my stomach began to harden into a block of ice. If he was headed where I feared, we were not going to come out of this as friends, never mind with benefits.
     “I always believed we’d grow old together and end up on a porch somewhere in matching rocking chairs,” he said. His smile was sweet when he tilted his head and stared into my eyes. He was going to propose. I could see it coming as if it had the bright blaze of a meteor breaking through the atmosphere.
     I had to stop him. I didn’t want to marry him again and I didn’t really believe he wanted to marry me. It would ruin everything if he asked because I’d have to say no and he’d be so terribly hurt. He did bruise easily like an overly ripe peach. I jumped to my feet, clinked my glass with his and said, “Are you about to congratulate me?”
     He paused. He looked confused. I forged ahead, taking advantage of his surprise.
     “Sophie told you, didn’t she?” I asked.
     “Sophie?” He shook his head. “Told me what?”
     “She offered me a job as creative director for her company, and I accepted,” I said. “Isn’t it amazing? I’m moving to Phoenix. Promise you’ll come and visit.”
     His mouth hung open for a moment, he cleared his throat and said, “Actually, I didn’t know. This was—”
     “So incredibly thoughtful of you,” I said. My voice was high pitched, a little manic, and my smile brittle. I felt as if I were throwing a drowning man a life preserver and he was refusing to take it. “Here’s to new beginnings!” I cried, hoping he’d get with the program and let go of his misguided plan to propose. “Bottoms up.”
     His eyes went wide as I put my glass to my lips and upended the champagne into my mouth. The stress of the moment had me chugging the fizzy beverage, hoping to ease the tension, instead something hard hit the back of my throat and got lodged in my windpipe. Just like that, I couldn’t breathe. I dropped my glass and clutched the front of my neck, trying to get some air. I made horrible gasping noises and staggered. Everything went gray and I started to see spots. 
     “Annabelle!” Jeremy cried. “Oh, my god, you’re choking on the ring!”
     Ring?I would have asked for more details but instead, I blacked out.

Want to read some more? Well, you're going to have to WAIT FOR IT! Yeah, that joke is never going to get old. LOL!

So, tell me, Reds and Readers, have you ever gotten an unwanted proposal? How'd you get out of it?




Sunday, January 19, 2020

Jungle Reds' Discussion Questions for Book Groups

HALLIE EPHRON: Whenever I finish a reading a book, I find myself desperate to talk about it with someone else who’s read it. For those of us in a book group or book club, we’re fortunate to have a go-to source of like-minded readers to talk about the books we loved… or hated… or simply stirred us up and got us thinking.

From an author’s point of view, we’re thrilled when a book group decides to read one of our books. We’re often asked for discussion questions, so today we’re offering a list of questions for each of our latest books. And inviting you, please, at the end, to share your own experiences in a book group and what kind of questions you’ve found generate the most interesting discussions when your book picks a mystery novel. 

LUCY BURDETTE: In my ninth Key West food critic mystery, A DEADLY FEAST, food critic Hayley Snow is set to be married to her heartthrob detective Nathan Bransford. But she has a lot of worries because Nathan’s been married before and both sets of parents were married and then divorced. So she canvasses her friends and family about their experiences with marriage. I’m hoping this book might make for a good book club discussion!

1. What’s your theory about what makes for a good marriage?
2. Does it seem to you that Nathan and Hayley are a good match? Why or why not?
3. When you’re reading about a fictional wedding, how much do you like to hear about wedding plans and details?
4. What are your favorite examples of fictional weddings, either books or movies? Explain why you chose them.
And for some non-wedding questions:
5. Have you ever gone on a food tour? If so where? If not yet, what place would you love to eat your way around?
6. Martha Hubbard talks about chefs feeling possessive about the recipes they make and serve—they don’t want diners making substitutions. How do you feel about that?
7. How do you feel about Hayley’s relationship with her mother? And compare this to her relationship with Miss Gloria and Allison, her stepmother.
8. Hayley’s boss Palamina says she never understood why Hayley was living with a senior citizen, until she met Miss Gloria. How do you feel about this character? Does she accurately reflect seniors?

If you'd like to invite Lucy to speak to you group, contact her at RAISLEIB "at" GMAIL DOT COM.

HANK PHILLIPPI RYAN: Has everyone read THE MURDER LIST? 
If not, get some wine and go into the other room and finish the book! Everyone else...

