Showing posts with label Tim O'Mara. Show all posts
Showing posts with label Tim O'Mara. Show all posts

Wednesday, January 7, 2015

Aunt Agatha's Robin Agnew — and a Day in the Life of the Kerrytown BookFest


SUSAN ELIA MACNEAL: Today I'm delighted to introduce Robin Agnew and Jamie Agnew of Aunt Agatha's New and Used Mysteries, Detection, & True Crime, an absolutely wonderful bookshop (not to mention the 2014 Raven Award winner) in Ann Arbor, Michigan. I was privileged to meet Robin and Jamie at the KerryTown Book Festival this past fall, an annual gathering of book aficionados, which Robin plans and runs in her role as president.

As an author speaking on a panel and signing with fellow authors and meeting readers, everything at the KerryTown Book Fest was absolutely perfect. Only Robin and Jamie know what really goes on behind the scenes to make such a large and complex (not to mention fun!) event run so smoothly, and I thought it would be interesting to peek behind the scenes with Robin — take it away!



ROBIN AGNEW: Along with running Aunt Agatha’s, I have been involved in running and planning Ann Arbor’s annual Kerrytown BookFest, since 2004.  Through the years of the bookfest I have served as “author wrangler” (my original job), secretary, operations chair, vice president, and I have now served as president for the past couple of years.  

As we are a small, hands on board, and we share duties including obtaining permits from the city, renting equipment, finding a hotel with available rooms during busy football weekends, PR, fundraising, grant writing, finding volunteers, signing up 100 or so vendors each year, poster commission and distribution, programming, set up, tear down, and making sure all parties involved are pleased.  Authors, exhibitors, bookfest visitors - we want everyone to have a great day.

Luckily, a capable board means that while I am part of the discussion of all these things I am not part of the nuts and bolts for all of them.  My central focus is on author programming.  Each year I start with a “seed” – an author I’ve spoken with or met, often at a book signing at the store or at a conference – and from there, the planning begins to grow organically.

Last year my “seed” author was Simone St. James.  I had moderated a panel with her at Bouchercon and was delighted by her.   We actually had two seeds last year, as the year before we had hoped to book Chris Raschka, a two time Caldecott medalist with ties to Ann Arbor, and he was unavailable.  In 2014 he was available so our marquis panel became a panel with 3 Caldecott medalists - Chris, Brian Floca, who won in 2014; and Erin Stead and her husband, Philip.  Erin won in 2011.  

Moderating is tricky, as tricky, I’ve discovered, as the rest of the panel.  For this one I turned to Debbie Diesen, author of the “Pout Pout Fish” books, and asked her.  She’s presented at many of our bookfests in our Children’s area, she’s adorable, and she said yes right away.

And what of Simone’s panel?  I asked her at Bouchercon and she agreed, and then it took a couple more months to hear back as she figured out her schedule.  Meanwhile, I went to the board and said I *really* wanted Susan Elia MacNeal.

Who else?  I asked Tasha Alexander, who lives in Chicago, is beloved by readers, and who has been to he bookfest and the store many times.   She said yes.  And then I read The Ashford Affair by Lauren Willig and loved it so much I asked her.  She said yes in an eyeblink and was possibly the lowest maintenance author of the entire day.  

Who to moderate?  I wanted Anna Lee Huber, who lives close-ish, but knew she had a baby on the way.  To my surprise she also agreed and one of the joys of bookfest last year was that many of these women, while fans of each other’s, hadn’t met.  

OK, easy panel out of the way.  What next?  I often do a  
“guy” and a “girl” panel as far as mysteries go (sexist but true) and  the basis for the guy panel was Michael Harvey.  He’d been to the store  and I was so entranced by him I asked him on the spot.  He agreed and I built the panel around him, which eventually included Edgar winner Theresa Schwegel; newbie and local author Elizabeth Heiter, and frequent bookfest speaker and buddy, Loren D. Estleman.  I asked an old friend and mystery fan to moderate and he was on board immediately.  He couldn’t believe all those writers were going to be in the same place, and I have to say, that’s my programming goal in general. So mystery panels set.  

What else?  We often use the Michigan Notable Book Winners list as a template and one of the first people off the list all of us wanted was Matt Phelan, whose book, Bluffton. was a Notable winner.  We built a graphic novel panel around him, eventually including Jim Ottaviani, Dave Coverly of Speedbump fame (Dave and Jim are both local and had been with us before). At the last minute I substituted in Matt Faulkner when another author had to cancel.  As it happened, I had heard Matt on NPR talking about his book Gaijin: American Prisoner of War, and had dreamed of booking him.

Moderator? Knowing he was a comic book geek,  I asked local NPR talent Michael Jewett. Luckily I know his wife, a former bookseller and a mystery fan - she made him agree, and he was fabulous.

The rest of the festival - ten panels, a children’s area, and a book arts specific area - are programmed in a similar way, using the expertise and connections of my fellow programmers; Lynn Riehl, an events coordinator at a large independent bookstore in town (Nicola’s) and my buddy. PR maven Bill Castanier, who has connections all over the state.

