What We're Reading

DEBORAH CROMBIE: We had so much fun with our "recommends" yesterday I thought we'd extend our chat to WHAT WE'RE READING–always a big fave here on Jungle Red. We love nothing more than talking about our latest finds.

I'll start with BLOOMSBURY GIRLS by Natalie Jenner. Set in 1949 London in a bookshop in Lamb's Conduit Street (the location of Duncan's police station in the present day–how could I not want to read this book?) three very different women navigate a changing world.

The male characters are very well done, too, and lots of famous literary figures are woven into the plot. I loved this book so much that I read Jenner's previous (and debut) novel,  THE JANE AUSTEN SOCIETY, as there is some character and plot crossover. I enjoyed it, too, although I didn't adore it as much as BLOOMSBURY GIRLS.

Another big thrill for me was a new book by Ella Risbridger–you may remember me raving about MIDNIGHT CHICKEN last year. This one is called THE YEAR OF MIRACLES and is ostensibly a cookbook, but it is so much more. The subtitle is "recipes about love + grief + growing things) and is a journal of Risbridger's year following the death of her partner. It's also an accounting of the first year of the pandemic, as it begins in January, 2020. Risbridger's writing is absolutely gorgeous and it's a very inspiring and affirming book. The book is beautiful, too, so I'd highly recommend the hardcover. It will be a keeper even if you never cook a single recipe. (NOTE: It won't be released in the US until July 26th but it is out in the UK and you can order from Book Depository. It's fast and no more expensive.)

And one more! I somehow ran across a book called THE NOTHING GIRL by Jodi Taylor. We've mentioned her CHRONICLES OF ST. MARY'S series before, as Julia and I are big fans. Do not be put off by the invisible talking golden horse!! This is a gem of a novel about an isolated young woman who agrees to marriage as a business proposition and gets much more than she bargained for. It's laugh-out-load funny, touching, suspenseful, AND it's on Kindle Unlimited at the moment!

I also thoroughly enjoyed Connie Berry's latest Kate Hamilton mystery, THE SHADOW OF MEMORY. This series just gets better and better. Connie will be here Thursday to tell us more!

LUCY BURDETTE: I’m betwixt and between. I have just finished Alicia Bessette’s SMILE BEACH MURDER and I hate to leave the Outer Banks! Last week I hated leaving Julia Child’s Paris. I have a lot of books ordered, including Krista Davis’s newest and Sarah Stewart Taylor’s newest and Paula Munier and Kristan Higgins, and I have a million books on my nightstand. But still, sometimes it’s hard to dive into something brand new. Any recommendations for THE PARIS LIBRARY or THE TASTE OF GINGER or FENCING WITH THE KING?

HANK PHILLIPPI RYAN: Absolutely do not miss Sulari Gentill’s THE WOMAN IN THE LIBRARY.  It’s a meta-literary mystery and I cannot say anything more, but just–read it.

Along those same lines, ish, THE APPEAL by Janice Hallett. Those books both delve into the workings of a writer’s mind, and a reader’s too, and they’re marvelous and hilarious and brilliant, both of them.  And I am getting ready for THE MURDER RULE by Dervla McTiernan.   Also LOOK CLOSER, by David Ellis, one of my favorite authors ever. And I am reading JAMES PATTERSON by James Patterson–in preparation for interviewing him in June!  Reds and readers, this autobiography is AWESOME and wonderful and charming and unique.

DEBS: Hank, what fun! I sat next to James Patterson at the Bouchercon Dallas GOH dinner, and he was so nice. A very charming and interesting man.

JENN McKINLAY: I’ve been enjoying a wild variety lately. ALLOW ME TO RETORT: A Black Guys Guide to the Constitution by Ellie Mystal. Fascinating book mostly about the amendments and why they need to be revisited. DOUBLE SHOT DEATH by Emmeline Duncan.

A terrific cozy mystery set in Portland about a coffee cart owning amateur that really captures the PNW vibe. THE FAMILY UPSTAIRS by Lisa Jewell. Delicious suspense novel about three families and deep dark secrets. So good! 

RHYS BOWEN:   Rhys, the blurb queen here. It seems like a never-ending stream. They are mostly good reading but sometimes I’d like to choose.

I’ve just finished another upcoming book to blurb called The Spying Eye by Michelle Cox.

Quite good

And now I’m embarking on a non fiction about women’s lives around the world called Women’s  Work by Megan K Slack. Fascinating so far.

JULIA SPENCER-FLEMING: The heat has been climbing into the 70s and even 80s here in southern Maine, I've been mowing daily for the past five days (yes, I have that much lawn) so for me, it's beach read time! First up, THE HOMEWRECKERS by Mary Kay Andrews. If you've ever read her, you know she describes home renovation and decorating like a dream, and when I saw she had come up with that's basically about a young widow getting her own HGTV-like show, you know I had to have it. 

Next on my TBR pile, NEVER COMING HOME, a delicious domestic thriller from Hank's First Chapter Fun buddy, Hannah Mary McKinnon. Here's the start of the jacket copy:

Lucas Forester didn't hate his wife. Michelle was brilliant, sophisticated and beautiful. Sure, she had extravagant spending habits, that petty attitude, a total disregard for anyone below her status. But she also had a lot to offer. Most notably: wealth that only the one percent could comprehend.

