Showing posts with label sleuthfest. Show all posts
Showing posts with label sleuthfest. Show all posts

Sunday, May 25, 2014

Michael Sears: "No Such Thing as a Bad Nap"



SUSAN ELIA MACNEAL: I had the privilege of meeting Shamus Award-winner Michael Sears when we were both nominated for the Edgar Award for Best First Novel in 2012. Because it's a small world, we spoke on a panel Hank Phillipi Ryan (aka Miss Scarlett) moderated. Michael was just so calm, collected, and gracious I was always thrilled to meet up with him at other events — Bouchercon, Sleuthfest, really anywhere.


And so I'm thrilled to introduce Michael now, speaking on a topic that's also near and dear to my own heart — napping.




An Ode to the Lowly Nap


When in disgrace with fortune and men’s eyes,
When the words cease to flow and plagiarism proffers a false salvation,
When you’ve researched the derivation of the word ‘gimbal’ just to avoid placing another
desultory phrase upon the page,
When your head has bobbed for the third time in as many minutes —
Take to heart the words of my Great Aunt Nancylyn:
“There’s no such thing as a bad nap.”



MICHAEL SEARS: Winston Churchill was a famous napper.  He refused, however, to simply flop down on the divan with a clean handkerchief unfolded over his face, and his cigar near at hand in a convenient ashtray.  The man knew how to take naps.  He stripped down and got underneath the covers and slept.  Napping was serious business.  He won wars, planned the reconstruction of Europe, wrote the history of the English-speaking people, and imbibed vast amounts of non-medicinal spirits, all with the help of daily naps.

I grew up in a home where napping was allowed rather than encouraged.  My father napped before dinner most nights -- a habit he no doubt developed working shifts -- but never on a weekend.  He was always much too busy on weekends, either fixing broken pieces of house or car, cursing and grumbling throughout, or playing on his sailboat, which broke more often than anything else and yet he never cursed while repairing it.  Judging by his startle response upon being called to dinner, his naps must have been not entirely stress-free.  He napped out of necessity, not to recharge, but to prevent terminal shutdown.  (He did once fall asleep at the wheel and run off the road while coming home from working a night shift at the lab – he was a nuclear engineer – and this experience may have marked his napping dreams from then on.)  

We three older sons were in terror of being assigned the task of “getting your father up for dinner” and devised tricks, trades, and evasions to pass the chore along.  At the first querulous whisper of “Dad?” he would sit up violently and call out, “What?  What?  What?” while staring about wild-eyed like Macbeth watching Banquo at the feast.  Delivering the next single word line of our part of the script – “Dinner” – was always an anticlimax, as though we should have responded to his intensity with something worthy of it, like “The police are here!” or “The reactor blew up!” or, if not quite that dramatic, then at least the most oft-heard phrase of my childhood, “We’ve run aground.”

Wall Street, where I worked for twenty years, does not encourage napping.  Neither does my wife. I married a non-napper. So my next forays to Naplandia were stolen, feral weekend interludes with all the risks of an illicit affair (and is there any other kind?) complete with the shame of discovery.  A typical nap might be: the family arrives back at the house after cavorting in the ocean all day.  My lovely wife takes the two boys, sandy and sunburnt – better known as Jesse and Sean – and hauls them off for a quick shower and into fresh shorts and T-shirts.  I volunteer to hang the beach towels on the line and sweep the sand out of the backseat, two chores that I will, eventually, perform admirably, if not expediently.  

First, I put the seatback all the way flat, leave the driver’s side door open to capture a bit of late afternoon breeze, and close my eyes.  I am “resting.”  The sounds that are emanating from my throat and sinuses are vocal exercises that I learned as a young actor.  I am not sleeping.  As my favorite author, Patrick O’Brian, pointed out, no man born admits to having been asleep.

But in the years since I left the twenty-four/seven rule of the markets – calls from Tokyo or London broke into my sleep cycle three or four nights a week for fifteen years – I have finally learned to take a nap.

A friend recently posted to me an article which made great claims of increased productivity by nappers, but when I went online to find it, I saw that these claims are not new.  

The New York Times seems to report on the wonders of napping on a seven-year cycle, each time with the immediacy of recent discovery and announced with the kind of eye-grabbing lede usually reserved for the fall of the ruling party in England, or the discovery of a tenth planet.  I imagine that these headline writers are direct descendants of that journalist, four thousand years ago, who put pen to papyrus and informed the world, “NILE FLOODS BANK!”