Each of us get wild hairs, are approached by authors we know with ARCs, run into people at parties or conferences, and before we know it we’ve programmed the day.  I was happy to include newbie mystery author Sam Thomas as a moderator on an historical biography panel, for example.  Another example: having drinks with Tim O’Mara after the Edgars in May, he suggested being a “writer in residence” at the store for the day.  We transferred his idea to the bookfest and Tim was booked all day talking to would be writers.

The day of the festival (this coming year September 13, 2015) we welcome about 4,000 visitors with our panels being vigorously attended.  For me the day passes in a flash as I run around trying to make sure everything goes smoothly, along with selling books.  Thankfully we divide bookselling duties - several stores share out the panels.

Then I go home exhausted at the end of the day and somehow, start to think about the next year.  This coming year my “seed” is Denise Swanson.  Tune in and see who joins her!


SUSAN ELIA MACNEAL: Robin, thank you so much for giving us a look backstage! What else can you tell us about the 2015 KerryTown Book Fest? 

Readers, have you ever been to a book festival? Are you surprised by how much work goes on behind the scenes to pull such a complicated event off? Please let us know in the comments!



Aunt Agatha’s

213 South Fourth Avenue

Ann Arbor, Michigan 48104

734.769.1114
Hours of Business:
Monday - Thursday 11-7

Friday & Saturday 11-8

Sunday 12-5








Saturday, October 19, 2013

A Tale of Two Kids, a guest blog by Tim O'Mara

                          -WINNERS-WINNERS-WINNERS-
Through the Evil Days ARC: Dotty Ryan, Lynda, Pat D.    Chance of a Ghost OR The Thrill of the Haunt: Bev Fontaine    Her Last Breath: Lora.  Please contact julia at juliaspencerfleming dot com with your info to collect your free book!

JULIA SPENCER-FLEMING: I first came across Tim O'Mara's work when I bought his debut, SACRIFICE FLY, for my husband, a special ed teacher.  Tim's protagonist, like Tim himself, is a teacher specializing in hard-to-reach, at-risk kids, and I knew Ross would find it interesting. He did; so much so that he thrust it into my hands and said, "You're going to want to read this." Tim has just released the second Raymond Donne mystery, CROOKED NUMBERS; readers, consider that I've thrust it into your hands. You're going to want to read this.

 R’s had a tough life. He came to our school last year as a sixth grader, and during our very first discussion about the rules in my Math class, he gave “the look.” The look that pretty much says: You are not going to tell me what to do.
I gave him one back, I’m sure he had no idea had to interpret. This was a look I had not given a student in almost a decade. My look said, You are going to Camp.
Camp” is where I got my start as an educator. I was kinda directionless the summer

before graduating from SUNY–New Paltz, and my girlfriend was heading off to work with special-needs kids at Camp. Having nothing much on my calendar and eager to earn a few hundred dollars for four weeks of fourteen-hour days, I followed. I eventually lost the girlfriend, but found a new love: working with kids.
I’m still involved with Ramapo For Children Camp—our seventh graders go there every year for their spring trip—and I try to incorporate what I learned from my five summers there into my job as a Special Education/Math teacher at NYC’s The Computer School. R is just the kind of kid I learned from. And after knowing him for all of half an hour, I knew he needed Camp.
I spoke with his foster mom—the kind of woman who makes you feel optimistic about basic human kindness—and she told me R had previously been thrown out of two camps due to behavioral issues. I told her I knew one camp he would not get thrown out of and after months of confusing paperwork and games of phonetag, R went off to Camp. At the end of the session, I went to pick him up—foster mom was expecting a baby any hour—and found that he’d been a superstar for the past three weeks.
He’s read more books than any other kid here,” his bunk counselor told me.
I didn’t know he was that into reading. When we got back to school in September, he told me that his foster mother wanted to read my book, Sacrifice Fly, whose hero, Raymond Donne, is a special education teacher who used to be a cop. The next day, I brought in a signed copy for her celebrating the birth of her son. R held it in his hands, turned it over like it was an undiscovered treasure, and I knew he’d be reading it before mom. Cool.
That was a Friday. On the following Monday, he came in and informed me he had read the entire book over the weekend.
What’d you think?” I asked.
He got a strange look on his face and shrugged.
What? You didn’t like it?” I didn’t even try to hide my feelings. This book was nominated for a Barry Award, and this kid was going to criticize it?
He gave me a rare humble look, squinted, and said, “I wanted more.”
The heck with the Barry nomination. R can blurb my next book and any that follow. And he’s going back to Camp next summer. We’re gonna start the paperwork earlier this year.
T is another tough kid.
Hard to reach, hard to teach, with a wall around him that would make the Chinese envious. He was in another of my math classes last year, and butting heads with him became an almost daily exercise. There were the occasional days where he let me glimpse over that wall, and what I saw was a kid who wanted to be brilliant but didn’t want the pressure that came with it. Another kid I could learn from.