1. How did you feel about the ending?
2. When you started the book, how did you feel about Rachel and Jack’s marriage? The dynamics of their relationship? What was the balance of power in that relationship?
3. How do you feel about lawyers and what they do? If you’re a lawyer, what parts of the book capture a legal reality for you? If you’re not a lawyer, which lawyer in the obok did you like the most? DId that change as the book progressed?
4. How do you think women’s issues--sisterhood, support, mentoring--change professional relationships? How did Martha use hat? How did Rachel use that? How did Clea use that?
5. We are never in the point of view of the reporter Clea, but we hear her described-very differently by the three characters who deal with her. How do Jack, Martha and Rachel think of the journalist--and what do you think about how different those descriptions of her are?
6. Have you ever been so madly in love with someone that you would do anything to “get” them? Which characters in the book are obsessed with someone?
7. We think about unreliable narrators--but aren’t we all unreliable? Because we’re describing the world the way WE see it? Or the way we want it? And lawyers, especially, have to be able to argue both sides of any story. How does that prism change how you understood the book?
8. Have you ever been on a jury? What did you think about what happened in the deliberation room? If you’re called to jury duty in the future--will this realistic portrayal change how you think about the jury system?
9. If you were a lawyer, would you want to be a prosecutor? Or a defense attorney? Why?
10. The title THE MURDER LIST has at least three meanings--maybe more. What did you think it meant when the book began--and what did you think at the end? 

To request Hank for an event or speaking engagement, please contact hankevents@reganevents.com. 

RHYS BOWEN: These discussion questions for my new book, Above the Bay Of Angels, that will be published on February 11. Maybe you can think about the questions when you read it. 

Above the Bay of Angels is a story of a young girl, cheated out of the life she expected but able to shine when she becomes a cook for Queen Victoria and experiences the delights of French cuisine when the queen goes to Nice. 

1. Do you think Bella made a wise choice when she acted on the letter she found?
2. One of the themes of this book is the British class system. Do you think it right that Bella remains a snob?
3. Food plays a big part in this book. What does Bella learn about food as the story progresses.
4. The journey to Nice opens up a whole new world to Bella. Why do you think she is able to appreciate it more than her fellow cooks?
5. Discuss Bella’s relationship with her sister
6. The story in Nice has its basis in real history. Did the plots and intrigue enhance the story for you?
7. In what ways is this a mystery rather than a simple historical novel?
8. Which character did you dislike most? (There were several really objectionable ones, weren’t there?)
9. What was your impression of Queen Victoria from this story? Did it agree with what you already knew about her?
10. Did you agree with the ending? Were you surprised? Did she make the right choice?

If you would like your bookclub to Skype with Rhys do contact her at authorrhysbowen@gmail.com and visit her website for updates.


DEBORAH CROMBIE: A Bitter Feast


1.Do you think the portrayal of Viv’s experience in the kitchen at O’Reilly’s was realistic? What special challenges do women chefs face in the kitchen?
2.Why do you think Viv cut off all contact with Fergus? How might things have turned out differently if she had not?
3.How do the events of the book change Viv’s relationship with her own kitchen staff?
4.Why did Melody withhold the truth about her family and their circumstances from Andy?
5.Do you feel that Melody’s relationship with Andy can be repaired? How might it be different?
6.What qualities does Kit have that are consequential to the resolution of the story and Grace’s safe return?
7.Do you feel that Melody’s relationship with her parents, and in particular, her mother, has changed by the novel’s end?
8.How does Duncan’s injury affect his handling of the case?
9.Why does Duncan feel driven to learn what happened to Nell Greene?
10. Are there any commonalities in the revelations experienced by the major characters? If so, what are they?

To arrange an author appearance, Deborah's publicist at Harper Collins: danielle.bartlett@harpercollins.com

JENN MCKINLAY:  PARIS IS ALWAYS A GOOD IDEA (July 2020)

Interestingly enough, I have to write reader’s questions for my July book PARIS IS ALWAYS A GOOD IDEA this week. It’s a new genre for me, single title romantic comedy, but I’m having a lot of fun with discussion possibilities. Here’s my starting place, we’ll see which of these make it into the back of the book!

1. What event causes Chelsea to reconsider the path her life is presently on?
2. Do you think revisiting her past will help Chelsea to move forward with her future?
3. What is Chelsea looking for? What does she hope to find in revisiting her post college gap year?
4. Which of the three loves of her postcollege gap your is your favorite? Why?
5. When does Chelsea start to see her work rival, Jason Knightley, in a different light?
6. What happened that kept Chelsea from moving forward with her life? Why?
7. How does grief play a role in both Chelsea and Jason’s lives?
8. How does Chelsea’s relationship with her family change during the course of the book?
9. What does Chelsea learn about revisiting her past? Why couldn’t she be the girl she once was again?
10. What does Chelsea learn about herself during her trip? How is she different at the end of the novel from who she was at the beginning?


