JENN McKINLAY: I recently read a book that was a debut novel last year. It sold thousands of copies and hit the bestseller lists, primarily because of the buzz it received on BookTok. I was excited to find a new author and bought it...only to discover that it was the WORST book I have ever read. To clarify it wasn't bad because of the writing but rather the characters or more accurately because of the lack of character in the characters.
This is a subjective opinion (clearly) and no I won't say the title or the author because that's not what this post is about. What hit me square in the face was the reality that "sympathetic" or "likable" characters as we once used to know them are gone, baby, gone. Now the unsympathetic character is not the same as the unreliable narrator. The reader knows going into it with an unreliable narrator that they're, well, unreliable.
The unsympathetic or unlikable character is just that. A person who does things or makes decisions that are so thoughtless or mean or just bleck that you can't like them or forgive their transgressions. And it used to be that your editor would encourage you to find ways to make the protagonist likable because readers want to root for the hero or heroine and see that they had a character arc worth being invested in.
But here's the thing, judging by the immense popularity of recent books with awful protagonists, I'm thinking the unlikable character might not be as forbidden as it used to be. Naturally, I started to ponder why and when this changed.
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| Terrifying! |
I looked at the different shows/media that have shaped the current readership for the past twenty years and realized that "reality TV', which has gifted us with such gems as Dance Moms, Keeping up with the Kardashians, The Bachelor, Survivor, and Love Island--to name just a few--have fine tuned diva moments, bad behavior, lying, cheating, fighting, and flouncing into high entertainment.
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| Dance Moms - Eek! |
It occurred to me that we're now writing for readers who think people behaving badly is normal -- and, yes, I know it's not just reality TV modeling the bad behavior. We've definitely become a country of self over community but that's another blog post entirely.
According to thestreet.com, reality TV boomed in 2007 ironically during a 99 day WGA writer's strike that allowed studios to create fresh content without relying on writers, establishing a foothold with Gen Z viewers that is going strong to this day. Is it any wonder then that the fiction which features incredibly unlikable or unsympathetic characters is suddenly hitting the top of the bestseller's lists? Nope, it isn't.
So, tell me, Reds and Readers, without naming titles or authors please, have you noticed that some of the most popular fiction features protagonists that are not sympathetic or likable? What other formats do you think have changed reader's expectations in fiction?
