Two weeks ago, T earned a one-day suspension for creative use of a belt. He spent an entire Thursday in the principal’s office. At the end of the day, the principal approached me and said that T was thinking of going to my Crooked Numbers book signing at the local Barnes & Noble. Having never said a word to me about my writing, it turned out he was perfectly comfortable telling my principal he was impressed.
Maybe you can use that,” my boss suggested.
Maybe.
The next day, I worked with T and had a very positive—wait for the intended Math pun—session with him on adding and subtracting integers. Afterwards, I took him into the hallway and presented him with a signed copy of my book referencing a brief talk we had had the day he was suspended.
To T,
This book has a lot to do with the choices people make — including the author’s.
He looked at the book and held it in a slightly different manner as R. Almost like he was afraid to break it. He didn’t say thank you—that’s not who he is. He put it in his book bag, and we both went off to lunch.
That was a week ago. He has not said a word to me about the book since. My fantasy is that T reads it, understands the hero’s motivations and wants, and becomes a more positive, confident student. I want him to show up at tonight’s reading and sit there in the audience with a look on his face that says, “That’s my teacher, man!” I want that wall to start coming down.
In reality, I’ll settle for a small crack. 

Do you have a teacher who made a difference in your life, dear readers? Let us know, and one lucky commentor will win a copy of CROOKED NUMBERS!
Tim O'Mara teaches math and special education in the New York City public schools. His debut mystery, SACRIFICE FLY was a Barry Award nominee. The novel introduces Raymond Donne, a former cop turned Brooklyn public schoolteacher. His second book, CROOKED NUMBERS, was just published. You can find out more about Tim and his books at his website, friend him on Facebook, and follow him on Twitter as @TimOMaraAuthor.
 

Friday, November 2, 2012

Teaching the Detective, a guest blog by Tim O'Mara


JULIA SPENCER-FLEMING: Most people might balk at the idea of a cop-turned special ed teacher, but since my husband is a trail attorney-turned special ed teacher, I perked up my ears when I first heard about Tim O'Mara's Sacrifice Fly. In this debut mystery, a former cop, bounced from the force when his knees blow out, has become a teacher in Brooklyn. He thinks his investigative days are over, until one of his eighth graders stops showing up for class...

Tim was inspired by his own time doing home visits as a Brooklyn teacher, and by his dealings with NYPD Youth Officers as a middle school dean. Today, he proves that detecting isn't just something the law does.



There’s something not quite right with the guy sitting across the table from me.

He knows it. I know it. But he’s not talking.

That’s why they called me. I have a rep for being good at getting guys like this to talk. To open up. If they go silent, it’s my job to pick up on the physical clues. Body language, subtle gestures, something in their eyes.

Right about now, I’m starting to think maybe they called the wrong man. This guy’s as smart as they told me he was. Probably smarter.

I decide to give him a test. A task. Something to do requiring a set of skills unique to the situation: some observable, others less so.
 

He begins easily enough. This guy may be quiet and hard to figure out, but he’s willing to please me. Most of them are. That’s what I count on. The quicker they give me what I want, the quicker they’re rid of me. That’s what they think, anyway.

I watch him for a while. I ease up out of my seat and walk to the back of the room. There’s usually not much to see from back here, but I give it a shot. I notice his back’s nice and straight. The head goes up and down more than it should, but that could just be a physical tick.
I move around to the side. Not in front of him, just enough to give me an angle to observe as he continues to work on what I’ve assigned. The head is still going up and down every three to five seconds. Too much. I look at his hands, his shoulders, his face.

And there it is. In the eyes. Poker players call it a “tell.” I call it squinting.

“You wear glasses?” I ask.

“No,” he says, careful to avoid my gaze, still plodding through the job.

“When’s the last time you had your eyes checked?”

He shrugs, and mumbles to the paper. “I don’t know. A few years ago?”

That’s too long, I think. Especially for a seventh grader.


I take a seat across the table from his parents. They’re nervous: part of them wants to hear what I have to say. The other part does not. That’s the way it is in my business. I teach special ed.
“It’s a vision thing,” I say and watch as they both let out a sigh of relief. I slide a piece of paper across the table. “Call these guys. They’re good at what they do.”

A few days pass and I get a phone call. Turns out I was right. The kid’s vision is twenty/twenty. The problem is visual tracking. It’s been a problem for a while, but the kid stayed shut, afraid he’d need glasses. He doesn’t. His eyes wander too much when he’s reading, either from the board or a book. The good news? It’s treatable with therapy. His mother tells me he’ll start next week and thanks me for my efforts.

“You’re welcome,” I say and then apologize for cutting the call short. I’ve got another kid waiting outside my room.


Did you have a teacher that inspired you? Brought out the best in you? Did you have a teacher that you swore was telepathic and had eyes in the back of her head? Tell us your about your most memorable educator, and two lucky commentors will win a copy of Sacrifice Fly.


Tim O'Mara has been teaching math and special education in the New York City public schools since 1987. He has written several short stories and is currently writing his second novel, Chin Music, another Raymond Donne mystery acquired by St. Martin's Press. For the past twelve years, he has hosted and produced a bi-weekly reading series of poetry and prose in New York's East Village. You can find out more about Tim and Sacrifice Fly at his website and on his Facebook page.