Hank Phillippi Ryan, one of the illustrious authors here at Jungle Red, and a woman I now claim as a friend, gives a talk on productivity for writers, arguing that the opportunity to do what we do is so dear that the very idea of “writers block” must not be allowed.  I heard her deliver this speech earlier this year, and I took her words to heart.  I have completed three Jason Stafford novels, and am working on number four, and if the stars are very kind to me, I will continue to do this for years to come.  It is a blessing to be where I am – never a chore. 

But napping is not a retreat from this dedication, rather it is an enabler, an enhancer.  I will be productive when I am fully empowered.  And I will nap when I am not.  Churchill argued that napping for even just an hour so breaks up the day as to increase one day’s productivity to the level of two days, or at least one-and-a-half.  Winston was not a mathematician.  Yet, who would disagree?

Susan Elia MacNeal, a great fan of Winston Churchill herself, invited me to speak to the world through Jungle Red, though she may not have expected me to go on so long, or to address such a topic.  I thank her for the opportunity and dearly hope that I am invited back some day when I am better rested.



SUSAN ELIA MACNEAL: Michael, you're very welcome! Please come back soon.

Reds and readers, do you nap?

Or are you, like Michael's wife, a non-napper? 

Do you think, like Winston Churchill, naps help with creativity and productivity?

Please tell us in the comments.



Michael Sears is the Edgar-nominated, and Shamus-winning author of BLACK FRIDAYS, which introduced to the world the characters of Jason Stafford, Wall Street investigator, and his autistic son, Kid.  

His latest book is MORTAL BONDS, which explores the fallout from a massive Ponzi scheme, missing funds, and the people who will kill to recover them. 

Once he rises from his nap, Michael will finish the last round of copy edits for book #3 in the series, LONG WAY DOWN.

Thursday, February 6, 2014

What We're Writing--In which Hank takes a step forward


HANK PHILLIPPI RYAN:  Imaginary transcript of an actual conversation:

HANK: This is never going to work. I’m not kidding. This is the worst thing ever.

HUSBAND JONATHAN: Honey, you always say that. And the books are always wonderful.

HANK: Well, thanks, but this could be the time it actually doesn’t work.

Jonathan: You always say, that, too.

Hank: (considering) I do? (considering again) But this could be the time it actually doesn’t work. I mean, there’s got to be a time that it doesn’t, and it could be this is it.

Jonathan: You always say that, too.

HANK: And he’s right, I know I do, thanks to my Sue Grafton-inspired writing diary. On January 27, 2012, I wrote in that diary: “I GOT NOTHIN’” (Yes, in all caps.)
And nine months later I had THE WRONG GIRL. (An Agatha and LCC nominee!) So, yeah, proof I was wrong. I love to be wrong.

In January 2013, I wrote in the diary:  “What if I can’t do this?”

Nine months later, I had TRUTH BE TOLD. (Which I LOVE. And which will be out September 30! I am sure, ahem, you will hear more about this...)
Now, in January 2014, I am 15 pages (hurray hurray hurray!) into WHAT YOU SEE.

 I am trying to balance my terror and my excitement, trying to balance my eagerness to see find the story in this book with my absolute knowledge that I have NO IDEA what happens. Pantser city.

Now, I would never do this, usually, but we are all in this together. So here is a true first draft—no, this isn’t even a first daft. It is the crazy banged out work of a person who is just trying to get the words on the page.

 I will fix it later. And nine months from now, we can talk about it again. 

As for now, Reds:  Can you picture his scene?  Hmmm...I haven’t really described anyone. Do I need the word  "replied"? I don't think I need "replied." “Absurdly?”  How should I replace “visitor magnet”?  “Red and white” seems too easy.

Who knows how much of this part of WHAT YOU SEE—if any!--will be the same, nine months from now.  But that’s the exciting part.

