Friday, July 11, 2025

Research 101: a.k.a. Learning to Kill (on paper!) by Allison Brennan

Jenn McKinlay: Last week I had the very good fortune to sign books at the Poisoned Pen Bookstore with the extremely talented Allison Brennan. Of course, I asked her to visit us and she very graciously agreed. So here she is to talk about the warm and fuzzy topic of writing what we know or rather what we don't know.

BUY NOW!

Allison Brennan: Later this year, Im presenting a workshop titled How Can I Write What I Know When I Havent Killed a Man?

Its a fair question. Especially when writers are constantly told: Write what you know.”

Well, if I only wrote what I knew? My books would be mind-numbingly dull. Im a mom. A daughter. A wife. You know—like millions of women. I once worked in the California State Legislature, which sounds more exciting than it was. (Spoiler: it wasnt.) I went to a college prep high school, dropped out of college after two years, and my first job was at a bookstore, where I had to prove I could alphabetize and make change. I've also been a bartender, admin, hostess, a waitress for roughly two minutes (I was terrible), and spent a summer at Marine World learning how carnival games work—yet still couldnt win a single one.

 The truth is: if you're writing crime, thrillers, or suspense, you cannot rely on television for research. Just because a fictional FBI agent tracks a suspect cross-country doesnt mean the real FBI lets agents hopscotch around the country like Jason Bourne on a road trip. (Yes, I made that mistake once.)

 Some authors do write from specialized experience—doctors writing about doctors, veterans writing military thrillers. It adds a layer of authenticity thats hard to fake. Tess Gerritsen made Maura Isles come alive with her medical background. John Grisham nails courtroom drama. Tom Clancy practically was a submarine. And Jack Carr? Real-deal Navy SEAL turned bestselling author.

 But heres the thing: Tess had never been a cop, and she still gave us Jane Rizzoli. Lisa Gardner has never been a man, but writes in the male POV quite well. And Im reasonably certain Gregg Hurwitz has never moonlighted as a government assassin. (But if he has...I take it back. Great job. Very convincing.)

 So no, Ive never killed a man. But I have a vivid imagination. And if I can picture it? I can write it.

 And I’ve pictured some very fun, er, interesting, um, diabolical … well, let’s just say my husband definitely doesn’t want to get on my bad side,

 Let me introduce you to my best friend: The Book of Poisons. That book has helped me off more characters than I care to count.

 Back when I was writing my second novel—my debut wasnt even published yet—I needed to figure out how to sabotage a car so it would break down after only a few miles of driving. This was before Google answered all of lifes weirdest questions. So I called mechanics in my town.

 Hi, Im Allison Brennan. Im writing a novel. What could I put in a cars gas tank to make it stall a few miles down the road?”

 Shockingly, no one answered my question. Instead, they hung up. I suppose I’m lucky they didn’t call the cops.

 Desperate, I brought it up at my nieces baptism (as one does), and my brother-in-law said, Hey, my buddys a mechanic. Let me grab him.”

 Five minutes later, Im pitching this mechanic my scene, explaining that sugar doesnt quite work unless the gas is low. He nods and says, You want to clog the fuel filter. Thatll do it.”

 We brainstorm. He suggests molasses—heavy, slow, perfect for settling at the bottom of the tank and causing problems right on cue. Boom. Sabotaged car. Kidnapping scene secured.

 Perfect.

 Since then, Ive:

 * Observed an autopsy.

* Played both hostage and bad guy during FBI SWAT training.

* Toured Quantico.

* Done countless ride-alongs.

* Interviewed experts about everything from blood spatter to bomb tech.

 All to make my stories more authentic—even if Im still making stuff up for a living.

 My latest book, Beach Reads and Deadly Deeds, is my 49th novel. Its a little lighter than my usual thrillers (read: fewer corpses, no blood), but the research was still essential—especially since Id never been to the Caribbean.

 In the first draft, I had my characters taking a hot air balloon ride. Very romantic. Except... there are no hot air balloons on Caribbean islands. At all. I researched how they work, and realized theres a very good, very scientific reason theyre not floating around out there. Ive since forgotten what it is—but the balloons had to go.

 Then theres the fictional island of St. Claire, where my protagonist Mia Crawford is sent on a mandatory vacation. I made a rough map to help with continuity. Then midway through the book, I hit a problem: a scene required Mia to hike from point A to point B, but there was no path. I panicked. My entire mountain-trekking sequence was ruined.

