
Jeanette, are you an anthropologist? Poker player? Have a parrot?
JEANNETTE DE BEAUVOIR: Susan, my co-author, is the professional anthropologist, though I studied it as well. We wanted to come up with a character whose background was familiar to us and whose work could potentially allow for time off to go away on adventures. Unfortunately, academia alone doesn't offer the kind of money that would pay for those adventures, so we were a bit stuck there ...
Then one evening I was watching the movie "Rounders," which is about people who play poker for a living, and that seemed the perfect way for Irene to finance her life: minimum time investment, maximum financial return.
Of course, then I had to actually *learn* about poker! I'm so grateful to the myriad people who have taken time to teach me about it, including the folks at Foxwoods Casino ... I understand the milieu now, but am personally still a terrible player!

HALLIE: Jeannette, I know your character in "Assignment Nepal" isn't Holmes's Irene Adler, but tell us why you used that name (I've always loved that character)?
JEANNETTE: Susan is the one who came up with that. Our Irene is, of course, named after Conan Doyle's Irene Adler; it seemed a nice connection to make, since she was the only person to have outsmarted Sherlock Holmes! I then gave Irene eccentric parents who named all their children after famous people, which might allow for some word- and name-play down the road.
HALLIE: Tell us about you and your co-author, and how this collaboration came about?
JEANNETTE: Susan and I have been friends for more years than I care to count; we met when both working for the Department of Mental Health in Massachusetts, which probably says something about us, though I'm not sure exactly what! We've always had similar interests, and early on collaborated on a photography project as well as some journal articles ... and that seemed to work well, so we started talking about what else we might try.

Susan had been to Nepal, and experienced a great deal of what Irene experiences there (sans the murder and mystery, of course!), so we decided to try our hand at collaborating on a mystery. Almost immediately we knew that we didn't want it to stop there, that Irene was interesting enough to grow into a series, so ...
HALLIE: How do you partner in the writing, and how is it different from writing solo?
JEANNETTE: By and large, Susan is the plot person. She's really good at figuring ways out of the corners I often paint us into, at seeing inconsistencies, at making the story make sense. She never panics, a trait I admire and cannot for the life of me emulate. I do all the writing—while this is my first adventure in *mystery* writing, I've been published (mostly in historical fiction) under a couple of other pen names, so the writing part and character development come easily to me.
When I was first starting out, I did some work-for-hire ghostwriting assignments (I guess you could say they were my equivalent of playing poker for a living!): the publisher gave me a detailed plot, character sketches, etc., and I connected the dots and put the book together. In some ways, working with Susan is similar: we work from a detailed plot that I deviate from as little as possible, and always at my peril!
This is very different from the way I work alone. I start out with a general idea of where things are going, but I get immersed in my characters, their dialogue, their interactions, and almost always they lead me somewhere else. I can generally come up with a plot summary for my novels—but only *after* they've been written!
So this is a challenge to me, as I'm sure it is to Susan, who's far more analytical than I am!
HALLIE: Your decision about how to publish this book is still a bit unusual. Tell us about it.

Here's the thing, Hallie: crime fiction is a crowded field, and its devotees devour books (I know: I'm one of them) more quickly than said books can come off the presses. So the flexibility of not *including* presses at all appealed to us. Ebook sales are skyrocketing, and it seems a format that more people might be willing to take a chance on a new author/character/series with, as it's generally less expensive and more quickly available.
HALLIE: What's next for Irene Adler an J. A. Squires?
JEANNETTE: Irene's off to Oxford, England, where a professor with a murky past has just been

HALLIE: Thanks, Jeanette! Hoping this venture deals you a winning hand!
Chime in if you want to talk about collaborating, or going digital, or African Grays, or winning at poker.