  
                                                      Chapter  1
“Somebody saw something. And most of them took pictures of it.”  Detective Jake Brogan watched the uniforms try to corral the chaos of tourists and brown-bag toting Bostonians as two crime scene units unspooled parallel rolls of yellow tape.  Sirens wailed as three EMTs leaped out of their red and white ambulance, the beeping walk signal insisted clustering pedestrians should cross Congress Street, angry drivers honked their disapproval as newbie police cadets in orange webbing signaled them to stop.
Jake had heard screams through the plate glass front window of the Bell in Hand, left his carry-out roast beef sub on the counter, ran half a block. Found this.  Lunch hour, now placed on hold by murder.  
 “Wall-to-wall spectators, the good news and the bad news.”  Paul DeLuca replied, shaded his eyes with one hand. Scanned the shoulder-to-shoulder circle of onlookers. The two detectives, partners four years now, had split up to grab lunch, D opting for the corner Dunkins. DeLuca still held his iced coffee, third of the day. “Who called 911? Anybody run?”
“What we’re about to find out,” Jake said. “Most cases we catch, nobody saw anything. Here’s the opposite. Almost too many witnesses. That’s a new one.”  
In the center of the sidewalk, in the noontime shadow of the burnished bronze knee of the Mayor Curley statue, some poor soul in a white t-shirt lay face down, his running shoes splayed, a navy blue Sox cap teetering on the concrete, the hilt of a knife protruding absurdly between his shoulder blades.
The medical examiner had radioed Jake she was minutes away. They’d need to dispatch the cleanup team, too. With the fourth of July a month away, the new mayor would go ballistic over the growing puddle of red now staining this concrete pathway along the visitor-magnet Freedom Trail.  So much for the beginning of tourist season.
Across the street, the teeming marketplace behind Faneuil Hall, persistent vendors pushing Sam Adams tri-corns and Boston Strong t-shirts and cheap plastic lobster souvenirs. The visitors who had been unlucky enough to witness this noontime stabbing had just received a souvenir they might want to forget. But not until Jake picked their brains. And their cell phones. 
 “I want names. I want addresses. I want their phones and I want their cameras.” From moment one, Jake knew this would be a mess. Some of these people would lie, some would make stuff up, some would see things that never existed, some would have something to hide. Some would run. Complicating it all, he and DeLuca technically needed a warrant to seize property against a person’s will. If these onlookers knew the law, and gave them grief about it, it’d be even more of a shitshow.  He pointed his partner toward the cadets. “D, you wrangle the new kids. Tell ‘em, don’t let anyone leave.”
“Where’re we gonna put ‘em all?” DeLuca sucked a hit of coffee through a clear straw.  “The Garden? Maybe they can watch Disney on Ice while we get their deets.” 
DeLuca had a point, and even the bleachers of nearby Boston Garden sports arena were not the solution. How could Jake keep fifty or so witnesses, from little kids to one guy in a wheelchair, essentially in custody while a group of inexperienced cadets tried to collect personal information and possessions?  If they’d gone to lunch at Santarpio’s over in Eastie, where Jake had suggested, dispatch might have sent someone else to handle this.


HANK:  SO?  Reds? Does this have possibilities?

Saturday, March 5, 2011

We are Working Hard. Really.


Today Jungle Red comes to you from Deerfield Beach, Florida, where Mystery Writers of America's Florida chapter hold its annual writer's conference, Sleuthfest.

Sleuthfest is a writer's conference, rather than a fan conference, with workshops, programs, and panels designed to help aspiring writers improve their work and get it published.

This year's Guests of Honor are Denis Lehane, Meg Gardiner, and SJ Rozan--a steller line-up. Yesterday Meg Gardiner gave the keynote speech at lunch, then a poolside chat later in the afternoon. Let me repeat. POOLSIDE.

Meg is charming, gracious, articulate, and passionate about writing. In fact, I was so impressed that I bought Meg's China Lake as my first Kindle book, as in first ever.
(Marcia Talley and I pose by the pool with Meg.)

Today, Dennis Lehane will be speaking at lunch, then later giving a poolside chat about the film adaptation of his book, Gone, Baby, Gone. And tonight there's a poolside party with Heather Graham's band.


Sound fun? It is.
But it's also a great opportunity for aspiring writers to meet pros and learn what it really takes to be successful at this business, and a way for those of us in the business to stay connected, and learn about new writers. We all were, after all, fans before we were writers.

That's what it's all about.

And then there's the hot tub.

Wish you all were here.

Friday, December 24, 2010

Escape to Sleuthfest


JRW: Maybe you're in a last minute panic about a gift for a mystery writer or reader. Or maybe you're looking for a warm getaway this winter? We invited Julie Compton to come and talk to us about the Sleuthfest mystery conference, coming in March. Welcome Julie!

What is SleuthFest? Is it for writers or readers?

