Showing posts with label Linda Barnes. Show all posts
Showing posts with label Linda Barnes. Show all posts

Tuesday, April 9, 2013

LINDA BARNES--THE PERFECT GHOST



DEBORAH CROMBIE: We all know Linda Barnes as the author of the terrific series featuring Carlotta Carlyle, feisty Boston P.I.


But today is the debut of Linda's new book, THE PERFECT GHOST (wonderful cover!) and it is a departure. Publisher's Weekly calls The Perfect Ghost  ". . . A captivating story of love, rivalry, and revenge." And in a starred review, Booklist says it "...delivers a delicious twist. . ."

Here's Linda (and a couple of friends) to tell you more:

LINDA BARNES:   Carlotta Carlyle has been my alter ego for more years than I care to count. Imagine her chagrin when I wrote a book using another lead, Em Moore, the troubled protagonist and narrator  of The Perfect Ghost.  
                
As a former and future playwright,  my favorite thing to do with two characters is to lock them in a room and let them fight it out.


Carlotta: So Barnes decided to write about you? After all we’ve been through, after twelve books?

Em: It would seem so.

Carlotta: I warned you off, but you kept bothering her, clinging to her --

Em:  I was talking to her, that’s all. The way you used to talk at the beginning of the Carlyle series.

Carlotta: We had cases to solve.

Em: I had a story to tell. A compelling story. But I think it may have been place as much as anything else that got the two of us involved.

Carlotta: Place?

Em:  She was restless. She needed a change, a new setting. You must have noticed that.

Carlotta: Hey, Heart of the World, I took her all the way to Colombia. I was the one who drove her down the Cape in the first place, in  Lie Down With the Devil.

Em: She didn’t want a day’s drive. She wanted a reason to stay for weeks, walk the dunes, hunt for shells. She fell in love with the small towns, with Chatham, Eastham, and Brewster. She wanted to sail to the tip of Provincetown.

Carlotta: You’re saying she used you? For a setting?

Em: We made a deal. She told my story exactly the way I wanted it told.

Carlotta: So you used her?

Em: It was beneficial for both of us.

Carlotta: And what about me?

Em: You had a happy ending, didn’t you? You and Mooney.

Carlotta: But I still have a story to tell. At least one.

Em: That’s between you and Linda. I only had this one story, this one chance to lead the kind of life I dreamed about leading. I  was  lost before I met Teddy Blake, and then with him, the world opened up. We worked together. He interviewed and I wrote. I was part of a team,  valued, practically famous. Have you read any of our books? Any of the TE Blakemores?

Carlotta: Celebrity biographies? No, definitely not my thing.

Em: I was the E in TE. The “more” in Blakemore, that’s my name, Moore. I had a gift for it. Teddy said I was like a chameleon; I could alter my voice to make it sound like someone else’s voice. I could make some famous opera singer or movie star or business guru sound exactly right, like the person they were, but in the best possible light. I did almost all the organization and all the writing. People think it’s easy, but it’s not. It’s not just writing down what they say on the tapes. It’s picking and choosing, selecting the ideal elements to tell one person’s particular story.

Carlotta: Okay. Maybe I’ll give one of your books a try.

Em: Read The Perfect Ghost. That’s the one that captures my own voice. After Teddy died, I had to make my own way. It was hard for me; it was terrifying. I’m not bold or tough like you. I like to stay in my room. I’m introverted, shy. I have panic attacks.  I didn’t think I could convince the publisher to let me continue the book much less travel to Cape Cod and interview Garrett Malcolm.

Carlotta: Malcolm? The movie star slash director?

Em: And screenwriter. Don’t forget that.

Carlotta: I thought he quit talking to the press after his wife died.

Em: It was amazing that he chose us when he finally decided to tell his story. Chose Teddy, really, but then when I met him, he was unbelievably kind. I was  frightened just to be there, at Cranberry Hill. I’d never imagined such a place existed outside of a movie.

Carlotta: A young woman goes to a mysterious mansion to interview a famous and wealthy recluse. Sounds like more of a Gothic than a mystery.