 Until I remembered: St. Claire isnt real. I made it up. I can put a path anywhere I want.

 Waterfall too far north? Slide it south. Boom. Problem solved. Magic of fiction.

 Now, I have made mistakes. Some on purpose, for the sake of the story. Others? Honest goofs. Like the nurse who emailed me to say she threw my book across the room because I miscalculated a Valium dose by about... 500%. Whoops.

 The thing is, we dont know what we dont know. Thats why research matters. But I try not to let my research show. It should be invisible. Seamless. If readers are too busy noticing my fun and clever facts, theyre not fully immersed in my story.

 My rule of thumb? Willing suspension of disbelief.

 If the characters are compelling and the story is gripping, readers will go along for the ride—even if a detail is a little off.

 That said… if I were to plan a murder, Id want to do it right.

 I mean, Id want my characters to get away with it. Definitely just my characters. Wink wink. (Ha! Just kidding! In case the NSA or someone is reading this …)

So tell me: Do you appreciate when authors get the research right? And are you willing to overlook a few missteps if the story's too good to put down?

 


Allison Brennan is a New York Times and USA Today bestselling author best known for her Quinn & Costa FBI thrillers and the Lucy Kincaid series. She lives in Arizona with her family and assorted pets. Beach Reads and Deadly Deeds is her 49th novel.


Thursday, July 10, 2025

Stories are the Spice of Life by Leslie Budewitz

 JENN MCKINLAY: One of our favorite writers Leslie Budewitz is with us today and she has a delightful post about the joys of traveling through the written word and how it inspired her latest. LAVENDER LIES BLEEDING.


LESLIE BUDEWITZ: One of the joys of reading is armchair travel, right? You get to visit a place you’ve never been, or return to a place you’ve loved, with the author. Maine, with Julia. Key West, with Lucy. England – and France, Italy, and even Australia, oh and New York City – with Rhys.

 

With me, it’s Montana, where I was born and raised and still live. And Seattle, where I went to college and lived and worked as a young lawyer. I fell in love with Pike Place Market at eighteen, not long after the voters saved it from “urban removal.” Fun and funky, it was, and thanks to those voters and the historic preservation district they created, it retains its charms.

 


If, like me, you think of cobblestones, flying fish, and tales of the long-dead, top-hatted market master dancing in the upper windows of the Economy Building charming.

 

With the 9th book, Lavender Lies Bleeding, coming out next week, I’ve been remembering a few of my favorite discoveries about the city, from living there and from researching and writing about the place. (I always say that by research, I mean eat, but as my research assistants, my BFF and Mr. Right, can attest, it also means walking. A LOT.)

 

One of the first things you see when you walk into the Market at First and Pike is Rachel, the four-foot-high bronze pig and Market mascot. She’s a piggy bank, of course, as well as a photo opp, and all the money deposited in her goes to the Market foundation for community services—emergency loans to vendors, the senior center, and more.

 


On one visit, Mr. Right and I were snooping around – with my sketchbook as my excuse, I’ll go down any ramp, hallway, or staircase in the Market. We came around a corner and saw a store room, its door open. And inside?

 

Spare pigs.

 


Big ones and little ones. On all fours like Rachel, or seated. Bronze or silver toned.

 

Turns out the spare pigs are often displayed in the Market itself. But they also travel, to pop-up Farmers’ Markets around downtown and to other regional markets and events.

 

I love public art, and it’s everywhere in the Market. These tile figures outside the restrooms at the foot of the stairs just behind the main entrance evoke the Market’s early years—it was founded in 1907 and is the oldest continuously-operating farmers’ market in the country. So when I needed a spot for a confrontation in Lavender Lies Bleeding, that staircase and these figures popped to mind.

 



Along with the cattle ramp—and Market staff confirmed to me that it was once used to bring cattle and pigs, Rachel’s flesh-and-bacon ancestors, into the Market. I first discovered it while location scouting with my BFF, and finally had a chance to use it in Lavender.

