LUCY BURDETTE: We love nothing better than a new series here at Jungle Red--especially one whose author loves food and cooking! So today I'm delighted to welcome Elizabeth Penney with her book, Hems and Homicide...
ELIZABETH PENNEY: Thank you to the Jungle Red
Writers for including me as a guest! This blog is among my favorites—and so are
the host authors—so it’s an extra special honor to be featured here.
Many writers have elements
that frequently show up in their work, whether it’s a location or an occupation
or a personal interest. One of mine is history, more on the social and domestic
end than world events. Historic homes often feature in my books, as do unsolved
mysteries from the past. Blame it on my childhood reading, heavy on the early
twentieth century classics, or living in New England towns with long histories
and beautiful architecture. While of course every period had its problems and
drawbacks, I can’t help but wistfully admire certain aspects of life in former
eras. (Who besides me, while watching Mrs.
Maisel, envies the women’s impeccable grooming and gorgeous outfits? I am
such a slacker in my daily writing attire of yoga pants and t-shirt, hair up in
a clip)
While pondering cozy mystery
ideas, aprons came to mind and hence the Apron Shop Series was born. Although
humble, aprons are garments with a rich history and tons of variety. Many are hand-stitched,
made for every occasion and personalized by the wearer. After a couple of
decades of disfavor, aprons seem to be having a renaissance, which encouraged
me to write about them. I’ve even seen frilly versions in big box stores, about
as mainstream as you can get.
In my series, vintage aprons
take center stage. Iris not only sells them in her store, Ruffles and Bows, she
finds that these well-worn antiques connect the present day to women in the
past. This is true for us, as well. Since publication, many people have shared
special apron stories with me. For example, wearing one while helping their
grandmother make cookies or stitching a first apron in home economics class. The
simple apron holds a cherished place in our cultural history.
And so do vintage kitchen
tools and cookbooks, at least for me. After writing all day, I enjoy nothing
more than cooking dinner or baking bread. There’s something restful about the process
of chopping, sautéing, and putting together ingredients to make something
delicious. Or proofing fragrant yeast before adding it to fluffy flour, then
kneading the dough vigorously and watching it rise. I find that using vintage
tools and cookbooks adds meaning to my efforts, joining me to a long heritage
of women who toiled in the kitchen, preparing nourishment for loved ones.
One of my favorite
possessions is a forty-year old KitchenAid mixer owned by my mother. She had
that thing humming almost every day as she whipped up bread and cookies and
cakes. Although she was a nurse before marriage, afterwards, like so many of
her generation, she became a housewife. Perhaps due to her nursing background,
she took nutrition seriously, and as one of Rodale’s first devotees, fed us
whole grains and vitamins. We also had a huge garden bursting with organic
vegetables. In addition, she sewed and knit beautiful garments, including
aprons. While I cook, I don one of her creations—and wrap another around the
child helping me.
But even more than kitchen tools
gently worn by the hands of others, old cookbooks hold special meaning for me. The
red Betty Crocker in the photo belonged to the grandmother-in-law I never met,
although I’ve heard many stories about the sumptuous meals she made during my
husband’s childhood. Another cherished cookbook, a 1951 edition of Fanny
Farmer, belonged to a dear neighbor, Patricia Irwin Cooper. When I met Pat, she
was already in her eighties, but we shared a wonderful friendship sparked by mutual
interest in art, history, and gardening.
As you can see in the photo,
Pat’s cookbook was more than something to reference for a recipe. She used this
soft, faded book to save likes and dislikes, improvements to recipes, notes for
future reference, and even letters from friends. When I leaf through and see
her handwriting, it is as if she is speaking to me. “Never leave cloves in
jar,” she wrote. “They will make peaches and plums too dark.” And, “important
to brown the flour,” she wrote beside a gravy recipe, along with “no salt.”
Perhaps most touching is this note next to a red cabbage and apples recipe,
“Homer likes best.” Homer was her dear husband of sixty years.
Readers, now I ask you. Do
you have a special kitchen item or apron that evokes memories for you?
Elizabeth Penney lives in New Hampshire’s frozen north
where she pens mysteries and tries to grow things. She’s the author of the
Apron Shop Series, with book one, Hems and Homicide, available now, as well as
numerous titles for Annie’s Fiction and Guideposts.
About Hems and Homicide:
Iris Buckley has taken the plunge—moving her
online apron and vintage linen business to a storefront in quaint hometown
Blueberry Cove, Maine. But the storefront she rented with her business partner
grandmother comes with something extra—a skeleton from the 1970s. Then their
wealthy landlord, who has ties to her grandmother’s past, is found murdered in
the shop. Is Ruffles & Bows doomed to fail before it even opens?