Em: Why do you have to label everything? Can’t it just be a book?

Carlotta: I’m used to mysteries.

Em: Don’t worry, then. This is a mystery, too. Just a different kind of mystery. Call it a modern Gothic with a twist.

DEBS: To learn more about Linda and The Perfect Ghost, go to www.lindabarnes.com, or LIKE Linda on Facebook at https://www.facebook.com/lindabarnesauthor.

Linda will be dropping in today, and she will be giving away a copy of The Perfect Ghost to a lucky commenter, so do stop in and say "hi."

Sunday, November 16, 2008

Straight from the Crime Bake


Four out of five Jungle Red Writers spent this past weekend at the New England Crime Bake in Dedham, MA. It was a smashing success! Consider penciling it in for next year, same weekend--great writers, great friends, agents and editors, and featuring guest of honor Sue Grafton...wow!

Meanwhile, here are some snapshots to enjoy. Above was the first panel of the day, including funny guys and gals Vinnie O'Neil, Steve Anable, Hank Ryan, Harlan Coben, and Kate Flora. To the right are Peter Abrahams, Katherine Hall Page, and Linda Barnes, 3 of the 4 members of the Hall of Famers, which Roberta Isleib had the pleasure of moderating. And seen at the cocktail party, Sheila Connolly, Susan Conant, and her daughter, Jessica Conant-Park.






And here are Roberta and Hallie, posing for a moment in the hallway:

Actually, the place was crawling with authors! Here are Alex Carr, Toni Kelner, and Lynne Heitman. Hank did a marvelous job of organizing the entertainment at the banquet, a hilarious panel of authors and publishing dignitaries telling big lies. Agent Janet Reid and Bleak House editor Ben LeRoy were among the rowdiest...
Next year, come to Crime Bake!

Wednesday, August 27, 2008

ON LINDA BARNES (And Carlotta Carlyle)






"Carlotta and I grew up in the feminist movement of the 60s. She is my mirror held up to nature, my reflection of a changing society. As a teen, I read mystery novels about stalwart men who lived by a code a justice. As a young adult, I looked at my female friends and saw, not only housewives and moms, but lawyers, doctors, and cops, women who not only desired justice, but demanded it. And that's Carlotta's mission, really, to demand, determine, and occasionally, mete out justice on her own. "
*** Linda Barnes

from "Carlotta and Me"


Look gang. Linda Barnes is here. Back in my mystery writing youth (four years ago) I was at some event, and this woman walked into the room. Somehow shy, but commanding the floor at the same time. Every head turned, and the party buzz buzzed right over to her. “Who’s that?” I whispered to a straggler who hadn’t yet joined the admiring throng.


She did a double take. I was an idiot. That’s Linda Barnes, she hissed. Linda. Barnes.

Linda Barnes. Who doesn’t love Carlotta Carlyle? And who doesn’t think the fabulous she and the fabulous Linda are, somehow, channeling each other? Although Linda is quick to say she’s never been—and never wanted to be—a cab driver. Linda’s twelfth Carlotta, Lie Down with the Devil, is just out, and to much acclaim.

(In all so far, Linda;s written sixteen mystery novels, twelve featuring her 6'1" redheaded Boston private eye Carlotta Carlyle, and four featuring actor/detective Michael Spraggue, an amateur sleuth.

She was born and raised in Detroit, but graduated cum laude from Boston University's School of Fine and Applied Arts, then went on to become a drama teacher and director at Chelmsford and Lexington, Massachusetts schools.

Her bookshelves are not only full of books, but full of her honors. Barnes won the Anthony Award and nominations for both the Shamus Award and the American Mystery Award for Best Short Story for "Lucky Penny" in 1985. In 1987 she received the American Mystery Award for Best Private Eye Novel and nominations for the Edgar, Anthony, and Shamus awards for A Trouble of Fools. The Snake Tattoo was named one of the outstanding books of 1990 by The London Times.