 


In my student days, I loved exploring the city’s neighborhoods. I still do, and try to take Pepper to a different one in each book. She often returns to her childhood home, where her BFF, Kristen, now lives, on Capitol Hill. In The Solace of Bay Leaves, she visits the adjacent neighborhood called Montlake. One rainy summer day, my BFF and her teenage daughter spent an afternoon sipping coffee and wandering Montlake’s streets and parks, looking for exactly the right spot for Pepper’s old frenemy, Maddie, to get into trouble. We found it—and I just managed to avoid backing into a car while taking a picture.

 

The Fremont neighborhood, probably the city’s funkiest, proudly declares itself the Center of the Universe, and since no one can prove otherwise, the King County Council officially agreed. I explored it on the pages of To Err is Cumin—a bakery I remember fondly, an underground vintage mall where Pepper finds clues in old treasures, and the Sunday Market where vendors and growers hawk their wares and bicyclists ride wearing only body paint, helmets, and shoes. Which catches Pepper quite by surprise when she finds herself taking an unexpected swim in the Ship Canal that runs through Fremont and is rescued by a pair of men in green and blue and nothing else.

 

The Market’s Flower Ladies have always made me smile. Mostly Hmong, they grow incredible blooms that always draw attention, even from visitors who can’t take a bouquet home. The action in Lavender Lies Bleeding goes between the Market and Salmon Falls, a farm town outside the city that is home to several Flower Ladies and to Pepper’s vendor pal, Lavender Liz. I got to weave together what I’d seen in the Market over the years with my experience living in a rural community, to create a new place that lives only on the page. We can call it Story Land.

 

After all, as I’ve learned after all these years with Pepper and the Spice Shop crew, stories are the spice of life.

 

Readers, where have you been on the page lately, and what did you discover about the setting that surprised or delighted you? Tell us the book and author, too, if you can, so we can enjoy a little armchair travel with you.


Lavender Lies Bleeding (Seventh St. Books, July 15, in pb, ebook, and audio)

Pepper Reece, owner of the Spice Shop in Seattle's Pike Place Market, is shocked when vandals destroy the greenhouse at her friend Liz Giacometti’s lavender farm. But then Liz is killed, and Pepper digs in to solve the crimes. As her questions threaten to unearth secrets others desperately want to keep buried, danger creeps closer to her and those she loves. Can Pepper root out the killer, before someone nips her in the bud?

 


Leslie Budewitz writes the Spice Shop mysteries set in Seattle's Pike Place Market, and the Food Lovers' Village mysteries, set in fictional Jewel Bay, Montana, based on the small town where she lives. As Alicia Beckman, she writes standalone suspense set in Montana and the NW. Her latest books are Lavender Lies Bleeding, the 9th Spice Shop mystery, and All God's Sparrows and Other Stories: A Stagecoach Mary Fields Collection. A national best-seller and three-time Agatha Award winner, Leslie believes that stories are the spice of life. 

 

Read excerpts and more, and find buy links, at www.LeslieBudewitz.com

Wednesday, July 9, 2025

Thrift is a Gift by Jenn McKinlay

 JENN McKINLAY: For those who know one of my pen names -- Josie Belle, author of the Good Buy Girls mysteries -- you are likely aware that I am a thrifter of the first order. I have a really difficult time paying full price for anything because why would I? 

Do I enjoy nice things? Of course. But I refuse to pay for them. My cousin the Cornell/Yale educated economist is delighted when I show him my latest "bougie thrift" find. If you ever see me with a designer anything, rest assured, I found it at an estate sale, a thrift store, or a consignment shop, and I got it for at least 75% off. I like to think it's my way of keeping things out of landfills and giving new life to cherished items. Also, there is simply no greater feeling than to know you scored something in mint condition for a tenth of its original (ridiculous) price. 

How about you, Reds and Readers? Are you thrifty or no? And if you do score something awesome, are you like me and compelled to brag should anyone be foolish enough to show the least bit of interest in said item?



Also, for those of you who are as thrifty as me, I am sharing Barnes & Noble's upcoming 25% off pre-order sale with the Reds' upcoming books (in order of release date) with PRE-ORDER links because THRIFT IS A GIFT! This is a very limited time only sale as it ends on 7/11 but if you're a B&N patron, it's a sweet deal just be sure to use the code: PREORDER25

AUGUST:

PRE-ORDER 



PRE-ORDER

SEPTEMBER:


PRE-ORDER

OCTOBER:


PRE-ORDER

NOVEMBER:

PRE-ORDER