JULIE: SleuthFest is Florida's premier mystery writer's conference, held every year in Deerfield Beach, Florida. The conference is sponsored by the Florida Chapter of Mystery Writers of America and is usually held in late February or early March. Our next conference is just a few months away – March 3 to March 6. It's a great time of year to visit Florida, especially for our northern friends who crave some warm, balmy weather.

SleuthFest is for mystery writers and mystery fans alike. Third Degree Thursday is chock full of hands-on workshops that focus on the craft of writing, but the Friday and Saturday schedule is loaded with workshops, panels and other events that will appeal to both writers and fans. We're a smaller conference, so fans have a chance to mingle and meet some of their favorite authors in an intimate setting.

Tell us about the special features of the conference that set your
event apart from some of the other mystery conferences.

Florida in March!

Seriously, although Florida in March may be reason enough for some, SleuthFest offers so much more. Our Third Degree Thursday continues to grow in popularity, so in response, we've expanded the schedule to include more workshops, with beginner, intermediate and advanced tracks to benefit writers at all levels. We also have a full track each day devoted to forensics. We have our SleuthFest 101 Dinner, where first-timers have the opportunity to meet other first-timers and learn how to get the most from their SleuthFest experience. We have Readers Corner, where unpublished writers have a chance to read a ten minute segment of their work and get feedback from listeners (and if there’s time, published writers can read, too). After the end of the regular programming on Friday and Saturday, our guests of honor will participate in a book discussion (poolside!) with attendees. Friday night is movie night. This year we'll show Gone, Baby, Gone, which will be followed by a film discussion with a surprise guest. We have our Author Auction, where guests can bid to win, for example, manuscript critiques by bestselling authors or the chance to name a character in their next books. On Saturday night, we have the Agents and Editors Poolside Cocktail Party. It's a great chance to meet an agent or editor in a casual setting. If you're a fan of more structured meetings, you can sign up for a pitch session.

To see everything SleuthFest offers, including the workshop and panel topics, check out the full schedule at www.sleuthfest.com.

Oh, and did I mention SleuthFest is held in Florida?


You have two guests of honor this year and a Spotlight Speaker--tell us about those writers.

We are so pleased to have bestselling authors Dennis Lehane and Meg Gardiner join us this March as our guests of honor.

Dennis Lehane is the critically acclaimed author of nine novels, including Mystic River, Gone, Baby Gone, and Shutter Island, and the recently released Moonlight Mile. Mystic River was a finalist for the PEN/Winship Award and won both the Anthony Award and the Barry Award for Best Novel as well as the Massachusetts Book Award in Fiction given by the Massachusetts Center for the Book.

Meg Gardiner is an award winning author of eight novels, including China Lake, which won a 2009 Edgar, The Dirty Secrets Club, which won the Romantic Times Reviewers' Choice Award in 2008, and her most recent, The Liar's Lullaby.

We’re also happy to welcome S.J. Rozan as our Thursday Spotlight Speaker. S.J. is the author of twelve novels. Her work has won the Edgar, Shamus, Anthony, Nero, and Macavity awards for Best Novel and the Edgar for Best Short Story. She's also the recipient of the Japanese Maltese Falcon Award.

How much does it cost to attend SleuthFest?

Our early bird discounted pricing is available until January 15, 2011, and it starts at $235 for MWA members, $255 for non-members. (I say “starts” because some things are extra, such as the SleuthFest 101 dinner.) The hotel, the Hilton Deerfield Beach, has kept our low rate of $139 per night.

As a special incentive to register early, everyone who registers before December 31, 2010 will be entered in a drawing to win signed books by Dennis Lehane and Meg Gardiner, plus a 10 page manuscript critique by one of the agents or editors in attendance.

Anything else you’d like readers to know?

Just that it’s a great conference and would make a great gift for yourself or for the mystery writer or fan in your family! Personally, SleuthFest was the first mystery conference I ever attended, and I didn’t know a soul. I was welcomed with open arms by the MWA Florida chapter members and immediately made to feel part of the family.

Beyond that, almost anything readers might want to know about the conference can be found on the website at www.sleuthfest.com. They’ll find a pretty extensive Frequently Asked Questions page. I also invite anyone who has questions to email me at julie@julie-compton.com. If I don’t know the answer, I’ll find someone who does.

Roberta, thank you for allowing me to tell your readers about the conference!