To contact Jenn, reach out to publicist Brittanie Black, PRH Publicity: bblack@penguinrandomhouse.com 


HALLIE EPHRON: Careful What You WIsh For


1.There are three couples in the book (Emily and Frank, Ruth and “Murph,” and Quinn and Wally.) How is “stuff” a dynamic in each of their marriages?
2.How did Emily and Frank’s fertility problems affect their relationship? How has it affected Emily’s relationship with Becca?
3. What is Emily’s relationship with her mother? How are they alike; how are they different?
4. At the end of the novel, why do you think Emily goes with Frank to the storage unit?
5. Do you think Frank got what he deserved in the end?
6. What do you collect, and what does it say about you?
7. Have you known a hoarder? What skills do you think a professional organizer needs to help someone like that? 
8. Do you think Emily and Becca made any decisions that a more experienced professional might not have made?
9. What do you think the title CAREFUL WHAT YOU WISH FOR refers to?
10. The author has said that one of the inspirations for this book was the Patricia Highsmith novel, Strangers on a Train. Can you see the similarities and differences?

If you would like your bookclub to Skype with Hallie, please contact her at Hallie "at" HallieEphron.com; check her website for her events.

Now we'd love to hear about your experiences in a book discussion group. We'd love to hear all about it... 

What are the books that were particularly interesting or difficult to discuss? And what kind of questions you’ve found generate the most interesting discussions when your book picks a mystery novel. 

Saturday, November 23, 2019

What We're Writing Week: Why Preorder?

JULIA SPENCER-FLEMING: Like several other Reds have copped to this week, I haven't yet started writing UNTITLED CLARE FERGUSSON/RUSS VAN ALSTYNE MYSTERY #10 (as it's so elegantly called in my contract.) I'm also at the research-and-noodling stage, with half a notebook filled with ideas, questions and themes. Today, I'm in Greenwich NY - just a hop, skip and jump away from Millers Kill - to visit friends and see the annual Lighted Tractor Parade, which I'm pretty sure will feature in the next book.

Instead of talking about writing, then, I'm going to talk about buying. Specifically, pre-ordering books. Lucy mentioned her next Key West Food Critic mystery, THE KEY LIME CRIME, is up for pre-order, even though the book won't be published unto July. So why should you order it now? Why pre-buy Jenn's PARIS IS ALWAYS A GOOD IDEA, also out in July? Or HID FROM OUR EYES, coming in April, which has been available for pre-order for two months now?

For readers, there are several reasons why pre-ordering is a good idea. You don't have to remember that a book you want to read is coming out - you order it when you learn about it, and then have the happy experience of seeing it in the mail or getting a call from your local book store - is there any happier news than, "Your book's here!"

You can also skip waiting in line, ensure you'll actually be able to get your hands on a copy, and avoid getting spoiled as to the events in the book - because you'll have read it before anyone else!

B&N has a funny list of why pre-order, including this gem: "You can take the time before the book’s arrival to build yourself a cozy reading nook with food and water supplies and possibly plumbing. That way, when the book finally arrives, you can sit down and read without interruption."

But the number one reason to pre-order is that it materially supports the authors you love. No, we don't get our royalty payments any faster. (Oh, that it were!) Instead, pre-orders are one of the major ways our publishers gauge reader interest and commitment to our books. A book with strong pre-orders garners buzz in the industry - the numbers are passed around to book stores and publishing news outlets. Like any other product, just hearing an item is popular makes people more likely to check it out. (Doubt that? Look at the lines out the door at Apple stores the day a new iWhatever comes out.)

Good pre-order numbers tell bookstores they might want to order a few more copies, just in case. The publisher is going to consider upping the initial print run to keep up with demand. If a book is in the running to get on the New York Times bestseller list, every pre-order counts as part of the first week's sales. Since making the list depends on the number of books sold in a single week, you can see how important pre-orders are. (I'm pretty sure it was pre-orders that lifted me over the bar the first time I made the NYT list.)

Pre-orders help authors that aren't competing for a bestseller slot, too. Ever wish you could call a publishing company and say, "Hey! I love this person's books! Keep them coming!" Well, a pre-order does exactly that. And when its time for your favorite author to negotiate a new contract, you can bet everyone involved will be looking at those pre-order numbers to see how devoted her or his readers are. 

So I hope you'll consider pre-ordering THE KEY LIME CRIME



and PARIS IS ALWAYS A GOOD IDEA (it's 24% off at B&N!)



and HID FROM OUR EYES.


But please, don't stop with the Reds. Whenever you have an author you're passionate about, think about pre-ordering. It really, truly helps, and believe me when I say, we're grateful.