HANK: Thanks for being here! I read in your bio that you were a drama teacher (if that can ever be completely past tense) and then I read your starred review in Publishers Weekly (nice). It says, in part "The story moves unhesitatingly from point to point, and each character encountered holds his or her space on the page with confidence and distinctiveness." That reminded me of what a director (or actor) would think about on stage.... How does your drama brain connect with your author brain?

LINDA: Good question! I was also an actress, a director, and a playwright, and still feel that I’m working as all three because there are so many connections between theater and mystery. Both are immediate; both have certain conventions that must be honored. When I begin to write, I start with voice. Once I hear the character, I visualize the character. Then I physicalize the character: how does he walk; what does she eat for breakfast; when does she smile and why. These are the same things I needed to know as an actress. My director self guides pacing. I still think in terms of exits, entrances, and beats. As a playwright, I got to assign the task of dressing the actors and describing the set to others. I miss them, and often long for a costumer and a set designer.

HANK: PW--can't resist quoting a bit--calls Lie Down with the Devil "utterly compelling." It's your twelfth Carlotta. Is it more difficult to be "compelling" on the 12th go-round? Or was it the toughest on number 1 when you created her in the first place? Or does a person who's "real" in your head--not ever get old?

LINDA: It’s always tough, Hank. It was tough at the beginning, and it’s tough now, but I try not to write about any of the less-than-compelling cases Carlotta accepts. And I guess the fact that I think that Carlotta has a life I don’t write about is a measure of how “real” she is in my head.

HANK: Yes-and on your website http://www.lindabarnes.com/ you even have an essay written by Carlotta. You had her talk about what she's most proud of? Can we ask you the same thing?

LINDA: I’m proud of Carlotta, my son, and my two nieces, who are like daughters to me. I’m proud that, through hectic days and frantic years, I’ve kept on writing. Too stubborn to quit.

HANK: I just met your son—he was wearing a college t-shirt because he knew everyone at the party would be asking him: Where are you going to college? So—he’s in Missouri now. And you’re in Massachusetts. What’s that like?

LINDA:
Wonderful and devastating. How terrific is it to know he’s ready to fly? I will miss everything about him, from his muddy footprints to the smell of his hair.

HANK: Do you remember your first day at college? Have your dreams changed?

LINDA: I wanted to be a great Shakespearean actress. I wanted to win an Oscar. Oh my God, I still do; I just haven’t finished the screenplay. . .


HANK: Oh, I wanted to be a Shakespearean actress, too. Viola. And Portia. But last question: what do you wish you had known when you started this mystery writing career? Lots of new and emerging authors are reading this...what can you tell us that you wish someone had told you?

LINDA: Someone did tell me. The late great Bill DeAndrea said, “You think your career will be like a staircase, every step going up. Listen: it’s really like a mountain range, highs and lows, highs and lows.” I pass his wisdom on to you.

Thanks, Linda. And we hope you sell piles of Lie Down with the Devil! And if you all missed it somehow, Heart of the World is now out in paperback!



And as always: please take the Jungle Red preference test!

Miss Marple or Hercule Poirot?
Miss Marple.

Sex or violence?
Sex. A little violence.

Pizza or chocolate?
Chocolate.

Daniel Craig or Pierce Brosnan? (We won't even include Sean Connery because we know the answer. Don't we?)
Daniel Craig.

Katherine Hepburn or Audrey Hepburn?
Katherine.

First person or Third Person?
Both. Either.

Prologue or no prologue?
No prologue.

Making dinner or making reservations?
Reservations.

And Finally: The Jungle Red Quiz:
Tell us four things about you that no one knows. Only three can be true. We'll guess which one is fiction!


LINDA: I’m terrified of heights.
I tell my husband everything.
I’m more convincing when I lie than when I tell the truth.
I’m allergic to lobster.

HANK: "I’m more convincing when I lie than when I tell the truth?" Is this one of those riddles about foxes and people on an island? So that means, if this is the one that’s not true, then it is the one that is true?

PS! Come chat with Linda in person—she’s in the Hall of Famers panel (of course) at the always fantastic New England Crime Bake
http://www.crimebake.org/schedule.htm