Monday, July 30, 2007

On Critiques






"People ask you for criticism,
.....but they only want praise."
Somerset Maugham

I really don't know what I was thinking. Swept up in the auction atmosphere, some months ago I bid on and won, a thirty page critique by an author I admire, Stuart Kaminsky. One month passed, then two, then I shelved the book I was writing and took my series character on a different adventure closer to home. I had just started that book when I got a friendly reminder from the folks at Sleuthfest about my critique. Now, I don't belong to a writing group, I don't have that one trusted soul who sees my scribblings long before anyone else does (every time I show anything to my husband, he tells me I'm great. Good for the ego, but not especially helpful.) So I'm not used to showing anyone my writing before I'm ready.
Stuart Kaminsky is not my husband, and chances are, he's not going to tell me I'm great. How do you handle criticism in the early stages of a book?
HALLIE: With gratitude and taking copious notes. I think the biggest mistake I've seen authors make is to argue with the poor soul whose only misstep thus far in life has been to offer to critique a manuscript. The author goes into overdrive, explaining WHY it's written the way it is when s/he should shut up, listen, and try to understand why it's not working. Hey, everyone's early draft needs work. And I'm so jealous that Stuart Kaminsky is giving your 30 pages a once-over. Can't wait to read your "after" blog.

JAN: You've got to remember, Stuart Kaminisky wouldn't have volunteered to do this, if he didn't think he could do it with diplomacy. Unless a fellow writer is completely insensitive, he's going to understand that you are at a vulnerable stage. In other words, he's not going to rip you to shreds, he's just going to offer constructive advice, which you must have wanted when you bid on this particular prize. I've gone from worrying what my writers group is going to say -- years ago -- to hoping they can figure out what's wrong with a particular scene or chapter. Critique is a good thing. And if it's off the mark for your particular book, you'll know that too. Have confidence, Ro! This is growth!
HANK: Open mind! Insert good ideas. We're so--okay, I'll say it, I'M so-- competitive. I always want to get the A grade or win or be the best or get the pat on the head. But with a critique, we have to remember that's not the goal. It's not like you're getting a grade. You're getting the use of an expert's experience, ideas, opinion, imagination, secrets. And that someone has offered to help you get to another place. Praise is nice, and any thoughtful critiquer will give it. But the real value is in the fixes. The open doors. The pointing in the right direction so you can be the best you can be.
I've had 18 news directors in my 22 years in Boston TV. Each reads the scripts of my investigative stories before they go on the air. Some news directors are so savvy, I can't wait to see how they'll tweak to make the stories better. A critique from an experienced, careful, clever person? It's incredibly exciting.

Ro: You guys are so supportive! I love it.. I'm ready... Bring him on!

Friday, April 27, 2007

Girls Just Wanna have Fun....


















I confess I was back and forth on whether to even go to Sleuthfest. My first book is 10 months
from publication, I didn't know anyone else who was going, and I'd heard that it was a much smaller event than Malice Domestic. Besides...Florida...all those blondes, all that conditioned air...
Well, imagine my surprise. There were a few ups and downs - one or two panels that weren't what I expected, and I couldn't get the Mets/Marlins games in the hotel, go figure, but that aside, Sleuthfest was terrific. One of the advantages of its being a somewhat smaller show is that you can actually have some face time with panelists, ask a lot of questions, and feel like you get to know some of your fellow attendees. I hung with Catherine and Joanne a lot but had a chance to chat up Shannon, Demetra, Karen, Rhonda, Chris, and lots of other writers.
Especially generous with information was Nancy J. Cohen, http://www.nancyjcohen.com/ author of The Bad Hair Day Mysteries who handled all of her panel duties professionally (and with handouts!) as opposed to just bloviating about "her craft."
Two highlights for me - needless to say the picture above is one. The incredibly generous Kate White http://www.katewhite.com/ and Linda Fairstein http://www.lindafairstein.com/ who cheerfully submitted to the photo op, and proved they really were that cool at their interview, and book signings the next day. The other highlight was the Sleuthfest auction, where I'm thrilled to say I scored a critique by Stuart Kaminsky http://www.stuartkaminsky.com/. Needless to say, I will be rewriting that baby a few dozen times before submitting it to the master. Another highlight? JAKonrath's Workshop. The patron saint of new writers, Konrath writes the Newbie's Guide to Publishing...chockfull of good advice ...check it out at www.jakonrath.com.

Rosemary