For years, Lucas has been honing a flawless plan to inherit Michelle's fortune. Unfortunately, it involves taking a hit out on her.

Sounds awesome! I love rich people behaving badly.

Finally, this summer's book from my friend Nancy Thayer, SUMMER LOVE. It doesn't feel like summer until I've read one of Nancy's tales of heartache and hope, set on the idyllic island of Nantucket. SUMMER LOVE is about a reunion of people in my age bracket, which I love, accompanied by their twenty-something kids, which my daughters love. Something for everyone.

HALLIE EPHRON: I’ve just started reading Susan Orlean’s ON ANIMALS. She’s a wonderful essayist, musing on everything from household pets (hers) to the animals we eat to her experiences keeping chickens and critters further afield (Moroccan donkeys)… and on and on. It’s a book for animal lovers and perfect for the summer because you can savor it in chunks.

 

READERS, what books have tickled your fancy lately?

A GIRL LIKE YOU introduces a detective and a taxi dancer

HALLIE EPHRON: Chicago in the 1930s with the stock market crash in the recent past is the setting for a new series by Michelle Cox. A GIRL LIKE YOU introduces readers to a delightful pair of sleuths, and makes a convincing argument for mixing mystery and romance. Today I'm happy to welcome Michelle Cox to Jungle Red.  

MICHELLE COX: Duncan Kincaid and Gemma James.  Molly Murphy and Daniel Sullivan.  Amelia Peabody and Radcliffe Emerson.  We all have our favorite detective pair of sleuths who, when not battling villains, just can’t seem to fight their attraction for each other.

But wait a minute, the purist might interrupt, isn’t this meant to be a mystery story?  A theft, a kidnapping, a murder—or worse?  Why are these two seemingly intelligent characters often ignoring very obvious clues in the case before them in order to investigate each other, and often in an embarrassingly clumsy way?  The answer, of course, is because they can’t help it.

The mystery and romance genres fit seamlessly together in a way no two other genres could.  Can you imagine what might happen if sci-fi attempted to blend together with a western, for example?  Something presumably messy.  Maybe an interesting one-off, but not the sort of thing that would fill a whole section of any self-respecting bookstore.  No, romance, it seems, is the universal donor, the “O negative” of the fiction world.

And why?  Because characters, even the most hard-boiled, are human and ultimately have the desire for love etched deeply in their hearts.  And mystery, if examined closely, is the perfect universal receiver.

Why?  Well, for one thing because the romantic tension between the sleuths is a natural distraction from the case at hand.  Not only does it give the characters something else to do or think about besides tracking down the killer, but it is a great red herring for the reader as well.  And it makes the characters more vulnerable, which adds, of course, to the tension already brewing surrounding the mystery.  Not only are the characters perhaps in physical danger, but now they are in emotional danger as well. 

And let’s face it, the romantic prospects of the sleuths are a form a mystery as well.  A mini mystery of “will they, won’t they?” inside the bigger case—an extra thrill, or titillation, if you will, for those “rapt” up in it with them.   

Certainly this is the “case” with the newest pair of sleuths on the scene, Inspector Clive Howard and Henrietta Von Harmon in the debut novel, A Girl Like You.  The aloof Inspector is definitely not contemplating a romance with Henrietta, the impoverished taxi dancer whom he encounters at a dance hall in Chicago, circa 1935.  Instead, he hopes to convince her  to use her stunning beauty and her ability to disguise herself to go undercover for him to track a killer, a role she hesitantly picks up for the money. 

So far so good on the mystery side, but it doesn’t take long before Henrietta finds herself unfortunately falling for the Inspector.  Clive meanwhile begins to piece things together and uncomfortably discovers that Henrietta is not the woman of the world he originally thought she was, realizing with a certain degree of dread that not only has he put a vulnerable young woman in danger, but that he himself is beginning to be tempted by her charming innocence.  He struggles to restrain himself from what would surely be an inappropriate relationship, even as she longs for his love and protection, secretly taking on more and more risks to impress him.  But, Clive and Henrietta!  There’s a killer on the loose!  Remember? 

There are those, of course, the purists mentioned above, who have no tolerance for this sort of genre-blending.  They like their mysteries to only to be about the case at hand and not about Emerson’s wry observations of Amelia’s disheveled hair, for example, nor do they want Molly contemplating the particular shade of Daniel’s “alarmingly blue eyes,” or Clive softly brushing the side of Henrietta’s cheek with his fingertips.  They want facts and only facts. 

But most of us are not so one-sided, so cold of heart.  We don’t mind our mysteries with a side of romance, or maybe even more.  We like our heart to beat a little faster, and not just because the villain has just jumped out of the closet, holding a gun.  And joyfully for us, most mysteries can deliver the thrill, in more ways than one.   

Do you enjoy your mystery with a bit of romance or are you more of a purist?  And if you do enjoy a romantic subplot, who are your favorite duos?